DUBLINERS
CONTENTS


The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead




DUBLINERS




THE SISTERS

THERE was no hope for him this time: it was the third stroke. Night
after night I had passed the house (it was vacation time) and studied
the lighted square of window: and night after night I had found it
lighted in the same way, faintly and evenly. If he was dead, I thought,
I would see the reflection of candles on the darkened blind for I knew
that two candles must be set at the head of a corpse. He had often said
to me: "I am not long for this world," and I had thought his words idle.
Now I knew they were true. Every night as I gazed up at the window
I said softly to myself the word paralysis. It had always sounded
strangely in my ears, like the word gnomon in the Euclid and the word
simony in the Catechism. But now it sounded to me like the name of some
maleficent and sinful being. It filled me with fear, and yet I longed to
be nearer to it and to look upon its deadly work.

Old Cotter was sitting at the fire, smoking, when I came downstairs
to supper. While my aunt was ladling out my stirabout he said, as if
returning to some former remark of his:

"No, I wouldn't say he was exactly... but there was something queer...
there was something uncanny about him. I'll tell you my opinion...."

He began to puff at his pipe, no doubt arranging his opinion in his
mind. Tiresome old fool! When we knew him first he used to be rather
interesting, talking of faints and worms; but I soon grew tired of him
and his endless stories about the distillery.

"I have my own theory about it," he said. "I think it was one of
those... peculiar cases.... But it's hard to say...."

He began to puff again at his pipe without giving us his theory. My
uncle saw me staring and said to me:

"Well, so your old friend is gone, you'll be sorry to hear."

"Who?" said I.

"Father Flynn."

"Is he dead?"

"Mr. Cotter here has just told us. He was passing by the house."

I knew that I was under observation so I continued eating as if the news
had not interested me. My uncle explained to old Cotter.

"The youngster and he were great friends. The old chap taught him a
great deal, mind you; and they say he had a great wish for him."

"God have mercy on his soul," said my aunt piously.

Old Cotter looked at me for a while. I felt that his little beady black
eyes were examining me but I would not satisfy him by looking up from my
plate. He returned to his pipe and finally spat rudely into the grate.

"I wouldn't like children of mine," he said, "to have too much to say to
a man like that."

"How do you mean, Mr. Cotter?" asked my aunt.

"What I mean is," said old Cotter, "it's bad for children. My idea is:
let a young lad run about and play with young lads of his own age and
not be... Am I right, Jack?"

"That's my principle, too," said my uncle. "Let him learn to box his
corner. That's what I'm always saying to that Rosicrucian there: take
exercise. Why, when I was a nipper every morning of my life I had a cold
bath, winter and summer. And that's what stands to me now. Education
is all very fine and large.... Mr. Cotter might take a pick of that leg
mutton," he added to my aunt.

"No, no, not for me," said old Cotter.

My aunt brought the dish from the safe and put it on the table.

"But why do you think it's not good for children, Mr. Cotter?" she
asked.

"It's bad for children," said old Cotter, "because their mind are so
impressionable. When children see things like that, you know, it has an
effect...."

I crammed my mouth with stirabout for fear I might give utterance to my
anger. Tiresome old red-nosed imbecile!

It was late when I fell asleep. Though I was angry with old Cotter for
alluding to me as a child, I puzzled my head to extract meaning from his
unfinished sentences. In the dark of my room I imagined that I saw again
the heavy grey face of the paralytic. I drew the blankets over my head
and tried to think of Christmas. But the grey face still followed me. It
murmured, and I understood that it desired to confess something. I felt
my soul receding into some pleasant and vicious region; and there again
I found it waiting for me.
1001834261
DUBLINERS
CONTENTS


The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead




DUBLINERS




THE SISTERS

THERE was no hope for him this time: it was the third stroke. Night
after night I had passed the house (it was vacation time) and studied
the lighted square of window: and night after night I had found it
lighted in the same way, faintly and evenly. If he was dead, I thought,
I would see the reflection of candles on the darkened blind for I knew
that two candles must be set at the head of a corpse. He had often said
to me: "I am not long for this world," and I had thought his words idle.
Now I knew they were true. Every night as I gazed up at the window
I said softly to myself the word paralysis. It had always sounded
strangely in my ears, like the word gnomon in the Euclid and the word
simony in the Catechism. But now it sounded to me like the name of some
maleficent and sinful being. It filled me with fear, and yet I longed to
be nearer to it and to look upon its deadly work.

Old Cotter was sitting at the fire, smoking, when I came downstairs
to supper. While my aunt was ladling out my stirabout he said, as if
returning to some former remark of his:

"No, I wouldn't say he was exactly... but there was something queer...
there was something uncanny about him. I'll tell you my opinion...."

He began to puff at his pipe, no doubt arranging his opinion in his
mind. Tiresome old fool! When we knew him first he used to be rather
interesting, talking of faints and worms; but I soon grew tired of him
and his endless stories about the distillery.

"I have my own theory about it," he said. "I think it was one of
those... peculiar cases.... But it's hard to say...."

He began to puff again at his pipe without giving us his theory. My
uncle saw me staring and said to me:

"Well, so your old friend is gone, you'll be sorry to hear."

"Who?" said I.

"Father Flynn."

"Is he dead?"

"Mr. Cotter here has just told us. He was passing by the house."

I knew that I was under observation so I continued eating as if the news
had not interested me. My uncle explained to old Cotter.

"The youngster and he were great friends. The old chap taught him a
great deal, mind you; and they say he had a great wish for him."

"God have mercy on his soul," said my aunt piously.

Old Cotter looked at me for a while. I felt that his little beady black
eyes were examining me but I would not satisfy him by looking up from my
plate. He returned to his pipe and finally spat rudely into the grate.

"I wouldn't like children of mine," he said, "to have too much to say to
a man like that."

"How do you mean, Mr. Cotter?" asked my aunt.

"What I mean is," said old Cotter, "it's bad for children. My idea is:
let a young lad run about and play with young lads of his own age and
not be... Am I right, Jack?"

"That's my principle, too," said my uncle. "Let him learn to box his
corner. That's what I'm always saying to that Rosicrucian there: take
exercise. Why, when I was a nipper every morning of my life I had a cold
bath, winter and summer. And that's what stands to me now. Education
is all very fine and large.... Mr. Cotter might take a pick of that leg
mutton," he added to my aunt.

"No, no, not for me," said old Cotter.

My aunt brought the dish from the safe and put it on the table.

"But why do you think it's not good for children, Mr. Cotter?" she
asked.

"It's bad for children," said old Cotter, "because their mind are so
impressionable. When children see things like that, you know, it has an
effect...."

I crammed my mouth with stirabout for fear I might give utterance to my
anger. Tiresome old red-nosed imbecile!

It was late when I fell asleep. Though I was angry with old Cotter for
alluding to me as a child, I puzzled my head to extract meaning from his
unfinished sentences. In the dark of my room I imagined that I saw again
the heavy grey face of the paralytic. I drew the blankets over my head
and tried to think of Christmas. But the grey face still followed me. It
murmured, and I understood that it desired to confess something. I felt
my soul receding into some pleasant and vicious region; and there again
I found it waiting for me.
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DUBLINERS

by James Joyce
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by James Joyce

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Overview

CONTENTS


The Sisters
An Encounter
Araby
Eveline
After the Race
Two Gallants
The Boarding House
A Little Cloud
Counterparts
Clay
A Painful Case
Ivy Day in the Committee Room
A Mother
Grace
The Dead




DUBLINERS




THE SISTERS

THERE was no hope for him this time: it was the third stroke. Night
after night I had passed the house (it was vacation time) and studied
the lighted square of window: and night after night I had found it
lighted in the same way, faintly and evenly. If he was dead, I thought,
I would see the reflection of candles on the darkened blind for I knew
that two candles must be set at the head of a corpse. He had often said
to me: "I am not long for this world," and I had thought his words idle.
Now I knew they were true. Every night as I gazed up at the window
I said softly to myself the word paralysis. It had always sounded
strangely in my ears, like the word gnomon in the Euclid and the word
simony in the Catechism. But now it sounded to me like the name of some
maleficent and sinful being. It filled me with fear, and yet I longed to
be nearer to it and to look upon its deadly work.

Old Cotter was sitting at the fire, smoking, when I came downstairs
to supper. While my aunt was ladling out my stirabout he said, as if
returning to some former remark of his:

"No, I wouldn't say he was exactly... but there was something queer...
there was something uncanny about him. I'll tell you my opinion...."

He began to puff at his pipe, no doubt arranging his opinion in his
mind. Tiresome old fool! When we knew him first he used to be rather
interesting, talking of faints and worms; but I soon grew tired of him
and his endless stories about the distillery.

"I have my own theory about it," he said. "I think it was one of
those... peculiar cases.... But it's hard to say...."

He began to puff again at his pipe without giving us his theory. My
uncle saw me staring and said to me:

"Well, so your old friend is gone, you'll be sorry to hear."

"Who?" said I.

"Father Flynn."

"Is he dead?"

"Mr. Cotter here has just told us. He was passing by the house."

I knew that I was under observation so I continued eating as if the news
had not interested me. My uncle explained to old Cotter.

"The youngster and he were great friends. The old chap taught him a
great deal, mind you; and they say he had a great wish for him."

"God have mercy on his soul," said my aunt piously.

Old Cotter looked at me for a while. I felt that his little beady black
eyes were examining me but I would not satisfy him by looking up from my
plate. He returned to his pipe and finally spat rudely into the grate.

"I wouldn't like children of mine," he said, "to have too much to say to
a man like that."

"How do you mean, Mr. Cotter?" asked my aunt.

"What I mean is," said old Cotter, "it's bad for children. My idea is:
let a young lad run about and play with young lads of his own age and
not be... Am I right, Jack?"

"That's my principle, too," said my uncle. "Let him learn to box his
corner. That's what I'm always saying to that Rosicrucian there: take
exercise. Why, when I was a nipper every morning of my life I had a cold
bath, winter and summer. And that's what stands to me now. Education
is all very fine and large.... Mr. Cotter might take a pick of that leg
mutton," he added to my aunt.

"No, no, not for me," said old Cotter.

My aunt brought the dish from the safe and put it on the table.

"But why do you think it's not good for children, Mr. Cotter?" she
asked.

"It's bad for children," said old Cotter, "because their mind are so
impressionable. When children see things like that, you know, it has an
effect...."

I crammed my mouth with stirabout for fear I might give utterance to my
anger. Tiresome old red-nosed imbecile!

It was late when I fell asleep. Though I was angry with old Cotter for
alluding to me as a child, I puzzled my head to extract meaning from his
unfinished sentences. In the dark of my room I imagined that I saw again
the heavy grey face of the paralytic. I drew the blankets over my head
and tried to think of Christmas. But the grey face still followed me. It
murmured, and I understood that it desired to confess something. I felt
my soul receding into some pleasant and vicious region; and there again
I found it waiting for me.

Product Details

BN ID: 2940012426642
Publisher: SAP
Publication date: 04/26/2011
Sold by: Barnes & Noble
Format: eBook
File size: 174 KB

About the Author

About The Author
James Joyce was born in Dublin on February 2, 1882. He was the oldest of ten children in a family which, after brief prosperity, collapsed into poverty. Nonetheless, he was educated at the best Jesuit schools and then at University College, Dublin, where he gave proof of his extraordinary talent.

In 1902, following his graduation, he went to Paris, thinking he might attend medical school there, but he soon gave up attending lectures and devoted himself to writing poems and prose sketches, and formulating an "aesthetic system'." Recalled to Dublin in April 1903 because of the fatal illness of his mother, he circled slowly towards his literary career. During the summer of 1904 he met a young woman from Galway, Nora Barnacle, and persuaded her to go with him to the Continent, where he planned to teach English.The young couple spent a few months in Pola (now in Yugoslavia), then in 1905 moved to Trieste, where, except for seven months in Rome and three trips to Dublin, they lived until June 1915. They had two children, a son and a daughter. His first book, the poems of Chamber Music, was published in London in 1907, and Dubliners, a book of stories, in 1914. Italy's entrance into the First World War obliged Joyce to move to Zürich, where he remained until 1919. During this period he published A Portrait of the Artist as a Young Man (1916) and Exiles, a play (1918).

After a brief return to Trieste following the armistice, Joyce determined to move to Paris so as to arrange more easily for the publication of Ulysses, a book which he had been working on since 1914. It was, in fact, published on his birthday in Paris, in 1922, and brought him international fame. The same year he began work on Finnegan's Wake, and though much harassed by eye troubles, and deeply affected by his daughter's mental illness, he completed and published that book in 1939. After the outbreak of the Second World War, he went to live in Unoccupied France, then managed to secure permission in December 1940 to return to Zürich. Joyce died there six weeks later, on 13 January 1941, and was buried in the Fluntern Cemetery.

Author biography courtesy of Penguin Group (USA).

Date of Birth:

February 2, 1882

Date of Death:

January 13, 1941

Place of Birth:

Dublin, Ireland

Place of Death:

Zurich, Switzerland

Education:

B.A., University College, Dublin, 1902
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