Doomraga's Revenge (Merlin Series #7)

by T. A. Barron

Overview

Basil becomes Merlin's partner as they battle the mysterious shadows that threaten the new Avalon.

A dark magic has been spreading across Avalon. Initially, the events seemed unrelated: a war in Fireroot between the dwarves and the fire dragons, blight in Stoneroot, and disputes throughout the realms. But as Merlin and Basil scour the realms, they begin to realize that looming behind the growing chaos is a single dark threat—an enemy that they’ve never encountered. One that must be stopped before all of Avalon is lost.

In this jaw-dropping sequel to the mega-hit Merlin’s Dragon, T. A. Barron sends Merlin, Rhia, and Basil, the greatest dragon ever, on a mission across Avalon to root out this new enemy. But sacrifices will be made, relationships will be tested, and precious lives will be lost.

Product Details

ISBN-13:	9780142419250
Publisher:	Penguin Young Readers Group
Publication date:	06/09/2011
Series:	Merlin Saga Series , #7
Pages:	272
Product dimensions:	5.06(w) x 7.75(h) x 0.67(d)
Lexile:	870L (what's this?)
Age Range:	10 - 14 Years

About the Author

T.A. Barron is the award-winning author of fantasy novels such as The Lost Years of Merlin epic—soon to be a major motion picture. He serves on a variety of environmental and educational boards including The Nature Conservancy and The Land and Water Fund of the Rockies, and is the founder of a national award for heroic children. Following a life-changing decision to leave a successful business career to write full-time in 1990, Barron has written seventeen books, but is happiest when on the mountain trails with his wife, Currie, and their five children.

Interviews

Write Well, Live Fully

An essay for aspiring writers

by T. A. Barron

The wise and wonderful writer, Madeleine L'Engle, once told me: "There are three essential rules for writing a novel." She paused, then added, "Unfortunately, no one knows what they are." That sums up the situation! But after more than twenty years of writing books, I can also add these thoughts: Writing is the most joyous — and also the most agonizing — labor that I know. And it is by far the best way to travel — in our world or any other. Every author has an individual approach to the creative process, and every author's experience is different — except for the essential elements of hard work, inspiration...and magic. Whenever people (of whatever age) ask me about the writing process, I start by telling them how much I still have to learn. This is, after all, a craft — and no matter how much someone knows, there is always more to learn and explore. That's one of my favorite qualities of the writer's craft: The horizon of excellence is ever receding. We can always improve, which means we can always grow as people. Before I give you my best advice on writing ... here is a bit of wisdom from that well-known sage, Snoopy: My own advice to new writers boils down to three words: Observe. Practice. Believe. From: The T. A. Barron Official Website www.tabarron.com Let's look at them one at a time: Observe. Notice the world around you, in deep detail. How do different people speak, with their voices, faces, hands, and posture? How do different types of trees' leaves fall to the ground, each with a singular sort of flight? How do different ideas stir your passions, fears, hopes, and dreams? And don't just notice the surface of things, the sights and sounds that first strike your senses. Go deeper. Ask yourself how something would feel; wonder what is that person's deepest, darkest secret. If you truly observe the world ... it becomes a fruitful source of writing ideas and elements. Then just add a little drop of your imagination, bend the rules of reality, and anything is possible! On top of helping your writing, observing the world closely has one more advantage. And it's a big one. This is a good way to live, to be more wholly alive. Being a writer encourages you to live more fully. Practice. Write every chance you can. Keep a journal. Write poems, whether you prefer haiku poetry, sonnets, or enormous epics. Write letters, plays, short stories, blogs, novels — whatever gets you excited. Writing is hard, full of struggle, and greatly demanding ... but it is also deeply rewarding. And practice makes you better, just as practice makes you more skillful at everything from baking a pie to piloting a spacecraft. A lot of this comes down to discipline. Sometimes the last thing I want to do on a particular day is sit at my desk at home in Colorado and write. I'd rather be playing with my kids, baking bread, or hiking on a mountain trail. But I stay with my writing because I know that's the only way it will ever happen. So … if you can find the discipline to practice, the magic of language will become more present and familiar over time. And your powers as a writer will surely grow. Believe. This is, perhaps, the most challenging part about writing. To succeed, you must truly believe in your story — in each of its characters, in its place, and in its underlying ideas. And then, even more difficult, you must believe in yourself. What can I say to encourage you? Just this: Know that you have valuable things to say, and the skills to say them. Know that your song is unique, that your voice matters. Think of writing as growing a tree. In the soil of your writer's heart, you have an idea—a seed. But it will need plenty of sunlight, air, and nourishing soil to grow. How does this happen? I can only tell you how it works for me, but for every writer the process is different. When I sit down to start a novel, a process that will take between one and three years, I begin with that seed. It helps me to sketch it out, in longhand, just to get to know it better. In time, I will write an outline of its growth, though I'm always aware that outlines are only a beginning, a rough concept. As the seed sprouts into a sapling during the first draft of the manuscript (which, old fashioned that I am, I also write longhand), the outline is abandoned. For by now the tree itself is guiding my work. I believe in it, and listen closely to its inner voice — to its soul. Several more rewrites help me shape the growing tree. I try to develop characters, places (which are much more than merely backdrops to the story, deserving all the depth and subtlety of characters), plot lines, and the story's underlying ideas. When at last I feel satisfied that it is truly formed, I show a manuscript to my editor. Her comments and questions are sometimes not what I'd hoped to hear, but they are always valuable. After all, she is my ally, my fellow gardener. From: The T. A. Barron Official Website www.tabarron.com Now come more rewrites. People often ask me how much rewriting I do. The answer is, quite simply, as much as it takes to get it right. You see, there is no substitute for the integrating and deepening that happens in a thorough rewrite. Quite often, I am also doing research at this stage, to make the story's characters and places feel true. That, indeed, is the ultimate test. Paradoxical as it may sound, good fiction is true on many levels. That's right! Fiction must feel true. On the levels of the senses, the emotions, the intellect, and the soul, a story ought to win the reader's belief. Characters, if well developed, become so real that they can walk right off the page — for both writer and reader. That is true regardless of whether the character is a man, woman, child, tree, mountain, or magical snow crystal. Sometimes I stop writing the story I am crafting and write a brief biographical sketch of one character — just to get to know that character better. How do I know when a character is fully formed? When I can, at last, hear his or her voice. No aspect of a character's description is as revealing as the voice. And then, if that voice is true, the newly-created character will lean over to me and whisper his or her deepest secret. Now, at last, the book is a thriving young tree, though it has yet to bear fruit. I still need to do more revising — but at this point the work is quite delicate, just trimming a few branches. Neuroscience is just beginning to illuminate how our brains work. But we do know this about writing: Connecting with both the left and right halves of the brain is crucial, for the creative process is both rational and metaphorical, logical and mysterious. Finally, the tree stands fully grown. It reaches high and has surprisingly deep roots. Maybe it also holds a wondrous crop of fruit. And perhaps, when the wind whistles through its branches, it brings to mind some secret, half-remembered song. Best wishes from your fellow writer, T.A. Barron

Editorial Reviews

Infused with Barron's usual sharp consciousness of the natural world...this episodic middle volume of the Merlin's Dragon trilogy...sets the stage for a grand finale.

Booklist

In the sequel to Merlin's Dragon (Philomel, 2008/VOYA August 2008), Basil is now a giant dragon—described as being as big as a mountain—who works with Merlin to maintain peace in the kingdom of Avalon. The action begins as Basil helps a group of dwarves fight off the ferocious Lo Valdearg, Fireroot's most fearsome dragon. This catalyst is just a portent of things to come. Disputes have been forming throughout the kingdom, orchestrated by a beast named Doomraga (meaning darker than dark) who is plotting revenge in hopes of destroying Avalon. Eventually the action culminates in a great battle that leaves readers on the edge of their seats as Doomraga sends a signal to its master, the spirit warlord Rhita Gawr. Barron's use of language is spot on in depicting the fierceness of the dragons and battles: "When, at last, the roar faded away, another sound remained . . . The shrieks of children about to die." He is especially accurate in creating the language of Avalon as readers would imagine it. Book two in this series contains everything that fantasy fans look for: action, adventure, humor, magical creatures, and noble heroes. As always, Barron proves he is the go-to author for teen fantasy about Merlin. This book will find a home in school and public libraries, and with all fantasy lovers. Reviewer: Karen Jensen

VOYA - Karen Jensen

Gr 6 Up—Basil has become accustomed to his large size as a powerful dragon, his new name, and his greater role in the fate of his world. With Avalon teetering on the edge of catastrophe, he and Merlin search for ways to squelch the violence erupting throughout the realms. The action is packed with battles between dragons and dwarfs, crows and terns, and many more creatures of Avalon. Readers will also find new love, loss, and relationships on the brink. Unfortunately, the book suffers extensively from middle book syndrome. Too many subplots cause Basil, Merlin, and readers to lose sight of Rhita Gawr. As for Doomraga, readers will have to wait for the cliff-hanger ending to learn who he is, and for book three to read about his revenge. Of course, even with the problems, no one can compare to Barron when writing about Merlin or Avalon. Once again, he brings texture, color, and love to the seven realms. His many fans will gobble up this new offering, but new readers will need to start with book one.—Lisa Marie Williams, East Gwillimbury Public Library, Holland Landing, Ontario

School Library Journal