Shock

Director: Mario Bava

Overview

In this spooky horror movie, a strange little boy begins to literally drive his wicked mother insane. The boy is possessed by the vengeful spirit of his father, whom she and her lover bricked into a basement wall. He uses the boy to force his mother to suffer terrible hallucinations.

Product Details

Release Date:	02/27/2007
UPC:	0827058110495
Original Release:	1977
Rating:	NR
Source:	Blue Underground
Region Code:	A
Presentation:	[Wide Screen]
Language:	English
Time:	1:32:00
Sales rank:	38,379

Special Features

Interview with co-writer/assistant director Lamberto Bava; Italian trailer; U.S. Beyond the Door II TV spots; Talent bios

Cast & Crew

Performance Credits

John Steiner	Bruno Baldini
Daria Nicolodi	Dora Baldini
David Colin Jr.	Marco
Ivan Rassimov	Carlos

Technical Credits

Dardano Sacchetti

Lamberto Bava

Francesco Barbieri

Dardano Sacchetti	Screenwriter
Lamberto Bava	Screenwriter
Francesco Barbieri	Screenwriter
Turi Vasile	Producer

Scene Index

Disc #1 -- Shock
1. Program Start/Main Titles [1:30]
2. The Return [7:43]
3. Bedtime [4:13]
4. Fun and Games [3:35]
5. Mother and Son [4:37]
6. The Party [5:49]
7. Little Accidents [4:05]
8. Child's Play [11:32]
9. Nightmare [6:16]
10. Turbulance [5:44]
11. The Doctor [3:08]
12. Hauntings [14:38]
13. Dark Dreams [6:25]
14. Exhumation [12:07]
15. End Credits [:57]

Menu

Disc #1 -- Shock
Chapter Selections
Extras
Trailers
Italian Trailer (With English Subtitles)
Italian Trailer (With No Subtitles)
TV Spots
U.S. Beyond the Door 2 TV Spot
U.S. Beyond the Door 2 TV Combo Spot
Talent Bios
Mario Bava - Director
Lamberto Bava - Co-Writer
Daria Nicolodi - Star
Lamberto Bava Interview (With English Subtitles)
Lamberto Bava Interview (With No Subtitles)
Audio Setup
English
Italian
French

Editorial Reviews

Originally released in the U.S. as a sequel to Behind the Door, Shock is perhaps one of the more conventional offerings from a man whom many consider the founding father of Italian horror, though it still bears the trademark style and technical trickery of Mario Bava's previous efforts on slightly muted terms (possibly due to the fact that father Mario feigned illness during production to give son Lamberto a shot at directing). And though some fans of Bava's work may dismiss the film in terms of its lack of the colorful visual elements that have come to be a defining factor in his work, Shock certainly delivers the goods in its effectively disturbing portrayal of a boy possessed by the spirit of his deceased, drug-addict father, and the horrifying effect this has on his mother and stepfather. The slight-of-hand camera trickery that Bava had mastered with nearly 20 years in the director's chair is equally effective, creating unexpected shocks that easily surpass those in shockers that have come to rely on computer-generated effects to raise the hair on viewers' necks. It's easy to criticize a number of Bava's works for their inconsistencies and character flaws but to do so would be missing the point; imagery and visualization are the keys here, and as a final work by a director who specialized in such endeavors, Shock will certainly entertain haunted-house movie aficionados and those looking for a spooky possession flick.