Read an Excerpt
Drink the Tea
A Mystery
By Thomas Kaufman St. Martin's Press
Copyright © 2010 Thomas Kaufman
All rights reserved.
ISBN: 978-1-4299-3871-6
CHAPTER 1
Steps Jackson leaned across the table and said, "I want you to find my daughter."
I stared at him, my coffee cup halfway to my lips. "You've got a daughter?"
"Why would I ask you to find a daughter I don't have?" A wave of irritation crossed his face. Steps looked like a rich man whose son has just fallen into the punch bowl.
"You never mentioned a daughter before." I felt defensive, as though Steps had accused me of being a poor listener. "Didn't you tell me once you had no family at all?"
"True enough when I said it." He sighed. "Look, Willis, you're the only private investigator I know."
I made a time-out sign. "I'm just one guy. You have a missing person, you go to the cops. They've got the manpower."
He looked down at his cup. "It's not just any missing person, Willis. It's my daughter. I thought, maybe you could help me out. And I figured, I don't know, someone with your particular background would wanna help me."
My "particular background." Cute. If anyone else had said that I would've spit in his eye, or punched him out. Maybe both. But I didn't have so many friends that I could afford to lose one. So I took a deep breath, slid my cup to the side. "I can listen."
Steps looked relieved. He sat back, shifting his gaze to the window. "D.C. has changed, man. In every way but one. The women. Never seen a city with so many women. Now, there used to be this club on Fourteenth, near U Street? Name of Middleton's. Ever hear of it? Course not, way before your time. This was back when U Street was the place, man. Everyone who came through town played there." Steps looked up as Chella, our waitress and the Zamboanga Café's owner, came by with fresh coffee.
Despite its name, the Zamboanga's fare was pretty straight ahead: burgers, fries, and Cokes. The salads were iceberg lettuce hacked into quarters with a goodly portion of Thousand Island dressing slathered on top. Bare fluorescent tubes buzzed from a grid fourteen feet above.
The specials — and I use the term generously — were block-printed with a felt marker on sheets of manila paper thumb-tacked to bare walls. A long countertop wound through the place, and five creaky booths stood like dominoes along the windows looking out on F Street.
While Chella poured the coffee, she asked Steps where was he playing. He said he'd comp her some tickets. I looked outside. Traffic crawled along F Street, stranding tourists on the median strip. Ten in the morning, with the humidity racing the temperature to one hundred. Typical summer day in Washington, D.C.
Once Chella went behind the counter, I said, "Middleton's."
He nodded. "When the rest of the clubs'd close, we'd all meet at Middleton's. Alvin, the owner, seemed like a sweet guy who loved jazz. Did some of my best playing there, mostly in the wee hours of the morning for the other musicians on the stand."
"Mostly black crowd?"
He smiled. "I recall some faces as pale as yours. So, we'd play for hours, then cut out to breakfast. Most times, Alvin'd come with us, and his daughter, Colette, she'd tag along. See, that's how Colette and me got together. We just started joking with each other, you know, flirting? Well, she was just eighteen, with the kinda skin that makes satin feel like sandpaper. You know what a young woman's skin feels like?" I told him I knew.
"Well, I figured that's all it was, flirting. But I guess Colette had her own ideas, 'cause the next night she comes into the club where I'm playing and sets down right in the front. I was soloing on 'Devil Moon' at the time."
"You remember the song? How long ago was this?"
"Twenty-five years. Shit, Willis, if I thought it would help, I could tell you which notes I played." He looked up at me. "Funny, but there're only a few moments like that in a man's life, you know? Where something important's going down and you know it, right when it's happening. Colette just came in and sat down, crossed her legs, lit a cigarette, and then lit into me with those brown eyes of hers.
"I nearly fell off that stand. Musta hit a few odd notes, too, 'cause I heard the bass player and drummer laughing behind me. I finished my solo with as much dignity as I could muster and let the pianist take over. I turned away from Colette, set down the sax, took out my handkerchief, and wiped my palms and face. Then I turned back to look at the piano player, listen to his solo. I wasn't just being polite, my heart was beating so hard up there, I didn't want to chance looking at her."
"That surprised you?"
"That I felt that way? Yeah. It was more than just her being so fine, you know? She had some kinda pull, it just reached out across the floor towards me, I could feel it. And even though it scared me, I liked it, I didn't want to spoil it by looking at her too close, too soon.
"So the piano player finishes and the trumpet player lets fly, and I turn kinda casual and, man — she's looking right at me, more gorgeous than ever." He shrugged. "That was the longest set of my life."
Steps sat back and took a deep breath. His body seemed to grow larger right in front of me, seemed to take up most of the booth. I guess I'm bigger than Steps, but I was young when I met him and he's always seemed like a giant to me. Definitely easier to picture him changing a tire than tapping the keys of his sax. His kinky hair was short, with more gray than the last time I'd seen him, and his skin had a warm brown glow like eagles' feathers.
"What about your daughter?"
Steps opened his eyes, focusing on me from years away. "I'm getting there. Colette stayed till the last set, and we split for my hotel. It was only six blocks away, but I took a cab. Guess I wanted to impress her. We got to my room, and Colette, she didn't disappoint me."
"Anything else? Besides a lack of disappointment?"
"You gonna let me tell this?" Steps looked away. "I'm not gonna say something stupid like I was in love with her. Willis, I'm sixty-five — I can honestly say I don't know what love is. Maybe nobody does."
"Maybe not."
"But even if I did love that chick, I never got the chance to tell her. Never saw her again. See, that morning I had to catch the train to Philly, then out West. I thought about asking Colette if she wanted to come. You know, Duke Ellington used to say of his female companions, 'This lady is traveling horizontal with me.'" Steps gave me a bitter smile. "But I got distracted. Different city, different women, you know?" He sounded more apologetic than macho. "Look — I wanted Colette, wanted her pretty bad, but I figured to wait till the next time I came to town."
"And that was?"
"Just shy of a year. I was at Club Indigo and picked up a local band. After our last set I said we should go to Middleton's. They just looked at me like, haven't you heard? Alvin closed the club months ago. Right after I left town, turns out. So I ask around, but nobody knows where Alvin's got to. Or Colette. Two weeks at the Indigo, man, and every night I'm looking out at the faces coming in, hoping I'll see her. No such luck. Daytime I'm going around asking every cat in town where Alvin and Colette might've got to. By the time I had to move on, I'd given up."
"And your daughter? When did you first hear of her?"
"Two weeks ago. Some hip-hop guy in New York wanted to sample my sax lines over 'Cantaloupe Island.' When I get there he says he just missed me in D.C. at the Money Jungle. I ask him how's the food — see, they'd just got a new chef. So he looks at me like I just said the secret word and says so I know already. Know what? I ask him. 'About your daughter,' he says.
"I say what the hell is he talking about? He says that the chef's a young guy, one of these nouvelle cuisine types making a fortune off his grandma's recipes. Anyways, this chef loves jazz, talked about his favorites, and said he went to high school with Steps Jackson's daughter."
I took out my notebook. "Did you call him? What's his name?"
"Tony Hancock. I tried to, but the guy's hard to reach, doesn't return my calls. Must have left a dozen messages." Steps sat forward. "So can you help me? Help me find this girl?"
"You haven't told me her name and birthdate."
"I'd tell you if I knew." Steps looked worried, an expression I had never seen on his face before. "You just gotta help me, man."
Now I got it, why Steps hadn't filed a missing-person report. We were in D.C., Dysfunction City. I could just imagine the cops' reaction. Somehow I didn't think they'd spend a lot of time looking for someone without a name or a birthdate, even if she was Steps Jackson's only child.
In jazz they talk about a sense of time, how a musician can take a beat, divide it and subdivide it, cracking time into pieces and skipping them like stones across a lake. Everyone knew that Steps was a master, had a phenomenal sense of time. And now his asking me about his daughter showed good timing, too. For three years I had been operating my own detective agency — part-time. So far I had no office, no gal Friday, and damn few clients.
I did have a cell phone. And a license. The D.C. government had given it to me. Which kind of surprised me, how they'd handed it over when all they knew about me was that I had the twenty-dollar fee.
They could have handed me the license for free and I'd still have had two problems. The first was how much work I'd been getting — close to none — and the second was the kind of work I'd been stuck with — divorce cases, with a few subpoena deliveries thrown in for good measure. This wasn't the kind of work I could build a reputation on, at least not the kind I wanted.
Maybe that could change, now that Steps was dropping this case in my lap. A chance to do something worthwhile. I liked the idea of helping my friend. I liked the idea of working on a case where maybe, possibly, some good could come of it.
Plus what Steps had called my "particular background."
He was right. It was all I needed to make me want to help him, even if he hadn't been my friend.
"Okay," I said. "I'll find your daughter."
CHAPTER 2
I saw only one problem in finding Steps's daughter.
I had no idea how to do it.
Now, finding a person who's been missing for the past twenty-four hours is one thing. But for the past twenty-five years? That's different. Also, my only recent sleuthing had been figuring out who was drinking the coffee and not paying for it at Shelly Russia's place. That was my other job. My day gig, as Steps would say. Working for Shelly made me wish my detective business were doing better.
Shelly Russia owned a record warehouse, maybe the biggest in the D.C. area. When I say records, I mean records like those big black things we bought before CDs came around. Every music distributor in the country had switched, except Shelly. Shelly sold polkas.
He sold polka recordings from Poland and Romania and Russia. Slavic melodies squeezed through an accordion. Also the polka modernists, spin-offs from the Brave Combo wave, who converted recent songs to polkas. You really haven't lived till you've caught "Candle in the Wind" as an accordion riff.
I was Shelly's manager, handling orders, overseeing twenty employees, and making sure that all of them, regardless of race, creed, or musical preferences, paid for their own goddamn coffee. I'd been there two years, a long time for me. My average job interment is six weeks. Since Shelly allowed me a large amount of autonomy, things had worked out.
Even in the cosmopolitan city of Washington, D.C., you'd be amazed at how many polka records we sold each week. Now, there's nothing wrong with accordion players. I just happen to prefer jazz. Not the new jazz, it's too technical. Listening to it is like a trip to the dentist. But if you go back in time, you see the stars come out: Miles, Coltrane, Bill Evans, Bud Powell, and my all-time favorite, Steps Jackson.
I never really appreciated jazz until I heard Steps. Whenever he came to town I found some excuse to skip work and light out for whatever club he was roosting in. He was playing at Red Pepper's in D.C. I got up the nerve to approach him and say hello. In the dim light in the back, near the double doors to the kitchen, Steps was snarfing a burger and fries. I walked up to him, introduced myself. Told him how his music had changed my life, how I'd never really understood or enjoyed jazz before hearing him, how I had listened to his albums so many times there was a pile of black vinyl dust by the tone arm of my record player.
During all of this Steps had dropped a french fry. I was spilling my guts while he flipped his napkin over, then stood and turned around, searching for the missing fry. He'd bent down to look around his chair when I came to the end of my chatter and, sensing from the lull I had reached an impasse, he looked up at me for the first time.
"That's cool," he said. He had stopped his search for the missing fry and I had stopped my "I'm your biggest fan" spiel. We looked each other in the eye. Then we started laughing. Steps waved me over to the chair next to his, and soon we were talking like old friends.
Now he wanted me to find his daughter.
So here I was on F Street, thinking how best to approach a chef who claimed to know her but refused to return Steps's calls. I walked past kiosks containing The Post and The Times. Their headlines claimed that a Senator Broadfield had announced his resignation. A slow news day in D.C. I dodged a bus and crossed F Street, passing a restaurant that signaled its abandonment with yellow D.C. CLOSED BY DEPT HEALTH signs gaily festooned over its empty windows.
Peeling off the least weathered sign and rolling it into my pocket, I began heading to my car. There were no Metro train stops in Georgetown; the folks there had wanted to discourage the wrong element.
I figured to come anyway.
CHAPTER 3
I kicked my car to life, chugged toward Eleventh, then west on K Street. My first obstacle was Shelly Russia — he expected me to show up for work. The obvious answer: call in sick. As I took K Street beneath the Whitehurst Freeway, I tapped in Shelly's number on my phone. He answered with his usual charm.
"Who the hell is this?" He snarled as though I'd just phoned three times in a row and hung up each time.
"It's Willis."
"Gidney, what the hell do you want?"
"I've got a little family emergency. I won't be in today."
"Don't fuck with me, Gidney. I know Steps Jackson's in town. You think I can't read a fucking paper?" Uncanny. Over the years I had, in fact, begun to doubt that Shelly could read. "You get your ass in here today, you got that?"
"Shelly, Shelly, I'm way ahead of you. Everything's been shipped for the week and it's only Tuesday. Check it out. If I show I won't have anything to do and you know it."
Silence. Then: "If you weren't so fucking good at this, I'd've canned your ass years ago." I waited. "Okay, fuckwad, take the morning off. But if you don't show by noon, start looking for a new job."
"I'm part-time, Shelly. You want to replace me with one of the mental defectives you've got there, go ahead. You'll be paying them double and they won't get half as much done." Shelly hung up, so I didn't hear the string of expletives that would inevitably have followed such an exit line. I turned right onto Wisconsin Avenue, heading into the heart of Georgetown, if there is such a thing. Georgetown, I've been told, was once a quiet and pleasant community. Must've been before my time. Racing past me were wealthy, beautiful children driving sports cars, accelerating through their lives and the streets much too fast. An amplified thumping sound — would they call that music? — poured out of every car. It had the beat of a galley-ship drum, signaling the oar strokes for the wretches below decks. Somehow, I guessed these kids saw themselves differently. I parked below the alley to Money Jungle. On the corner I passed a coffee shop that had once been a toy store.
I like toy stores. I like to walk in, wind up some silly contraption, and watch it skitter across the floor. I guess part of the fun of being a parent must be playing with your kid's toys. I'd tried to convince Karla about having a child. Not in this lifetime, she'd said. Down the alley, the Money Jungle's door was open. As I stepped in I was shocked. I'd seen the club only at night, with its colored lights and excitement and shadows and mystery. Walking into the club now, I saw that Money Jungle had all the mystery and excitement of a hangnail.
(Continues...)
Excerpted from Drink the Tea by Thomas Kaufman. Copyright © 2010 Thomas Kaufman. Excerpted by permission of St. Martin's Press.
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