3:10 to Yuma [WS]

Director: James Mangold

Overview

Russell Crowe plays a desperado whose accomplices stage an ambush after he is taken into custody by a determined local sheriff in this remake of the 1957 film starring Glenn Ford and Van Heflin. James Mangold directs a script based on the Elmore Leonard short story and penned by Stuart Beattie, Michael Brandt, and Derek Haas.

Product Details

Release Date:	09/09/2008
UPC:	0031398221852
Original Release:	2007
Rating:	R
Source:	Lions Gate
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Surround EX, Dolby Digital 5.1 Surround]
Language:	English
Time:	2:02:00
Sales rank:	44,780

Special Features

Audio commentary with director James Mangold; "Destination Yuma" - Making-of documentary; "An Epic Explored" - featurette; "Outlaws, Gangs and Posses" - documentary; Deleted scenes; 16x9 widescreen version; 5.1 Dolby Digital Surround EX audio; English and Spanish subtitles; English closed captions

Cast & Crew

Performance Credits

Russell Crowe	Ben Wade
Christian Bale	Dan Evans
Logan Lerman	William Evans
Dallas Roberts	Grayson Butterfield
Ben Foster	Charlie Prince
Peter Fonda	Byron McElroy
Vinessa Shaw	Emma Nelson
Alan Tudyk	Doc Potter
Luce Rains	Marshal Weathers
Gretchen Mol	Alice Evans
Lennie Loftin	Glen Hollander
Rio Alexander	Campos
Johnny Whitworth	Darden
Luke Wilson	Zeke
Benjamin Petry	Mark Evans
Shawn Howell	Jackson
Pat Ricotti	Jorgensen
Ramon Frank	Kinter
Deryle J. Lujan	Nez
James Augare	Nez
Brian Duffy	Sutherland
Jason Rodriguez	Tighe
Kevin Durand	Tucker
Chris Browning	Crawley
Chad Brummett	Kane
Forrest Fyre	Walter Boles
Arron Shiver	Bill Moons
Sean Hennigan	Marshal Will Doane
Girard Swan	Deputy Harvey Pell
Christopher Berry	Deputy Sam Fuller
Shawn D. Howell	Jackson
David Oliver	Evil Bartender
Jason Henning	Train Clerk
Marco Beltrami	Conductor,Composer

Technical Credits

Derek Haas

Halsted Welles

Michael Brandt

Derek Haas	Screenwriter
Halsted Welles	Screenwriter
Michael Brandt	Screenwriter
Paul Massey	Sound Mixer
David Giammarco	Sound Mixer
Jim Stuebe	Sound Mixer
Cathy Konrad	Producer
Stuart M. Besser	Executive Producer,Producer,Producer
Ryan Kavanaugh	Executive Producer,Producer
Lynwood Spinks	Executive Producer,Producer
Brian Battles	Special Effects
David Betancourt	Sound Effects
Steve Bissinger	Sound Effects
Joseph Brennan	Sound Effects
Ted Caplan	Sound Effects
Simon Coke	Sound Effects
Robert Bolanowski	Special Effects
Mark Brooks	Stunts
Dixie J. Capp	Producer
Aaron Downing	Producer
Lisa Beach	Casting
Danny Wynands	Stunts
Michael Weis	Stunts
Juddson Linn	Stunts
James Mangold	Producer
Jo Boldin	Casting
Matt Taylor	Stunts
Troy Gilbert	Stunts
Ramon Garcia	Key Grip
Sarah Katzman	Casting
Mike Watson	Stunts
Cody Smith	Stunts
William P. Brown	Stunts
Derek Lacasa	Stunts
Dale Gibson	Stunts
Brian Brown	Stunts
Danny Edmo	Stunts
Scout Hendrickson	Stunts
Tad Griffith	Stunts
Herman Endito	Stunts
Jason Rodriguez	Stunts
Richard Bucher	Stunts
Rod Rondeaux	Stunts
Monty Stuart	Stunts
Mark Warrack	Stunts
J.J. Dashnaw	Stunts
Steve Hassenpflug	Stunts
Oliver S. Hendrickson	Stunts
Kathy Conrad	Producer

Scene Index

Disc #1 -- 3:10 to Yuma
1. Late Night Ambush [3:30]
2. Making Things Right [4:01]
3. Here We Go [6:38]
4. He's Fast [4:52]
5. Trouble Brewing [6:40]
6. Needs Attention [4:37]
7. I Want to Talk [6:16]
8. Setting Bait [4:37]
9. Table Manners [3:54]
10. Getting By [6:43]
11. Tension Rising [3:48]
12. Digging Graves [1:48]
13. Choosing Paths [8:11]
14. Apache Attack [5:56]
15. Prisoner Dispute [5:10]
16. Laying Low [4:35]
17. New Offer [3:27]
18. Got Company [4:56]
19. Not All Bad [5:15]
20. Just You [3:32]
21. Sharp Shooting [5:12]
22. Making Confessions [6:35]
23. Special Delivery [4:20]
24. Train to Yuma [7:36]

Menu

Disc #1 -- 3:10 to Yuma
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Subtitles
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Spanish
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Special Features
Destination Yuma
Outlaws, Gangs & Posses
An Epic Explored
Deleted Scenes
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Darden Vs. Nez
Darden Vs. Monty
Al Pinkerton's Tongue
"Were You Sincere About Mexico?"
Corrupted Souls
Overrated Utensils
"That's My Son!" the Hay and the Grass
Also From Lionsgate

Editorial Reviews

James Mangold's great strength as a director is his knowledge of how and why audiences respond to different genres. He presents pristine examples of genre, never really subverting them, but finding a way to infuse them with novelty, strong acting, and classic Hollywood style. 3:10 to Yuma fits that mold perfectly. This time Mangold goes back to the birth of the revisionist Western. The film isn't in the mold of genre busting pictures like The Wild Bunch or McCabe & Mrs. Miller, but more like the films being made at the time the original came out. This new version respects the form of the classic Western, but it adds just enough moral ambiguity to allow for a number of engaging performances. Peter Fonda turns up looking as grizzled as ever, and he has just as much authenticity in this setting as his father did. As Russell Crowe's exceedingly loyal sidekick, Ben Foster maintains a psychotic gleam in his eye that is tempered only by a mixture of admiration and brotherly love whenever he looks at Crowe. Christian Bale broods as well as ever in the role of the good guy forced to win the admiration of his oldest son. But Mangold's film is elevated from good to very good thanks to a marvelous star turn by Russell Crowe as Ben Wade. Crowe combines a formidable physical presence onscreen with a nearly palpable sensitivity, and, more often than not, a sharp intelligence. His Ben Wade needs to be capable of doing just about anything at any point. He certainly has the soul of an artist, as evinced by his gentle, detailed sketchings of a lover; and he most certainly has the steely resolve of a killer. Crowe makes this monster so likable, so full of an inner life, that his every gesture demands an audience's attention. He wears a black hat with such style that he looks like he could hold his own against other legendary Western bad guys. Although the character's final actions leave the viewer with a healthy ambiguity, the movie's final shot ranks among one of the best of the year. A train and a horse, moving out of frame together, shot with such understated affection that Mangold captures the iconography of old Westerns while still finding some new poetry in them. It's the most lyrical moment in the film, capping a very solid straightforward narrative with a moment that reminds everybody that a human being who genuinely loves movies made this one. Mangold has no interest in transcending or subverting genres, because he still finds so much pleasure in them.