Courting Failure: Women and the Law in Twentieth-Century Literature

For the past twenty years, the law and literature movement has been gaining ground. More recently, a feminist perspective has enriched the field. With Courting Failure: Women and the Law in Twentieth-Century Literature, Heidi Slettedahl Macpherson adds a compelling voice to the discussion. Courting Failure critically explores the representation of women, fictional and historical, in conflict with the law. Macpherson focuses on the judicial system and the staging of women's guilt, examining both the female suspect and the female victim in a wide variety of media, including novels like Toni Morrison's Beloved and Margaret Atwood's Alias Grace, theatrical plays, movies such as I Want to Live! and Legally Blonde, and the television series Ally McBeal. In these texts and others, canonical or popular, Macpherson exposes the court as an arena in which women often fail, or succeed only by subverting the system. Combining feminist literary theory with the discourse of the law and literature movement, Courting Failure is a highly readable and analytically rigorous study of justice and gender on the page and screen.

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Courting Failure: Women and the Law in Twentieth-Century Literature

For the past twenty years, the law and literature movement has been gaining ground. More recently, a feminist perspective has enriched the field. With Courting Failure: Women and the Law in Twentieth-Century Literature, Heidi Slettedahl Macpherson adds a compelling voice to the discussion. Courting Failure critically explores the representation of women, fictional and historical, in conflict with the law. Macpherson focuses on the judicial system and the staging of women's guilt, examining both the female suspect and the female victim in a wide variety of media, including novels like Toni Morrison's Beloved and Margaret Atwood's Alias Grace, theatrical plays, movies such as I Want to Live! and Legally Blonde, and the television series Ally McBeal. In these texts and others, canonical or popular, Macpherson exposes the court as an arena in which women often fail, or succeed only by subverting the system. Combining feminist literary theory with the discourse of the law and literature movement, Courting Failure is a highly readable and analytically rigorous study of justice and gender on the page and screen.

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Courting Failure: Women and the Law in Twentieth-Century Literature

Courting Failure: Women and the Law in Twentieth-Century Literature

by Heidi Slettedahl Macpherson
Courting Failure: Women and the Law in Twentieth-Century Literature

Courting Failure: Women and the Law in Twentieth-Century Literature

by Heidi Slettedahl Macpherson

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Overview

For the past twenty years, the law and literature movement has been gaining ground. More recently, a feminist perspective has enriched the field. With Courting Failure: Women and the Law in Twentieth-Century Literature, Heidi Slettedahl Macpherson adds a compelling voice to the discussion. Courting Failure critically explores the representation of women, fictional and historical, in conflict with the law. Macpherson focuses on the judicial system and the staging of women's guilt, examining both the female suspect and the female victim in a wide variety of media, including novels like Toni Morrison's Beloved and Margaret Atwood's Alias Grace, theatrical plays, movies such as I Want to Live! and Legally Blonde, and the television series Ally McBeal. In these texts and others, canonical or popular, Macpherson exposes the court as an arena in which women often fail, or succeed only by subverting the system. Combining feminist literary theory with the discourse of the law and literature movement, Courting Failure is a highly readable and analytically rigorous study of justice and gender on the page and screen.


Product Details

ISBN-13: 9781931968485
Publisher: University of Akron Press, The
Publication date: 09/30/2007
Series: Series on Law, Politics, and Society
Pages: 292
Product dimensions: 6.00(w) x 9.00(h) x 0.80(d)

About the Author

Heidi Slettedahl Macpherson is Professor and Dean of Humanities at De Montfort University, England. She is the author of Women's Movement: Escape as Transgression in North American Feminist Fiction (2000) and the coeditor of Transatlantic Studies (2000), New Perspectives in Transatlantic Studies (2002), and Britain and the Americas: Culture, Politics and History (2005).

Table of Contents

Acknowledgments ix

Introduction Literature, Law, and Desire 1

Chapter One Prison, Passion, and the Female Gaze 31

Chapter Two Pursuit of Property: Neoslave Narratives and the Law 55

Chapter Three "Mother Knows Best": Women, Children, and the Law 104

Chapter Four Staging the Scene: Women, Drama, and the Law 149

Chapter Five Spectacular Expectations: Women, Film, and the Law 172

Conclusion Courting Success 224

Notes 239

Bibliography 269

Index 286

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