Goodfellas

Overview

"As far back as I can remember, I've always wanted to be a gangster."

Henry Hill grew up in the midst of New York City's criminal underworld, finally achieving the coveted status of "wiseguy." But in 1980, he made the decision to exchange his knowledge for a new identity. GoodFellas, Hill's own account of crude hierarchies, casual murders, and collaboration with the Feds (as a member of the Witness Protection Program) was adapted for the screen by Martin Scorsese and Nicholas Pileggi—and is now seen as a contemporary classic. The film drew rave reviews everywhere upon its theatrical release in 1990, and was nominated for Oscars in both the Best Director and Best Adapted Screenplay categories.

This book also offers an introduction by David Thompson, the noted film critic and co-editor of Scorsese on Scorsese.

Product Details

ISBN-13:	7321900108089
Publisher:	SUPER D INDEPENDENT DIST.
Publication date:	12/16/2008
Product dimensions:	5.45(w) x 0.62(h) x 7.53(d)

About the Author

Martin Scorsese was born in New York City and graduated from New York University with a degree in film. Widely considered one the best filmmakers in American history, his movies include Mean Streets, Taxi Driver, Raging Bull, After Hours, Cape Fear, and Gangs of New York.

Nicholas Pileggi has written three screenplays that have been produced for film, two of which were directed by Martin Scorsese.

Editorial Reviews

Seventeen years after revising the book on gangster movies in his breakthrough Mean Streets, Martin Scorsese returned to the netherworld of Italian-American organized crime with this stunningly ambitious, ferociously entertaining look at one man's rise and fall in a Mafia family. Shot and edited with a propulsive sense of rhythm that Gene Krupa would envy (this may be the fastest 150 minutes in film history), Goodfellas explores the 30-year career of Henry Hill (Ray Liotta) as a "mechanic" working for mob boss Paulie Cicero (Paul Sorvino). While most films about gangsters attribute their characters' criminal lives to greed or sociopathic behavior, Scorsese makes it clear Henry and his friends Jimmy Conway (Robert De Niro) and Tommy DeVito (Joe Pesci) are gangsters because they enjoy it: they like to steal, they enjoy violence, and their "work" allows them to profit from these qualities, which would be a hindrance in nearly any other career. However, while the film offers a point-blank look at New York's criminal underworld from the '50s to the '80s, Scorsese also uses this story as a unusual but clear moral fable. In the first few reels, Henry and his partners follow a strict code of honor and make sure to obey Cicero's wishes: you pay tribute to the boss, you stay away from dealing drugs, and you don't kill anyone unless it's absolutely necessary. By the mid-'70s, these guidelines have been forgotten, and as Henry, Jimmy, and Tommy slip away from Paulie's corrupt but strictly ordered ethical universe, it leads only to death and betrayal. Scorsese has long been fascinated with the actions of men searching for a moral compass in a faithless land, but he's rarely told the story with such kinetic force and audacious skill.