Dead of Night

by J. D. Robb, Mary Blayney, Ruth Ryan Langan, Mary Kay McComas

Overview

Nora Roberts, writing as J.D. Robb, puts futuristic lieutenant Eve Dallas in a supernatural showdown with a most seductive criminal: a vampire.

An ancient coin whisks an American woman and a modern-day earl into the past-and into each other's arms-in a stirring tale from Mary Blayney.

When a city girl visits a Scottish castle in Ruth Ryan Langan's story, she is thrust into a timeless romance with a mighty Highland laird.

And Mary Kay McComas gives an unhappy wife a magic-carpet ride into an alternate reality to show her the grass isn't always greener.

Product Details

ISBN-13:	9780515143676
Publisher:	Penguin Publishing Group
Publication date:	10/30/2007
Pages:	400
Sales rank:	85,839
Product dimensions:	4.18(w) x 6.73(h) x 1.03(d)
Age Range:	18 Years

About the Author

J.D. Robb is the pseudonym for a number one New York Times bestselling author of more than 190 novels, including the futuristic suspense In Death series. There are more than 400 million copies of her books in print.

Hometown:

Keedysville, Maryland

Date of Birth:

1950

Place of Birth:

Silver Spring, Maryland

Website:

http://www.noraroberts.com/

Editorial Reviews

Robb (aka Nora Roberts) is indeed the headliner, but this all-new four-novella anthology definitely doesn't suffer from "standout single" syndrome-this one's all killer, no filler. In Robb's opener, a courageous female cop with a troubled past clashes with a bloodthirsty, unnaturally powerful mystery man who promises his enthralled victims immortality: charismatic con artist, or much worse? Blayney follows with the story of an enigmatic old coin that transports an American tourist and an oddly aristocratic bartender into a Regency-era adventure. In Langan's, another unsuspecting American time-traveler stumbles into romance with a 15th-century Scottish warlord who believes she's his kidnapped wife. And in McComas's, a bored housewife takes a magic carpet ride to an alternate universe do-over of her marriage. Though they don't always keep a straight face, occasionally tipping from fantasy into farce-for instance, a canny medieval Scottish ruler blithely accepting a 21st-century designer pant suit as regulation female barbarian dress-such lapses are minor; the biggest fault readers will find is that these intriguing characters are taken away so quickly (especially in Blayney's frustratingly rushed resolution). (Nov.)

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Publishers Weekly