The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead.  Nothing has been the same since. More than twenty years later, the quest for the Dark Tower continues to take readers on a wildly epic ride. Through parallel worlds and across time, Roland must brave desolate wastelands and endless deserts, drifting into the unimaginable and the familiar. A classic tale of colossal scope—crossing over terrain from The Stand, The Eyes of the Dragon, Insomnia, The Talisman, Black House, Hearts in Atlantis, ’Salem’s Lot, and other familiar King haunts—the adventure takes hold with the turn of each page.

And the tower awaits....

The Second Volume in the Epic Dark Tower Series…

The Drawing of the Three

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland is drawn through a mysterious door that brings him into contemporary America.

Here he links forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.

Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.

1101012938
The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead.  Nothing has been the same since. More than twenty years later, the quest for the Dark Tower continues to take readers on a wildly epic ride. Through parallel worlds and across time, Roland must brave desolate wastelands and endless deserts, drifting into the unimaginable and the familiar. A classic tale of colossal scope—crossing over terrain from The Stand, The Eyes of the Dragon, Insomnia, The Talisman, Black House, Hearts in Atlantis, ’Salem’s Lot, and other familiar King haunts—the adventure takes hold with the turn of each page.

And the tower awaits....

The Second Volume in the Epic Dark Tower Series…

The Drawing of the Three

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland is drawn through a mysterious door that brings him into contemporary America.

Here he links forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.

Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.

8.99 Out Of Stock
The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

by Stephen King
The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

The Drawing of the Three (Dark Tower Series #2) (Revised Edition)

by Stephen King

Paperback(Mass Market Paperback - Revised)

$8.99 
  • SHIP THIS ITEM
    Temporarily Out of Stock Online
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead.  Nothing has been the same since. More than twenty years later, the quest for the Dark Tower continues to take readers on a wildly epic ride. Through parallel worlds and across time, Roland must brave desolate wastelands and endless deserts, drifting into the unimaginable and the familiar. A classic tale of colossal scope—crossing over terrain from The Stand, The Eyes of the Dragon, Insomnia, The Talisman, Black House, Hearts in Atlantis, ’Salem’s Lot, and other familiar King haunts—the adventure takes hold with the turn of each page.

And the tower awaits....

The Second Volume in the Epic Dark Tower Series…

The Drawing of the Three

While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland is drawn through a mysterious door that brings him into contemporary America.

Here he links forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.

Once again, Stephen King has masterfully interwoven dark, evocative fantasy and icy realism.


Product Details

ISBN-13: 9780451210852
Publisher: Penguin Publishing Group
Publication date: 08/28/2003
Series: Dark Tower Series
Edition description: Revised
Pages: 480
Product dimensions: 4.17(w) x 6.88(h) x 1.29(d)
Age Range: 18 Years

About the Author

About The Author

Stephen King lives in Maine and Florida with his wife, novelist Tabitha King. He has written more than forty books and two hundred short stories. He has won the World Fantasy Award, several Bram Stoker awards, and the O. Henry Award for his story “The Man in the Black Suit,” and is the 2003 recipient of The National Book Foundation Medal for Distinguished Contribution to American Letters.

His Dark Tower books include: The Gunslinger, The Drawing of the Three, The Waste Lands, Wizard and Glass, The Wind Through the Keyhole, Wolves of the Calla, Song of Susannah, and The Dark Tower.

Hometown:

Bangor, Maine

Date of Birth:

September 21, 1947

Place of Birth:

Portland, Maine

Education:

B.S., University of Maine at Orono, 1970

Read an Excerpt

CHAPTER 1

The Door

1

Three. This is the number of your fate.

Three?

Yes, three is mystic. Three stands at the heart of the mantra.

Which three?

The first is dark-haired. He stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN.

Which demon is that? I know it not, even from nursery stories.

He tried to speak but his voice was gone, the voice of the oracle, Star-Slut, Whore of the Winds, both were gone; he saw a card fluttering down from nowhere to nowhere, turning and turning in the lazy dark. On it a baboon grinned from over the shoulder of a young man with dark hair; its disturbingly human fingers were buried so deeply in the young man's neck that their tips had disappeared in flesh. Looking more closely, the gunslinger saw the baboon held a whip in one of those clutching, strangling hands. The face of the ridden man seemed to writhe in wordless terror.

The Prisoner, the man in black (who had once been a man the gunslinger trusted, a man named Walter) whispered chummily. A trifle upsetting, isn't he? A trifle upsetting ... a trifle upsetting ... a trifle-

2

The gunslinger snapped awake, waving at something with his mutilated hand, sure that in a moment one of the monstrous shelled things from the Western Sea would drop on him, desperately enquiring in its foreign tongue as it pulled his face off his skull.

Instead a sea-bird, attracted by the glister of the morning sun on the buttons of his shirt, wheeled away with a frightened squawk.

Roland sat up.

His hand throbbed wretchedly, endlessly. His right foot did the same. Both fingers and toe continued to insist they were there. The bottom half of his shirt was gone; what was left resembled a ragged vest. He had used one piece to bind his hand, the other to bind his foot.

Go away, he told the absent parts of his body. You are ghosts now. Go away.

It helped a little. Not much, but a little. They were ghosts, all right, but lively ghosts.

The gunslinger ate jerky. His mouth wanted it little, his stomach less, but he insisted. When it was inside him, he felt a little stronger. There was not much left, though; he was nearly up against it.

Yet things needed to be done.

He rose unsteadily to his feet and looked about. Birds swooped and dived, but the world seemed to belong to only him and them. The monstrosities were gone. Perhaps they were nocturnal; perhaps tidal. At the moment it seemed to make no difference.

The sea was enormous, meeting the horizon at a misty blue point that was impossible to determine. For a long moment the gunslinger forgot his agony in its contemplation. He had never seen such a body of water. Had heard of it in children's stories, of course, had even been assured by his teachers-some, at least-that it existed-but to actually see it, this immensity, this amazement of water after years of arid land, was difficult to accept ... difficult to even see.

He looked at it for a long time, enrapt, making himself see it, temporarily forgetting his pain in wonder.

But it was morning, and there were still things to be done.

He felt for the jawbone in his back pocket, careful to lead with the palm of his right hand, not wanting the stubs of his fingers to encounter it if it was still there, changing that hand's ceaseless sobbing to screams.

It was.

All right.

Next.

He clumsily unbuckled his gunbelts and laid them on a sunny rock. He removed the guns, swung the chambers out, and removed the useless shells. He threw them away. A bird settled on the bright gleam tossed back by one of them, picked it up in its beak, then dropped it and flew away.

The guns themselves must be tended to, should have been tended to before this, but since no gun in this world or any other was more than a club without ammunition, he laid the gunbelts themselves over his lap before doing anything else and carefully ran his left hand over the leather.

Each of them was damp from buckle and clasp to the point where the belts would cross his hips; from that point they seemed dry. He carefully removed each shell from the dry portions of the belts. His right hand kept trying to do this job, insisted on forgetting its reduction in spite of the pain, and he found himself returning it to his knee again and again, like a dog too stupid or fractious to heel. In his distracted pain he came close to swatting it once or twice.

I see serious problems ahead, he thought again.

He put these shells, hopefully still good, in a pile that was dishearteningly small. Twenty. Of those, a few would almost certainly misfire. He could depend on none of them. He removed the rest and put them in another pile. Thirty-seven.

Well, you weren't heavy loaded, anyway, he thought, but he recognized the difference between fifty-seven live rounds and what might be twenty. Or ten. Or five. Or one. Or none.

He put the dubious shells in a second pile.

He still had his purse. That was one thing. He put it in his lap and then slowly disassembled his guns and performed the ritual of cleaning. By the time he was finished, two hours had passed and his pain was so intense his head reeled with it; conscious thought had become difficult. He wanted to sleep. He had never wanted that more in his life. But in the service of duty there was never any acceptable reason for denial.

"Cort," he said in a voice that he couldn't recognize, and laughed dryly.

Slowly, slowly, he reassembled his revolvers and loaded them with the shells he presumed to be dry. When the job was done, he held the one made for his left hand, cocked it ... and then slowly lowered the hammer again. He wanted to know, yes. Wanted to know if there would be a satisfying report when he squeezed the trigger or only another of those useless clicks. But a click would mean nothing, and a report would only reduce twenty to nineteen ... or nine ... or three ... or none.

He tore away another piece of his shirt, put the other shells-the ones which had been wetted-in it, and tied it, using his left hand and his teeth. He put them in his purse.

Sleep, his body demanded. Sleep, you must sleep, now, before dark, there's nothing left, you're used up- He tottered to his feet and looked up and down the deserted strand. It was the color of an undergarment which has gone a long time without washing, littered with sea-shells which had no color. Here and there large rocks protruded from the gross-grained sand, and these were covered with guano, the older layers the yellow of ancient teeth, the fresher splotches white.

The high-tide line was marked with drying kelp. He could see pieces of his right boot and his waterskins lying near that line. He thought it almost a miracle that the skins hadn't been washed out to sea by high-surging waves. Walking slowly, limping exquisitely, the gunslinger made his way to where they were. He picked up one of them and shook it by his ear. The other was empty. This one still had a little water left in it. Most would not have been able to tell the difference between the two, but the gunslinger knew each just as well as a mother knows which of her identical twins is which. He had been travelling with these waterskins for a long, long time. Water sloshed inside. That was good-a gift. Either the creature which had attacked him or any of the others could have torn this or the other open with one casual bite or slice of claw, but none had and the tide had spared it. Of the creature itself there was no sign, although the two of them had finished far above the tide-line. Perhaps other predators had taken it; perhaps its own kind had given it a burial at sea, as the elaphaunts, giant creatures of whom he had heard in childhood stories, were reputed to bury their own dead.

He lifted the waterskin with his left elbow, drank deeply, and felt some strength come back into him. The right boot was of course ruined ... but then he felt a spark of hope. The foot itself was intact-scarred but intact-and it might be possible to cut the other down to match it, to make something which would last at least awhile.... Faintness stole over him. He fought it but his knees unhinged and he sat down, stupidly biting his tongue.

You won't fall unconscious, he told himself grimly. Not here, not where another of those things can come back tonight and finish the job.

So he got to his feet and tied the empty skin about his waist, but he had only gone twenty yards back toward the place where he had left his guns and purse when he fell down again, half-fainting. He lay there awhile, one cheek pressed against the sand, the edge of a seashell biting against the edge of his jaw almost deep enough to draw blood. He managed to drink from the waterskin, and then he crawled back to the place where he had awakened. There was a Joshua tree twenty yards up the slope-it was stunted, but it would offer at least some shade.

To Roland the twenty yards looked like twenty miles.

Nonetheless, he laboriously pushed what remained of his possessions into that little puddle of shade. He lay there with his head in the grass, already fading toward what could be sleep or unconsciousness or death. He looked into the sky and tried to judge the time. Not noon, but the size of the puddle of shade in which he rested said noon was close. He held on a moment longer, turning his right arm over and bringing it close to his eyes, looking for the telltale red lines of infection, of some poison seeping steadily toward the middle of him.

The palm of his hand was a dull red. Not a good sign.

I jerk off left-handed, he thought, at least that's something.

Then darkness took him, and he slept for the next sixteen hours with the sound of the Western Sea pounding ceaselessly in his dreaming ears.

3

When the gunslinger awoke again the sea was dark but there was faint light in the sky to the east. Morning was on its way. He sat up and waves of dizziness almost overcame him.

He bent his head and waited.

When the faintness had passed, he looked at his hand. It was infected, all right-a tell-tale red swelling that spread up the palm and to the wrist. It stopped there, but already he could see the faint beginnings of other red lines, which would lead eventually to his heart and kill him. He felt hot, feverish.

I need medicine, he thought. But there is no medicine here.

Had he come this far just to die, then? He would not. And if he were to die in spite of his determination, he would die on his way to the Tower.

How remarkable you are, gunslinger! the man in black tittered inside his head. How indomitable! How romantic in your stupid obsession!

"Fuck you," he croaked, and drank. Not much water left, either. There was a whole sea in front of him, for all the good it could do him; water, water everywhere, but not a drop to drink. Never mind.

He buckled on his gunbelts, tied them-this was a process which took so long that before he was done the first faint light of dawn had brightened to the day's actual prologue-and then tried to stand up. He was not convinced he could do it until it was done.

Holding to the Joshua tree with his left hand, he scooped up the not-quite-empty waterskin with his right arm and slung it over his shoulder. Then his purse. When he straightened, the faintness washed over him again and he put his head down, waiting, willing.

The faintness passed.

Walking with the weaving, wavering steps of a man in the last stages of ambulatory drunkenness, the gunslinger made his way back down to the strand. He stood, looking at an ocean as dark as mulberry wine, and then took the last of his jerky from his purse. He ate half, and this time both mouth and stomach accepted a little more willingly. He turned and ate the other half as he watched the sun come up over the mountains where Jake had died-first seeming to catch on the cruel and treeless teeth of those peaks, then rising above them.

Roland held his face to the sun, closed his eyes, and smiled. He ate the rest of his jerky.

He thought: Very well. I am now a man with no food, with two less fingers and one less toe than I was born with; I am a gunslinger with shells which may not fire; I am sickening from a monster's bite and have no medicine; I have a day's water if I'm lucky; I may be able to walk perhaps a dozen miles if I press myself to the last extremity. I am, in short, a man on the edge of everything.

Which way should he walk? He had come from the east; he could not walk west without the powers of a saint or a savior. That left north and south.

North.

That was the answer his heart told. There was no question in it.

North.

The gunslinger began to walk.

4

He walked for three hours. He fell twice, and the second time he did not believe he would be able to get up again. Then a wave came toward him, close enough to make him remember his guns, and he was up before he knew it, standing on legs that quivered like stilts.

He thought he had managed about four miles in those three hours. Now the sun was growing hot, but not hot enough to explain the way his head pounded or the sweat pouring down his face; nor was the breeze from the sea strong enough to explain the sudden fits of shuddering which sometimes gripped him, making his body lump into gooseflesh and his teeth chatter.

Fever, gunslinger, the man in black tittered. What's left inside you has been touched afire.

The red lines of infection were more pronounced now; they had marched upward from his right wrist halfway to his elbow.

He made another mile and drained his waterbag dry. He tied it around his waist with the other. The landscape was monotonous and unpleasing. The sea to his right, the mountains to his left, the gray, shell-littered sand under the feet of his cut-down boots. The waves came and went. He looked for the lobstrosities and saw none. He walked out of nowhere toward nowhere, a man from another time who, it seemed, had reached a point of pointless ending.

Shortly before noon he fell again and knew he could not get up. This was the place, then. Here. This was the end, after all.

On his hands and knees, he raised his head like a groggy fighter ... and some distance ahead, perhaps a mile, perhaps three (it was difficult to judge distances along the unchanging reach of the strand with the fever working inside him, making his eyeballs pulse in and out), he saw something new. Something which stood upright on the beach.

What was it?

(three)

Didn't matter.

(three is the number of your fate)

The gunslinger managed to get to his feet again. He croaked something, some plea which only the circling seabirds heard (and how happy they would be to gobble my eyes from my head, he thought, how happy to have such a tasty bit!), and walked on, weaving more seriously now, leaving tracks behind him that were weird loops and swoops.

He kept his eyes on whatever it was that stood on the strand ahead. When his hair fell in his eyes he brushed it aside. It seemed to grow no closer. The sun reached the roof of the sky, where it seemed to remain far too long. Roland imagined he was in the desert again, somewhere between the last outlander's hut (the musical fruit the more you eat the more you toot) and the way-station where the boy (your Isaac) had awaited his coming.

His knees buckled, straightened, buckled, straightened again. When his hair fell in his eyes once more he did not bother to push it back; did not have the strength to push it back. He looked at the object, which now cast a narrow shadow back toward the upland, and kept walking.

He could make it out now, fever or no fever.

It was a door.

Less than a quarter of a mile from it, Roland's knees buckled again and this time he could not stiffen their hinges. He fell, his right hand dragged across gritty sand and shells, the stumps of his fingers screamed as fresh scabs were scored away. The stumps began to bleed again.

So he crawled. Crawled with the steady rush, roar, and retreat of the Western Sea in his ears. He used his elbows and his knees, digging grooves in the sand above the twist of dirty green kelp which marked the high-tide line. He supposed the wind was still blowing-it must be, for the chills continued to whip through his body-but the only wind he could hear was the harsh gale which gusted in and out of his own lungs.

The door grew closer.

Closer.

At last, around three o'clock of that long delirious day, with his shadow beginning to grow long on his left, he reached it. He sat back on his haunches and regarded it wearily.

It stood six and a half feet high and appeared to be made of solid ironwood, although the nearest ironwood tree must grow seven hundred miles or more from here. The doorknob looked as if it were made of gold, and it was filigreed with a design which the gunslinger finally recognized: it was the grinning face of the baboon.

There was no keyhole in the knob, above it, or below it.

The door had hinges, but they were fastened to nothing-or so it seems, the gunslinger thought. This is a mystery, a most marvellous mystery, but does it really matter? You are dying. Your own mystery-the only one that really matters to any man or woman in the end- approaches.

All the same, it did seem to matter.

This door. This door where no door should be. It simply stood there on the gray strand twenty feet above the high-tide line, seemingly as eternal as the sea itself, now casting the slanted shadow of its thickness toward the east as the sun westered.

Written upon it in black letters two-thirds of the way up, written in the high speech, were two words:

THE PRISONER A demon has infested him. The name of the demon is HEROIN.

The gunslinger could hear a low droning noise. At first he thought it must be the wind or a sound in his own feverish head, but he became more and more convinced that the sound was the sound of motors ... and that it was coming from behind the door.

Open it then. It's not locked. You know it's not locked.

Instead he tottered gracelessly to his feet and walked above the door and around to the other side.

There was no other side.

—from The Drawing of the Three: The Dark Tower II by Stephen King, copyright © 1982, 2003 Stephen King, published by Viking , a member of The Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //—

CHAPTER 1

The Door

1

Three. This is the number of your fate.

Three?

Yes, three is mystic. Three stands at the heart of the mantra.

Which three?

The first is dark-haired. He stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN.

Which demon is that? I know it not, even from nursery stories.

He tried to speak but his voice was gone, the voice of the oracle, Star-Slut, Whore of the Winds, both were gone; he saw a card fluttering down from nowhere to nowhere, turning and turning in the lazy dark. On it a baboon grinned from over the shoulder of a young man with dark hair; its disturbingly human fingers were buried so deeply in the young man's neck that their tips had disappeared in flesh. Looking more closely, the gunslinger saw the baboon held a whip in one of those clutching, strangling hands. The face of the ridden man seemed to writhe in wordless terror.

The Prisoner, the man in black (who had once been a man the gunslinger trusted, a man named Walter) whispered chummily. A trifle upsetting, isn't he? A trifle upsetting ... a trifle upsetting ... a trifle-

2

The gunslinger snapped awake, waving at something with his mutilated hand, sure that in a moment one of the monstrous shelled things from the Western Sea would drop on him, desperately enquiring in its foreign tongue as it pulled his face off his skull.

Instead a sea-bird, attracted by the glister of the morning sun on the buttons of his shirt, wheeled away with a frightened squawk.

Roland sat up.

His hand throbbed wretchedly, endlessly. His right foot did the same. Both fingers and toe continued to insist they were there. The bottom half of his shirt was gone; what was left resembled a ragged vest. He had used one piece to bind his hand, the other to bind his foot.

Go away, he told the absent parts of his body. You are ghosts now. Go away.

It helped a little. Not much, but a little. They were ghosts, all right, but lively ghosts.

The gunslinger ate jerky. His mouth wanted it little, his stomach less, but he insisted. When it was inside him, he felt a little stronger. There was not much left, though; he was nearly up against it.

Yet things needed to be done.

He rose unsteadily to his feet and looked about. Birds swooped and dived, but the world seemed to belong to only him and them. The monstrosities were gone. Perhaps they were nocturnal; perhaps tidal. At the moment it seemed to make no difference.

The sea was enormous, meeting the horizon at a misty blue point that was impossible to determine. For a long moment the gunslinger forgot his agony in its contemplation. He had never seen such a body of water. Had heard of it in children's stories, of course, had even been assured by his teachers-some, at least-that it existed-but to actually see it, this immensity, this amazement of water after years of arid land, was difficult to accept ... difficult to even see.

He looked at it for a long time, enrapt, making himself see it, temporarily forgetting his pain in wonder.

But it was morning, and there were still things to be done.

He felt for the jawbone in his back pocket, careful to lead with the palm of his right hand, not wanting the stubs of his fingers to encounter it if it was still there, changing that hand's ceaseless sobbing to screams.

It was.

All right.

Next.

He clumsily unbuckled his gunbelts and laid them on a sunny rock. He removed the guns, swung the chambers out, and removed the useless shells. He threw them away. A bird settled on the bright gleam tossed back by one of them, picked it up in its beak, then dropped it and flew away.

The guns themselves must be tended to, should have been tended to before this, but since no gun in this world or any other was more than a club without ammunition, he laid the gunbelts themselves over his lap before doing anything else and carefully ran his left hand over the leather.

Each of them was damp from buckle and clasp to the point where the belts would cross his hips; from that point they seemed dry. He carefully removed each shell from the dry portions of the belts. His right hand kept trying to do this job, insisted on forgetting its reduction in spite of the pain, and he found himself returning it to his knee again and again, like a dog too stupid or fractious to heel. In his distracted pain he came close to swatting it once or twice.

I see serious problems ahead, he thought again.

He put these shells, hopefully still good, in a pile that was dishearteningly small. Twenty. Of those, a few would almost certainly misfire. He could depend on none of them. He removed the rest and put them in another pile. Thirty-seven.

Well, you weren't heavy loaded, anyway, he thought, but he recognized the difference between fifty-seven live rounds and what might be twenty. Or ten. Or five. Or one. Or none.

He put the dubious shells in a second pile.

He still had his purse. That was one thing. He put it in his lap and then slowly disassembled his guns and performed the ritual of cleaning. By the time he was finished, two hours had passed and his pain was so intense his head reeled with it; conscious thought had become difficult. He wanted to sleep. He had never wanted that more in his life. But in the service of duty there was never any acceptable reason for denial.

"Cort," he said in a voice that he couldn't recognize, and laughed dryly.

Slowly, slowly, he reassembled his revolvers and loaded them with the shells he presumed to be dry. When the job was done, he held the one made for his left hand, cocked it ... and then slowly lowered the hammer again. He wanted to know, yes. Wanted to know if there would be a satisfying report when he squeezed the trigger or only another of those useless clicks. But a click would mean nothing, and a report would only reduce twenty to nineteen ... or nine ... or three ... or none.

He tore away another piece of his shirt, put the other shells-the ones which had been wetted-in it, and tied it, using his left hand and his teeth. He put them in his purse.

Sleep, his body demanded. Sleep, you must sleep, now, before dark, there's nothing left, you're used up- He tottered to his feet and looked up and down the deserted strand. It was the color of an undergarment which has gone a long time without washing, littered with sea-shells which had no color. Here and there large rocks protruded from the gross-grained sand, and these were covered with guano, the older layers the yellow of ancient teeth, the fresher splotches white.

The high-tide line was marked with drying kelp. He could see pieces of his right boot and his waterskins lying near that line. He thought it almost a miracle that the skins hadn't been washed out to sea by high-surging waves. Walking slowly, limping exquisitely, the gunslinger made his way to where they were. He picked up one of them and shook it by his ear. The other was empty. This one still had a little water left in it. Most would not have been able to tell the difference between the two, but the gunslinger knew each just as well as a mother knows which of her identical twins is which. He had been travelling with these waterskins for a long, long time. Water sloshed inside. That was good-a gift. Either the creature which had attacked him or any of the others could have torn this or the other open with one casual bite or slice of claw, but none had and the tide had spared it. Of the creature itself there was no sign, although the two of them had finished far above the tide-line. Perhaps other predators had taken it; perhaps its own kind had given it a burial at sea, as the elaphaunts, giant creatures of whom he had heard in childhood stories, were reputed to bury their own dead.

He lifted the waterskin with his left elbow, drank deeply, and felt some strength come back into him. The right boot was of course ruined ... but then he felt a spark of hope. The foot itself was intact-scarred but intact-and it might be possible to cut the other down to match it, to make something which would last at least awhile.... Faintness stole over him. He fought it but his knees unhinged and he sat down, stupidly biting his tongue.

You won't fall unconscious, he told himself grimly. Not here, not where another of those things can come back tonight and finish the job.

So he got to his feet and tied the empty skin about his waist, but he had only gone twenty yards back toward the place where he had left his guns and purse when he fell down again, half-fainting. He lay there awhile, one cheek pressed against the sand, the edge of a seashell biting against the edge of his jaw almost deep enough to draw blood. He managed to drink from the waterskin, and then he crawled back to the place where he had awakened. There was a Joshua tree twenty yards up the slope-it was stunted, but it would offer at least some shade.

To Roland the twenty yards looked like twenty miles.

Nonetheless, he laboriously pushed what remained of his possessions into that little puddle of shade. He lay there with his head in the grass, already fading toward what could be sleep or unconsciousness or death. He looked into the sky and tried to judge the time. Not noon, but the size of the puddle of shade in which he rested said noon was close. He held on a moment longer, turning his right arm over and bringing it close to his eyes, looking for the telltale red lines of infection, of some poison seeping steadily toward the middle of him.

The palm of his hand was a dull red. Not a good sign.

I jerk off left-handed, he thought, at least that's something.

Then darkness took him, and he slept for the next sixteen hours with the sound of the Western Sea pounding ceaselessly in his dreaming ears.

3

When the gunslinger awoke again the sea was dark but there was faint light in the sky to the east. Morning was on its way. He sat up and waves of dizziness almost overcame him.

He bent his head and waited.

When the faintness had passed, he looked at his hand. It was infected, all right-a tell-tale red swelling that spread up the palm and to the wrist. It stopped there, but already he could see the faint beginnings of other red lines, which would lead eventually to his heart and kill him. He felt hot, feverish.

I need medicine, he thought. But there is no medicine here.

Had he come this far just to die, then? He would not. And if he were to die in spite of his determination, he would die on his way to the Tower.

How remarkable you are, gunslinger! the man in black tittered inside his head. How indomitable! How romantic in your stupid obsession!

"Fuck you," he croaked, and drank. Not much water left, either. There was a whole sea in front of him, for all the good it could do him; water, water everywhere, but not a drop to drink. Never mind.

He buckled on his gunbelts, tied them-this was a process which took so long that before he was done the first faint light of dawn had brightened to the day's actual prologue-and then tried to stand up. He was not convinced he could do it until it was done.

Holding to the Joshua tree with his left hand, he scooped up the not-quite-empty waterskin with his right arm and slung it over his shoulder. Then his purse. When he straightened, the faintness washed over him again and he put his head down, waiting, willing.

The faintness passed.

Walking with the weaving, wavering steps of a man in the last stages of ambulatory drunkenness, the gunslinger made his way back down to the strand. He stood, looking at an ocean as dark as mulberry wine, and then took the last of his jerky from his purse. He ate half, and this time both mouth and stomach accepted a little more willingly. He turned and ate the other half as he watched the sun come up over the mountains where Jake had died-first seeming to catch on the cruel and treeless teeth of those peaks, then rising above them.

Roland held his face to the sun, closed his eyes, and smiled. He ate the rest of his jerky.

He thought: Very well. I am now a man with no food, with two less fingers and one less toe than I was born with; I am a gunslinger with shells which may not fire; I am sickening from a monster's bite and have no medicine; I have a day's water if I'm lucky; I may be able to walk perhaps a dozen miles if I press myself to the last extremity. I am, in short, a man on the edge of everything.

Which way should he walk? He had come from the east; he could not walk west without the powers of a saint or a savior. That left north and south.

North.

That was the answer his heart told. There was no question in it.

North.

The gunslinger began to walk.

4

He walked for three hours. He fell twice, and the second time he did not believe he would be able to get up again. Then a wave came toward him, close enough to make him remember his guns, and he was up before he knew it, standing on legs that quivered like stilts.

He thought he had managed about four miles in those three hours. Now the sun was growing hot, but not hot enough to explain the way his head pounded or the sweat pouring down his face; nor was the breeze from the sea strong enough to explain the sudden fits of shuddering which sometimes gripped him, making his body lump into gooseflesh and his teeth chatter.

Fever, gunslinger, the man in black tittered. What's left inside you has been touched afire.

The red lines of infection were more pronounced now; they had marched upward from his right wrist halfway to his elbow.

He made another mile and drained his waterbag dry. He tied it around his waist with the other. The landscape was monotonous and unpleasing. The sea to his right, the mountains to his left, the gray, shell-littered sand under the feet of his cut-down boots. The waves came and went. He looked for the lobstrosities and saw none. He walked out of nowhere toward nowhere, a man from another time who, it seemed, had reached a point of pointless ending.

Shortly before noon he fell again and knew he could not get up. This was the place, then. Here. This was the end, after all.

On his hands and knees, he raised his head like a groggy fighter ... and some distance ahead, perhaps a mile, perhaps three (it was difficult to judge distances along the unchanging reach of the strand with the fever working inside him, making his eyeballs pulse in and out), he saw something new. Something which stood upright on the beach.

What was it?

(three)

Didn't matter.

(three is the number of your fate)

The gunslinger managed to get to his feet again. He croaked something, some plea which only the circling seabirds heard (and how happy they would be to gobble my eyes from my head, he thought, how happy to have such a tasty bit!), and walked on, weaving more seriously now, leaving tracks behind him that were weird loops and swoops.

He kept his eyes on whatever it was that stood on the strand ahead. When his hair fell in his eyes he brushed it aside. It seemed to grow no closer. The sun reached the roof of the sky, where it seemed to remain far too long. Roland imagined he was in the desert again, somewhere between the last outlander's hut (the musical fruit the more you eat the more you toot) and the way-station where the boy (your Isaac) had awaited his coming.

His knees buckled, straightened, buckled, straightened again. When his hair fell in his eyes once more he did not bother to push it back; did not have the strength to push it back. He looked at the object, which now cast a narrow shadow back toward the upland, and kept walking.

He could make it out now, fever or no fever.

It was a door.

Less than a quarter of a mile from it, Roland's knees buckled again and this time he could not stiffen their hinges. He fell, his right hand dragged across gritty sand and shells, the stumps of his fingers screamed as fresh scabs were scored away. The stumps began to bleed again.

So he crawled. Crawled with the steady rush, roar, and retreat of the Western Sea in his ears. He used his elbows and his knees, digging grooves in the sand above the twist of dirty green kelp which marked the high-tide line. He supposed the wind was still blowing-it must be, for the chills continued to whip through his body-but the only wind he could hear was the harsh gale which gusted in and out of his own lungs.

The door grew closer.

Closer.

At last, around three o'clock of that long delirious day, with his shadow beginning to grow long on his left, he reached it. He sat back on his haunches and regarded it wearily.

It stood six and a half feet high and appeared to be made of solid ironwood, although the nearest ironwood tree must grow seven hundred miles or more from here. The doorknob looked as if it were made of gold, and it was filigreed with a design which the gunslinger finally recognized: it was the grinning face of the baboon.

There was no keyhole in the knob, above it, or below it.

The door had hinges, but they were fastened to nothing-or so it seems, the gunslinger thought. This is a mystery, a most marvellous mystery, but does it really matter? You are dying. Your own mystery-the only one that really matters to any man or woman in the end- approaches.

All the same, it did seem to matter.

This door. This door where no door should be. It simply stood there on the gray strand twenty feet above the high-tide line, seemingly as eternal as the sea itself, now casting the slanted shadow of its thickness toward the east as the sun westered.

Written upon it in black letters two-thirds of the way up, written in the high speech, were two words:

THE PRISONER A demon has infested him. The name of the demon is HEROIN.

The gunslinger could hear a low droning noise. At first he thought it must be the wind or a sound in his own feverish head, but he became more and more convinced that the sound was the sound of motors ... and that it was coming from behind the door.

Open it then. It's not locked. You know it's not locked.

Instead he tottered gracelessly to his feet and walked above the door and around to the other side.

There was no other side.

—from The Drawing of the Three: The Dark Tower II by Stephen King, copyright © 1982, 2003 Stephen King, published by Viking , a member of The Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //—

After his confrontation with the man in black at the end of The Gunslinger, Roland awakes to find three doors on the beach of Mid-World's Western Sea-each leading to New York City but at three different moments in time. Through these doors, Roland must "draw" three figures crucial to his quest for the Dark Tower. In 1987, he finds Eddie Dean, The Prisoner, a heroin addict. In 1964, he meets Odetta Holmes, the Lady of Shadows, a young African-American heiress who lost her lower legs in a subway accident and gained a second personality that rages within her. And in 1977, he encounters Jack mort, Death, a pusher responsible for cruelties beyond imagining. Has Roland found new companions to form the ka-tet of his quest? Or has he unleashed something else entirely?

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //—

CHAPTER 1

The Door

1

Three. This is the number of your fate.

Three?

Yes, three is mystic. Three stands at the heart of the mantra.

Which three?

The first is dark-haired. He stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN.

Which demon is that? I know it not, even from nursery stories.

He tried to speak but his voice was gone, the voice of the oracle, Star-Slut, Whore of the Winds, both were gone; he saw a card fluttering down from nowhere to nowhere, turning and turning in the lazy dark. On it a baboon grinned from over the shoulder of a young man with dark hair; its disturbingly human fingers were buried so deeply in the young man's neck that their tips had disappeared in flesh. Looking more closely, the gunslinger saw the baboon held a whip in one of those clutching, strangling hands. The face of the ridden man seemed to writhe in wordless terror.

The Prisoner, the man in black (who had once been a man the gunslinger trusted, a man named Walter) whispered chummily. A trifle upsetting, isn't he? A trifle upsetting ... a trifle upsetting ... a trifle-

2

The gunslinger snapped awake, waving at something with his mutilated hand, sure that in a moment one of the monstrous shelled things from the Western Sea would drop on him, desperately enquiring in its foreign tongue as it pulled his face off his skull.

Instead a sea-bird, attracted by the glister of the morning sun on the buttons of his shirt, wheeled away with a frightened squawk.

Roland sat up.

His hand throbbed wretchedly, endlessly. His right foot did the same. Both fingers and toe continued to insist they were there. The bottom half of his shirt was gone; what was left resembled a ragged vest. He had used one piece to bind his hand, the other to bind his foot.

Go away, he told the absent parts of his body. You are ghosts now. Go away.

It helped a little. Not much, but a little. They were ghosts, all right, but lively ghosts.

The gunslinger ate jerky. His mouth wanted it little, his stomach less, but he insisted. When it was inside him, he felt a little stronger. There was not much left, though; he was nearly up against it.

Yet things needed to be done.

He rose unsteadily to his feet and looked about. Birds swooped and dived, but the world seemed to belong to only him and them. The monstrosities were gone. Perhaps they were nocturnal; perhaps tidal. At the moment it seemed to make no difference.

The sea was enormous, meeting the horizon at a misty blue point that was impossible to determine. For a long moment the gunslinger forgot his agony in its contemplation. He had never seen such a body of water. Had heard of it in children's stories, of course, had even been assured by his teachers-some, at least-that it existed-but to actually see it, this immensity, this amazement of water after years of arid land, was difficult to accept ... difficult to even see.

He looked at it for a long time, enrapt, making himself see it, temporarily forgetting his pain in wonder.

But it was morning, and there were still things to be done.

He felt for the jawbone in his back pocket, careful to lead with the palm of his right hand, not wanting the stubs of his fingers to encounter it if it was still there, changing that hand's ceaseless sobbing to screams.

It was.

All right.

Next.

He clumsily unbuckled his gunbelts and laid them on a sunny rock. He removed the guns, swung the chambers out, and removed the useless shells. He threw them away. A bird settled on the bright gleam tossed back by one of them, picked it up in its beak, then dropped it and flew away.

The guns themselves must be tended to, should have been tended to before this, but since no gun in this world or any other was more than a club without ammunition, he laid the gunbelts themselves over his lap before doing anything else and carefully ran his left hand over the leather.

Each of them was damp from buckle and clasp to the point where the belts would cross his hips; from that point they seemed dry. He carefully removed each shell from the dry portions of the belts. His right hand kept trying to do this job, insisted on forgetting its reduction in spite of the pain, and he found himself returning it to his knee again and again, like a dog too stupid or fractious to heel. In his distracted pain he came close to swatting it once or twice.

I see serious problems ahead, he thought again.

He put these shells, hopefully still good, in a pile that was dishearteningly small. Twenty. Of those, a few would almost certainly misfire. He could depend on none of them. He removed the rest and put them in another pile. Thirty-seven.

Well, you weren't heavy loaded, anyway, he thought, but he recognized the difference between fifty-seven live rounds and what might be twenty. Or ten. Or five. Or one. Or none.

He put the dubious shells in a second pile.

He still had his purse. That was one thing. He put it in his lap and then slowly disassembled his guns and performed the ritual of cleaning. By the time he was finished, two hours had passed and his pain was so intense his head reeled with it; conscious thought had become difficult. He wanted to sleep. He had never wanted that more in his life. But in the service of duty there was never any acceptable reason for denial.

"Cort," he said in a voice that he couldn't recognize, and laughed dryly.

Slowly, slowly, he reassembled his revolvers and loaded them with the shells he presumed to be dry. When the job was done, he held the one made for his left hand, cocked it ... and then slowly lowered the hammer again. He wanted to know, yes. Wanted to know if there would be a satisfying report when he squeezed the trigger or only another of those useless clicks. But a click would mean nothing, and a report would only reduce twenty to nineteen ... or nine ... or three ... or none.

He tore away another piece of his shirt, put the other shells-the ones which had been wetted-in it, and tied it, using his left hand and his teeth. He put them in his purse.

Sleep, his body demanded. Sleep, you must sleep, now, before dark, there's nothing left, you're used up- He tottered to his feet and looked up and down the deserted strand. It was the color of an undergarment which has gone a long time without washing, littered with sea-shells which had no color. Here and there large rocks protruded from the gross-grained sand, and these were covered with guano, the older layers the yellow of ancient teeth, the fresher splotches white.

The high-tide line was marked with drying kelp. He could see pieces of his right boot and his waterskins lying near that line. He thought it almost a miracle that the skins hadn't been washed out to sea by high-surging waves. Walking slowly, limping exquisitely, the gunslinger made his way to where they were. He picked up one of them and shook it by his ear. The other was empty. This one still had a little water left in it. Most would not have been able to tell the difference between the two, but the gunslinger knew each just as well as a mother knows which of her identical twins is which. He had been travelling with these waterskins for a long, long time. Water sloshed inside. That was good-a gift. Either the creature which had attacked him or any of the others could have torn this or the other open with one casual bite or slice of claw, but none had and the tide had spared it. Of the creature itself there was no sign, although the two of them had finished far above the tide-line. Perhaps other predators had taken it; perhaps its own kind had given it a burial at sea, as the elaphaunts, giant creatures of whom he had heard in childhood stories, were reputed to bury their own dead.

He lifted the waterskin with his left elbow, drank deeply, and felt some strength come back into him. The right boot was of course ruined ... but then he felt a spark of hope. The foot itself was intact-scarred but intact-and it might be possible to cut the other down to match it, to make something which would last at least awhile.... Faintness stole over him. He fought it but his knees unhinged and he sat down, stupidly biting his tongue.

You won't fall unconscious, he told himself grimly. Not here, not where another of those things can come back tonight and finish the job.

So he got to his feet and tied the empty skin about his waist, but he had only gone twenty yards back toward the place where he had left his guns and purse when he fell down again, half-fainting. He lay there awhile, one cheek pressed against the sand, the edge of a seashell biting against the edge of his jaw almost deep enough to draw blood. He managed to drink from the waterskin, and then he crawled back to the place where he had awakened. There was a Joshua tree twenty yards up the slope-it was stunted, but it would offer at least some shade.

To Roland the twenty yards looked like twenty miles.

Nonetheless, he laboriously pushed what remained of his possessions into that little puddle of shade. He lay there with his head in the grass, already fading toward what could be sleep or unconsciousness or death. He looked into the sky and tried to judge the time. Not noon, but the size of the puddle of shade in which he rested said noon was close. He held on a moment longer, turning his right arm over and bringing it close to his eyes, looking for the telltale red lines of infection, of some poison seeping steadily toward the middle of him.

The palm of his hand was a dull red. Not a good sign.

I jerk off left-handed, he thought, at least that's something.

Then darkness took him, and he slept for the next sixteen hours with the sound of the Western Sea pounding ceaselessly in his dreaming ears.

3

When the gunslinger awoke again the sea was dark but there was faint light in the sky to the east. Morning was on its way. He sat up and waves of dizziness almost overcame him.

He bent his head and waited.

When the faintness had passed, he looked at his hand. It was infected, all right-a tell-tale red swelling that spread up the palm and to the wrist. It stopped there, but already he could see the faint beginnings of other red lines, which would lead eventually to his heart and kill him. He felt hot, feverish.

I need medicine, he thought. But there is no medicine here.

Had he come this far just to die, then? He would not. And if he were to die in spite of his determination, he would die on his way to the Tower.

How remarkable you are, gunslinger! the man in black tittered inside his head. How indomitable! How romantic in your stupid obsession!

"Fuck you," he croaked, and drank. Not much water left, either. There was a whole sea in front of him, for all the good it could do him; water, water everywhere, but not a drop to drink. Never mind.

He buckled on his gunbelts, tied them-this was a process which took so long that before he was done the first faint light of dawn had brightened to the day's actual prologue-and then tried to stand up. He was not convinced he could do it until it was done.

Holding to the Joshua tree with his left hand, he scooped up the not-quite-empty waterskin with his right arm and slung it over his shoulder. Then his purse. When he straightened, the faintness washed over him again and he put his head down, waiting, willing.

The faintness passed.

Walking with the weaving, wavering steps of a man in the last stages of ambulatory drunkenness, the gunslinger made his way back down to the strand. He stood, looking at an ocean as dark as mulberry wine, and then took the last of his jerky from his purse. He ate half, and this time both mouth and stomach accepted a little more willingly. He turned and ate the other half as he watched the sun come up over the mountains where Jake had died-first seeming to catch on the cruel and treeless teeth of those peaks, then rising above them.

Roland held his face to the sun, closed his eyes, and smiled. He ate the rest of his jerky.

He thought: Very well. I am now a man with no food, with two less fingers and one less toe than I was born with; I am a gunslinger with shells which may not fire; I am sickening from a monster's bite and have no medicine; I have a day's water if I'm lucky; I may be able to walk perhaps a dozen miles if I press myself to the last extremity. I am, in short, a man on the edge of everything.

Which way should he walk? He had come from the east; he could not walk west without the powers of a saint or a savior. That left north and south.

North.

That was the answer his heart told. There was no question in it.

North.

The gunslinger began to walk.

4

He walked for three hours. He fell twice, and the second time he did not believe he would be able to get up again. Then a wave came toward him, close enough to make him remember his guns, and he was up before he knew it, standing on legs that quivered like stilts.

He thought he had managed about four miles in those three hours. Now the sun was growing hot, but not hot enough to explain the way his head pounded or the sweat pouring down his face; nor was the breeze from the sea strong enough to explain the sudden fits of shuddering which sometimes gripped him, making his body lump into gooseflesh and his teeth chatter.

Fever, gunslinger, the man in black tittered. What's left inside you has been touched afire.

The red lines of infection were more pronounced now; they had marched upward from his right wrist halfway to his elbow.

He made another mile and drained his waterbag dry. He tied it around his waist with the other. The landscape was monotonous and unpleasing. The sea to his right, the mountains to his left, the gray, shell-littered sand under the feet of his cut-down boots. The waves came and went. He looked for the lobstrosities and saw none. He walked out of nowhere toward nowhere, a man from another time who, it seemed, had reached a point of pointless ending.

Shortly before noon he fell again and knew he could not get up. This was the place, then. Here. This was the end, after all.

On his hands and knees, he raised his head like a groggy fighter ... and some distance ahead, perhaps a mile, perhaps three (it was difficult to judge distances along the unchanging reach of the strand with the fever working inside him, making his eyeballs pulse in and out), he saw something new. Something which stood upright on the beach.

What was it?

(three)

Didn't matter.

(three is the number of your fate)

The gunslinger managed to get to his feet again. He croaked something, some plea which only the circling seabirds heard (and how happy they would be to gobble my eyes from my head, he thought, how happy to have such a tasty bit!), and walked on, weaving more seriously now, leaving tracks behind him that were weird loops and swoops.

He kept his eyes on whatever it was that stood on the strand ahead. When his hair fell in his eyes he brushed it aside. It seemed to grow no closer. The sun reached the roof of the sky, where it seemed to remain far too long. Roland imagined he was in the desert again, somewhere between the last outlander's hut (the musical fruit the more you eat the more you toot) and the way-station where the boy (your Isaac) had awaited his coming.

His knees buckled, straightened, buckled, straightened again. When his hair fell in his eyes once more he did not bother to push it back; did not have the strength to push it back. He looked at the object, which now cast a narrow shadow back toward the upland, and kept walking.

He could make it out now, fever or no fever.

It was a door.

Less than a quarter of a mile from it, Roland's knees buckled again and this time he could not stiffen their hinges. He fell, his right hand dragged across gritty sand and shells, the stumps of his fingers screamed as fresh scabs were scored away. The stumps began to bleed again.

So he crawled. Crawled with the steady rush, roar, and retreat of the Western Sea in his ears. He used his elbows and his knees, digging grooves in the sand above the twist of dirty green kelp which marked the high-tide line. He supposed the wind was still blowing-it must be, for the chills continued to whip through his body-but the only wind he could hear was the harsh gale which gusted in and out of his own lungs.

The door grew closer.

Closer.

At last, around three o'clock of that long delirious day, with his shadow beginning to grow long on his left, he reached it. He sat back on his haunches and regarded it wearily.

It stood six and a half feet high and appeared to be made of solid ironwood, although the nearest ironwood tree must grow seven hundred miles or more from here. The doorknob looked as if it were made of gold, and it was filigreed with a design which the gunslinger finally recognized: it was the grinning face of the baboon.

There was no keyhole in the knob, above it, or below it.

The door had hinges, but they were fastened to nothing-or so it seems, the gunslinger thought. This is a mystery, a most marvellous mystery, but does it really matter? You are dying. Your own mystery-the only one that really matters to any man or woman in the end- approaches.

All the same, it did seem to matter.

This door. This door where no door should be. It simply stood there on the gray strand twenty feet above the high-tide line, seemingly as eternal as the sea itself, now casting the slanted shadow of its thickness toward the east as the sun westered.

Written upon it in black letters two-thirds of the way up, written in the high speech, were two words:

THE PRISONER A demon has infested him. The name of the demon is HEROIN.

The gunslinger could hear a low droning noise. At first he thought it must be the wind or a sound in his own feverish head, but he became more and more convinced that the sound was the sound of motors ... and that it was coming from behind the door.

Open it then. It's not locked. You know it's not locked.

Instead he tottered gracelessly to his feet and walked above the door and around to the other side.

There was no other side.

—from The Drawing of the Three: The Dark Tower II by Stephen King, copyright © 1982, 2003 Stephen King, published by Viking , a member of The Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //—

After his confrontation with the man in black at the end of The Gunslinger, Roland awakes to find three doors on the beach of Mid-World's Western Sea-each leading to New York City but at three different moments in time. Through these doors, Roland must "draw" three figures crucial to his quest for the Dark Tower. In 1987, he finds Eddie Dean, The Prisoner, a heroin addict. In 1964, he meets Odetta Holmes, the Lady of Shadows, a young African-American heiress who lost her lower legs in a subway accident and gained a second personality that rages within her. And in 1977, he encounters Jack mort, Death, a pusher responsible for cruelties beyond imagining. Has Roland found new companions to form the ka-tet of his quest? Or has he unleashed something else entirely?

"); } else { document.write(""); } //—

CHAPTER 1

The Door

1

Three. This is the number of your fate.

Three?

Yes, three is mystic. Three stands at the heart of the mantra.

Which three?

The first is dark-haired. He stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN.

Which demon is that? I know it not, even from nursery stories.

He tried to speak but his voice was gone, the voice of the oracle, Star-Slut, Whore of the Winds, both were gone; he saw a card fluttering down from nowhere to nowhere, turning and turning in the lazy dark. On it a baboon grinned from over the shoulder of a young man with dark hair; its disturbingly human fingers were buried so deeply in the young man's neck that their tips had disappeared in flesh. Looking more closely, the gunslinger saw the baboon held a whip in one of those clutching, strangling hands. The face of the ridden man seemed to writhe in wordless terror.

The Prisoner, the man in black (who had once been a man the gunslinger trusted, a man named Walter) whispered chummily. A trifle upsetting, isn't he? A trifle upsetting ... a trifle upsetting ... a trifle-

2

The gunslinger snapped awake, waving at something with his mutilated hand, sure that in a moment one of the monstrous shelled things from the Western Sea would drop on him, desperately enquiring in its foreign tongue as it pulled his face off his skull.

Instead a sea-bird, attracted by the glister of the morning sun on the buttons of his shirt, wheeled away with a frightened squawk.

Roland sat up.

His hand throbbed wretchedly, endlessly. His right foot did the same. Both fingers and toe continued to insist they were there. The bottom half of his shirt was gone; what was left resembled a ragged vest. He had used one piece to bind his hand, the other to bind his foot.

Go away, he told the absent parts of his body. You are ghosts now. Go away.

It helped a little. Not much, but a little. They were ghosts, all right, but lively ghosts.

The gunslinger ate jerky. His mouth wanted it little, his stomach less, but he insisted. When it was inside him, he felt a little stronger. There was not much left, though; he was nearly up against it.

Yet things needed to be done.

He rose unsteadily to his feet and looked about. Birds swooped and dived, but the world seemed to belong to only him and them. The monstrosities were gone. Perhaps they were nocturnal; perhaps tidal. At the moment it seemed to make no difference.

The sea was enormous, meeting the horizon at a misty blue point that was impossible to determine. For a long moment the gunslinger forgot his agony in its contemplation. He had never seen such a body of water. Had heard of it in children's stories, of course, had even been assured by his teachers-some, at least-that it existed-but to actually see it, this immensity, this amazement of water after years of arid land, was difficult to accept ... difficult to even see.

He looked at it for a long time, enrapt, making himself see it, temporarily forgetting his pain in wonder.

But it was morning, and there were still things to be done.

He felt for the jawbone in his back pocket, careful to lead with the palm of his right hand, not wanting the stubs of his fingers to encounter it if it was still there, changing that hand's ceaseless sobbing to screams.

It was.

All right.

Next.

He clumsily unbuckled his gunbelts and laid them on a sunny rock. He removed the guns, swung the chambers out, and removed the useless shells. He threw them away. A bird settled on the bright gleam tossed back by one of them, picked it up in its beak, then dropped it and flew away.

The guns themselves must be tended to, should have been tended to before this, but since no gun in this world or any other was more than a club without ammunition, he laid the gunbelts themselves over his lap before doing anything else and carefully ran his left hand over the leather.

Each of them was damp from buckle and clasp to the point where the belts would cross his hips; from that point they seemed dry. He carefully removed each shell from the dry portions of the belts. His right hand kept trying to do this job, insisted on forgetting its reduction in spite of the pain, and he found himself returning it to his knee again and again, like a dog too stupid or fractious to heel. In his distracted pain he came close to swatting it once or twice.

I see serious problems ahead, he thought again.

He put these shells, hopefully still good, in a pile that was dishearteningly small. Twenty. Of those, a few would almost certainly misfire. He could depend on none of them. He removed the rest and put them in another pile. Thirty-seven.

Well, you weren't heavy loaded, anyway, he thought, but he recognized the difference between fifty-seven live rounds and what might be twenty. Or ten. Or five. Or one. Or none.

He put the dubious shells in a second pile.

He still had his purse. That was one thing. He put it in his lap and then slowly disassembled his guns and performed the ritual of cleaning. By the time he was finished, two hours had passed and his pain was so intense his head reeled with it; conscious thought had become difficult. He wanted to sleep. He had never wanted that more in his life. But in the service of duty there was never any acceptable reason for denial.

"Cort," he said in a voice that he couldn't recognize, and laughed dryly.

Slowly, slowly, he reassembled his revolvers and loaded them with the shells he presumed to be dry. When the job was done, he held the one made for his left hand, cocked it ... and then slowly lowered the hammer again. He wanted to know, yes. Wanted to know if there would be a satisfying report when he squeezed the trigger or only another of those useless clicks. But a click would mean nothing, and a report would only reduce twenty to nineteen ... or nine ... or three ... or none.

He tore away another piece of his shirt, put the other shells-the ones which had been wetted-in it, and tied it, using his left hand and his teeth. He put them in his purse.

Sleep, his body demanded. Sleep, you must sleep, now, before dark, there's nothing left, you're used up- He tottered to his feet and looked up and down the deserted strand. It was the color of an undergarment which has gone a long time without washing, littered with sea-shells which had no color. Here and there large rocks protruded from the gross-grained sand, and these were covered with guano, the older layers the yellow of ancient teeth, the fresher splotches white.

The high-tide line was marked with drying kelp. He could see pieces of his right boot and his waterskins lying near that line. He thought it almost a miracle that the skins hadn't been washed out to sea by high-surging waves. Walking slowly, limping exquisitely, the gunslinger made his way to where they were. He picked up one of them and shook it by his ear. The other was empty. This one still had a little water left in it. Most would not have been able to tell the difference between the two, but the gunslinger knew each just as well as a mother knows which of her identical twins is which. He had been travelling with these waterskins for a long, long time. Water sloshed inside. That was good-a gift. Either the creature which had attacked him or any of the others could have torn this or the other open with one casual bite or slice of claw, but none had and the tide had spared it. Of the creature itself there was no sign, although the two of them had finished far above the tide-line. Perhaps other predators had taken it; perhaps its own kind had given it a burial at sea, as the elaphaunts, giant creatures of whom he had heard in childhood stories, were reputed to bury their own dead.

He lifted the waterskin with his left elbow, drank deeply, and felt some strength come back into him. The right boot was of course ruined ... but then he felt a spark of hope. The foot itself was intact-scarred but intact-and it might be possible to cut the other down to match it, to make something which would last at least awhile.... Faintness stole over him. He fought it but his knees unhinged and he sat down, stupidly biting his tongue.

You won't fall unconscious, he told himself grimly. Not here, not where another of those things can come back tonight and finish the job.

So he got to his feet and tied the empty skin about his waist, but he had only gone twenty yards back toward the place where he had left his guns and purse when he fell down again, half-fainting. He lay there awhile, one cheek pressed against the sand, the edge of a seashell biting against the edge of his jaw almost deep enough to draw blood. He managed to drink from the waterskin, and then he crawled back to the place where he had awakened. There was a Joshua tree twenty yards up the slope-it was stunted, but it would offer at least some shade.

To Roland the twenty yards looked like twenty miles.

Nonetheless, he laboriously pushed what remained of his possessions into that little puddle of shade. He lay there with his head in the grass, already fading toward what could be sleep or unconsciousness or death. He looked into the sky and tried to judge the time. Not noon, but the size of the puddle of shade in which he rested said noon was close. He held on a moment longer, turning his right arm over and bringing it close to his eyes, looking for the telltale red lines of infection, of some poison seeping steadily toward the middle of him.

The palm of his hand was a dull red. Not a good sign.

I jerk off left-handed, he thought, at least that's something.

Then darkness took him, and he slept for the next sixteen hours with the sound of the Western Sea pounding ceaselessly in his dreaming ears.

3

When the gunslinger awoke again the sea was dark but there was faint light in the sky to the east. Morning was on its way. He sat up and waves of dizziness almost overcame him.

He bent his head and waited.

When the faintness had passed, he looked at his hand. It was infected, all right-a tell-tale red swelling that spread up the palm and to the wrist. It stopped there, but already he could see the faint beginnings of other red lines, which would lead eventually to his heart and kill him. He felt hot, feverish.

I need medicine, he thought. But there is no medicine here.

Had he come this far just to die, then? He would not. And if he were to die in spite of his determination, he would die on his way to the Tower.

How remarkable you are, gunslinger! the man in black tittered inside his head. How indomitable! How romantic in your stupid obsession!

"Fuck you," he croaked, and drank. Not much water left, either. There was a whole sea in front of him, for all the good it could do him; water, water everywhere, but not a drop to drink. Never mind.

He buckled on his gunbelts, tied them-this was a process which took so long that before he was done the first faint light of dawn had brightened to the day's actual prologue-and then tried to stand up. He was not convinced he could do it until it was done.

Holding to the Joshua tree with his left hand, he scooped up the not-quite-empty waterskin with his right arm and slung it over his shoulder. Then his purse. When he straightened, the faintness washed over him again and he put his head down, waiting, willing.

The faintness passed.

Walking with the weaving, wavering steps of a man in the last stages of ambulatory drunkenness, the gunslinger made his way back down to the strand. He stood, looking at an ocean as dark as mulberry wine, and then took the last of his jerky from his purse. He ate half, and this time both mouth and stomach accepted a little more willingly. He turned and ate the other half as he watched the sun come up over the mountains where Jake had died-first seeming to catch on the cruel and treeless teeth of those peaks, then rising above them.

Roland held his face to the sun, closed his eyes, and smiled. He ate the rest of his jerky.

He thought: Very well. I am now a man with no food, with two less fingers and one less toe than I was born with; I am a gunslinger with shells which may not fire; I am sickening from a monster's bite and have no medicine; I have a day's water if I'm lucky; I may be able to walk perhaps a dozen miles if I press myself to the last extremity. I am, in short, a man on the edge of everything.

Which way should he walk? He had come from the east; he could not walk west without the powers of a saint or a savior. That left north and south.

North.

That was the answer his heart told. There was no question in it.

North.

The gunslinger began to walk.

4

He walked for three hours. He fell twice, and the second time he did not believe he would be able to get up again. Then a wave came toward him, close enough to make him remember his guns, and he was up before he knew it, standing on legs that quivered like stilts.

He thought he had managed about four miles in those three hours. Now the sun was growing hot, but not hot enough to explain the way his head pounded or the sweat pouring down his face; nor was the breeze from the sea strong enough to explain the sudden fits of shuddering which sometimes gripped him, making his body lump into gooseflesh and his teeth chatter.

Fever, gunslinger, the man in black tittered. What's left inside you has been touched afire.

The red lines of infection were more pronounced now; they had marched upward from his right wrist halfway to his elbow.

He made another mile and drained his waterbag dry. He tied it around his waist with the other. The landscape was monotonous and unpleasing. The sea to his right, the mountains to his left, the gray, shell-littered sand under the feet of his cut-down boots. The waves came and went. He looked for the lobstrosities and saw none. He walked out of nowhere toward nowhere, a man from another time who, it seemed, had reached a point of pointless ending.

Shortly before noon he fell again and knew he could not get up. This was the place, then. Here. This was the end, after all.

On his hands and knees, he raised his head like a groggy fighter ... and some distance ahead, perhaps a mile, perhaps three (it was difficult to judge distances along the unchanging reach of the strand with the fever working inside him, making his eyeballs pulse in and out), he saw something new. Something which stood upright on the beach.

What was it?

(three)

Didn't matter.

(three is the number of your fate)

The gunslinger managed to get to his feet again. He croaked something, some plea which only the circling seabirds heard (and how happy they would be to gobble my eyes from my head, he thought, how happy to have such a tasty bit!), and walked on, weaving more seriously now, leaving tracks behind him that were weird loops and swoops.

He kept his eyes on whatever it was that stood on the strand ahead. When his hair fell in his eyes he brushed it aside. It seemed to grow no closer. The sun reached the roof of the sky, where it seemed to remain far too long. Roland imagined he was in the desert again, somewhere between the last outlander's hut (the musical fruit the more you eat the more you toot) and the way-station where the boy (your Isaac) had awaited his coming.

His knees buckled, straightened, buckled, straightened again. When his hair fell in his eyes once more he did not bother to push it back; did not have the strength to push it back. He looked at the object, which now cast a narrow shadow back toward the upland, and kept walking.

He could make it out now, fever or no fever.

It was a door.

Less than a quarter of a mile from it, Roland's knees buckled again and this time he could not stiffen their hinges. He fell, his right hand dragged across gritty sand and shells, the stumps of his fingers screamed as fresh scabs were scored away. The stumps began to bleed again.

So he crawled. Crawled with the steady rush, roar, and retreat of the Western Sea in his ears. He used his elbows and his knees, digging grooves in the sand above the twist of dirty green kelp which marked the high-tide line. He supposed the wind was still blowing-it must be, for the chills continued to whip through his body-but the only wind he could hear was the harsh gale which gusted in and out of his own lungs.

The door grew closer.

Closer.

At last, around three o'clock of that long delirious day, with his shadow beginning to grow long on his left, he reached it. He sat back on his haunches and regarded it wearily.

It stood six and a half feet high and appeared to be made of solid ironwood, although the nearest ironwood tree must grow seven hundred miles or more from here. The doorknob looked as if it were made of gold, and it was filigreed with a design which the gunslinger finally recognized: it was the grinning face of the baboon.

There was no keyhole in the knob, above it, or below it.

The door had hinges, but they were fastened to nothing-or so it seems, the gunslinger thought. This is a mystery, a most marvellous mystery, but does it really matter? You are dying. Your own mystery-the only one that really matters to any man or woman in the end- approaches.

All the same, it did seem to matter.

This door. This door where no door should be. It simply stood there on the gray strand twenty feet above the high-tide line, seemingly as eternal as the sea itself, now casting the slanted shadow of its thickness toward the east as the sun westered.

Written upon it in black letters two-thirds of the way up, written in the high speech, were two words:

THE PRISONER A demon has infested him. The name of the demon is HEROIN.

The gunslinger could hear a low droning noise. At first he thought it must be the wind or a sound in his own feverish head, but he became more and more convinced that the sound was the sound of motors ... and that it was coming from behind the door.

Open it then. It's not locked. You know it's not locked.

Instead he tottered gracelessly to his feet and walked above the door and around to the other side.

There was no other side.

—from The Drawing of the Three: The Dark Tower II by Stephen King, copyright © 1982, 2003 Stephen King, published by Signet, a member of The Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

"); } else { document.write(""); } //— 

");} else { document.writeln("");} //—

What People are Saying About This

From the Publisher

“King is a master at creating living, breathing, believable characters.”—Baltimore Sun

“This quest is one of King’s best…communicates on a genuine, human level…but rich in symbolism and allegory.”—Columbus Sunday Dispatch

“Prime King…very suspenseful. An epic in the making.”—Kirkus Reviews

Reading Group Guide

INTRODUCTION

"Roland's story is my Jupiter, a planet that dwarfs all the others…"

A General Introduction to Stephen King's The Dark Tower Novels

The Dark Tower books have followed a publishing arc unique in modern literature. Beginning with a now-legendary series of five short stories published in The Magazine of Fantasy and Science Fiction—five stories which now comprise the first volume of the novel cycle—Stephen King has spent thirty-three years writing The Dark Tower. It stands today as a singularly ambitious work of quest literature, matched only by J.R.R. Tolkien's The Lord of the Rings fantasy epic. A series that operates beautifully as a single, stand-alone saga, The Dark Tower series also ties into and informs many other novels in Stephen King's fictional universe. King's vast galaxy of overlapping realms and characters—a galaxy that has been exhaustively annotated and analyzed by the author's peerlessly avid fan-base—outstrips even Faulkner's fabled Yoknapatawpha County as a wonder of narrative interconnectedness.

Though inspired by a wide range of literary antecedents and cultural archetypes, The Dark Tower saga was initially sparked by a course on the romantic poets at the University of Maine. It was here, King has said, that he first encountered a deeply enigmatic, richly symbolic poem by Robert Browning called "Childe Roland to The Dark Tower Came" (1855). King's object, dating back to his sophomore year in college, was to fashion a long novel that played on the conceits and constructs of the romantic aesthetic—to attempt a work that echoed the epic tone and atmospherics of Browning's poem, if not its explicit narrative line. Volume I, The Gunslinger, first appeared in hardcover in a limited edition from Donald M. Grant in 1982. The Plume trade paperback edition was published five years later and became a #1 national bestseller.

With Scribner's 2003 release of the fifth volume, Wolves of the Calla, and the culminating sixth and seventh volumes both slated for publication in 2004, Stephen King nears completion of what many argue is the crowning masterwork of a matchlessly prolific career. Of the undertaking, King has reflected, "I have written enough novels and short stories to fill a solar system of the imagination, but Roland's story is my Jupiter—a planet that dwarfs all the others (at least from my own perspective), a place of strange atmosphere, crazy landscape, and savage gravitational pull. Dwarfs the others, did I say? I think there's more to it than that, actually. I am coming to understand that Roland's world (or worlds) actually contains all the others of my making."

Forging the ka-tet: the One made of many…

About The Drawing of the Three: The Dark Tower II

In every way a far weightier undertaking than its predecessor, The Drawing of the Three makes abundantly clear from the start the epic ambitions, which fuel The Dark Tower as a whole. A strikingly unusual novel with a liberating narrative technique, Stephen King's second volume is thematically playful, nonlinear, and full of time-leaping conceits. As diversely populated and wide-ranging as it seems, The Drawing of the Three can nonetheless be viewed as a singularly contained and intricate rendering of one man's tenacious commitment to the realization of a straightforward (if wholly fantastic) aim. The one man, of course, is Roland of Gilead. And the aim is to reach the Tower, that mysterious construct which stands at the nexus of Time.

Volume II further develops the dark fantasy established in The Gunslinger and fuses with it the kind of richly textured realism readers have long associated with many of King's other novels. King's trademark juxtaposition of the humdrum and the supernatural is on masterful display here, as Roland's quest finds him passing from his own eerie, post-apocalyptic world into twentieth-century New York. Also in effect is King's matchless gift for making readers squirm: The tide of the Western Sea in Mid-World brings with it hordes of crawling, carnivorous creatures dubbed "lobstrosities." In the opening pages of the novel, these creatures consume the first two fingers of Roland's right hand and infect the gunslinger's bloodstream with their venom. Already at a fever pitch from the start, the story transports readers along as Roland, facing imminent death, discovers a series of three doors standing freely on the beach. Passing through each of them in succession, Roland enters our world and sets about "drawing" the people who are destined to join him on his Tower quest. From late-1980s New York, as seen through the eyes of a heroin-addled young man called Eddie Dean; to the Manhattan of the early-1960s, where the schizophrenic, wheelchair-bound civil-rights activist Odetta Holmes awaits; to mid-1970s New York, where an icy serial killer named Jack Mort plots his next murder, Roland performs his drawing of the three (though it proves not to be the threesome that Roland, or readers, had expected).

The Drawing of the Three witnesses the forging of a makeshift family of sorts, albeit a highly unconventional one, with the gunslinger as its haunted and raw-boned patriarch. The three pilgrims comprise Roland of Gilead's ka-tet—"one made of many"—a kind of karmic family united by a single shared destiny: The Dark Tower.

ABOUT STEPHEN KING

By any measure, Stephen King occupies a central position in the recent history of literature in English, having produced a body of work that is as artistically vital as it is commercially prominent. His primacy in the horror-fiction canon in particular bears comparison to that of J.R.R. Tolkien's station among modern fantasy writers. And like Charles Dickens, Anthony Trollope, and Sinclair Lewis before him, King has demonstrated over the course of his career a rare talent for limning the cultural zeitgeist and expressing the characteristic concerns of his era. The fact that he has worked largely within the parameters of the horror and fantasy genres in pursuing these ambitious ends makes his achievement all the more remarkable. Since his earliest works in the 1970s, King has been an author of matchless international reach, enjoying an enduring brand of popularity that transcends all presumed literary and commercial boundaries.

For all the darkness and terror with which King's narratives are generally associated, many critics and fans have argued that King's often brutal fictional universe belies a fundamental optimism about human nature. Richly populating his novels and stories with all manner of pop-cultural signifiers and pitch-perfect minutiae of American middle-class life, King's writing holds up a mirror of sorts and reflects that, even in a world of cynicism, despair, and seemingly infinite cruelty, it remains possible for individuals to find love, discover unexpected resources in themselves, and conquer their own problems, along with the malevolent powers that would suppress or destroy them.

Born in Portland, Maine in 1947, Stephen Edwin King is the second son of Donald and Nellie Ruth Pillsbury King. After his parents separated when he was a toddler, King and his older brother, David, were raised by his mother. He spent parts of his childhood in Fort Wayne, Indiana; Stratford, Connecticut; and Durham, Maine.

King graduated from the University of Maine at Orono in 1970, with a degree in English. In January of 1971, he married Tabitha Spruce, whom he met in the stacks of the university library. Shortly after graduation, he began selling his first short stories to mass-market men's magazines. Many of these stories later appeared in the Night Shift collection and elsewhere. In the spring of 1974, Doubleday published King's first novel, Carrie. He has since written more than thirty-five books, all international bestsellers. His recent works include Everything's Eventual, From a Buick 8, Dreamcatcher, Bag of Bones, The Green Mile, and the nonfiction work On Writing. He is also the coauthor, with Peter Straab, of Black House and The Talisman. Under the pseudonym Richard Bachman, King has published several more bestselling works, including The Regulators, Thinner, and The Running Man. Most of his books have been adapted for the screen, including: Dreamcatcher (2003), Hearts in Atlantis, The Green Mile, Misery, Stand by Me (from "The Body"), Thinner, The Shining, Carrie, Christine, The Stand, The Dead Zone, Pet Sematary, Cujo, and Firestarter. Among King's forthcoming books are Wolves of the Calla: The Dark Tower V; Song of Susannah: The Dark Tower VI; and The Dark Tower: The Dark Tower VII.

A celebrated philanthropist and the father of three children, King lives in Bangor, Maine and Florida, with his wife, novelist Tabitha King.

DISCUSSION QUESTIONS

  • What are the elements of the traditional quest narrative, dating back to Homer? Consider Roland's quest in light of the centuries-old tradition that informs it.
     
  • More specifically, compare and contrast The Dark Tower series with other individual works of quest literature—fromThe Odyssey and Dante's The Divine Comedy to Sir Gawain and the Green Knight and Edmund Spenser's The Faerie Queene to Mark Twain's Huckleberry Finn and L. Frank Baum's The Wonderful Wizard of Oz. How does King's work echo, riff on, complicate, and/or further the traditions established in these and other works?
     
  • Compare The Drawing of the Three with The Gunslinger: What themes, patterns, and symbols were established in Volume I, and in what ways do they evolve, mature, and accumulate new symbolic weights and meanings in the course of the second book?
     
  • Also, consider the ways King's writing style has shifted from the first book to this one. How, to begin with, has King's characterization technique expanded in The Drawing of the Three, particularly in his lushly written evocations of the inner lives of Eddie Dean and Odetta Holmes?
     
  • Why do you suppose King made this narrative choice, to evolve so dramatically from the spare, lean prose of The Gunslinger to the expansive, richly appointed, and psychologically incisive The Drawing of the Three? Are the styles and tones of each book organic to their different subject matters? [Imagine a retelling of Drawing written in the understated style of The Gunslinger. In what ways would it be different?]
     
  • What is Eddie Dean's backstory—what is it that informs his character? How did he come to be the Prisoner?
     
  • "There are people who need people to need them," Eddie tells Roland, shortly after he's been drawn through the door into Roland's world. What does he mean? What kind of a person is Eddie Dean?
     
  • Chart the complex evolution of Roland and Eddie's relationship as King's novel unfolds.
     
  • What role does memory play in the action of The Drawing of the Three? For the novel's principal characters, Roland, Eddie, and Odetta, what special risks and consequences attend the act of remembering? And for each of them, what are its end results? As each looks back on the past life he or she has abruptly left behind, do solace and understanding finally outpace devastation and regret?
     
  • Operating strictly within the particular reality of the Dark Tower universe, how can we make sense of the mind-warping paradox that is Jake Chambers? What are the possible implications of the decision by Roland—who first met Jake only after he'd died and left New York—to prevent Mort from killing Jake in New York in the first place? What do you imagine will come of this confusing development in future volumes?
     
  • King makes a practice in this second volume of revisiting scenes from different angles and perspectives, doubling back to show us something we hadn't seen before.
     
  • What is the effect of this style? Consider, for example, Eddie's plane ride into Kennedy Airport. How does King's Rashomon technique play out here?
     
  • Discuss the narrative techniques by which King immerses readers in the different time periods of the novel's three New York set-pieces. How does his use of vastly disparate cultural signifiers (from Trivial Pursuit to the civil-rights movement) aid in placing readers in a particular time and place?
     
  • At different points in the novel, what qualities does Roland observe in both Eddie and Odetta/Detta/Susannah which seem to suggest their inherent proclivities to eventually become gunslingers?
     
  • Revisit the scene in the "Death" section of the novel where an amazed Roland—in the body of Jack Mort—walks into a New York drug store. Roland's reaction to the rows and rows of "quack remedies" is comic, but King spikes it all with a measure of poignancy. Ours is a world full of technological wonders that astonish the gunslinger. But Roland looks into the jaded faces of New Yorkers and muses that "the newest wonder was simply that…wonder had run out." What is King up to in this scene?
     
  • In connection with the previous question, discuss the effect of the various moments throughout the novel where King manages to show us our own world from the gunslinger's fresh, often awe-struck perspective.
     
  • Decipher the elements involved in the resolution of Odetta and Detta's ferocious struggle with each other. How is it that, in Roland's desperate final act in the New York subway, the deep fissure in Miss Holmes' psyche can finally be bridged?
     
  • Discuss the emotional and psychological dynamics King establishes to make Odetta/Detta's sudden redemption credible.
     
  • What is ka? What is its significance in King's Dark Tower universe?
     
  • What lies ahead for King's three pilgrims? Are Eddie and Susannah Dean's misgivings about Roland's trustworthiness when it comes to friendship justified? Why or why not?
     
  • With Roland, Eddie, and Susannah united in their ka-tet and resolved to move ahead, what are your expectations for The Waste Lands?
  • From the B&N Reads Blog

    Customer Reviews