Lady Terminator

Director: H. Tjut Djalil

Overview

"For movie lovers who prefer that their entertainment come with a healthy dose of the outrageous and unexpected, it just doesn't get much better than Mondo Macabro. As if bringing such little-seen exploitation gems as Dangerous Seductress and Aswang to DV

Product Details

Release Date:	09/28/2004
UPC:	0843276010898
Original Release:	1989
Rating:	NR
Source:	Mondo Macabre
Region Code:	A
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Stereo]
Language:	English
Time:	1:22:00
Sales rank:	17,353

Special Features

Brand-new anamorphic transfer; Documentary on Indonesian exploitica; Production notes and filmographies; Alternate scenes; Trailer; Mondo Macabro previews

Cast & Crew

Performance Credits

Christopher Hart	Actor
Joseph McGlynn	Actor
Claudia Rademaker	Erica
Barbara Constable	Lady Terminator

Technical Credits

Raam Soraya

Producer

Scene Index

Side #1 --
1. Feature Start [6:19]
2. Titles & Credits [5:37]
3. I'm Not a Lady...! [4:56]
4. The Taking of Tania [6:10]
5. Room 1113 [5:37]
6. Hunting Erika [6:10]
7. Ballroom Blitz [6:19]
8. Car Chase [6:18]
9. Under Attack [8:43]
10. Taking Refuge [5:37]
11. Back in Action [8:40]
12. Panzer Attack [10:07]

Menu

Side #1 --
Play Movie
Chapters
Extras
Trailer
Documentary
Alternate Scenes
Play Scenes
Text Pages
Indonesian Horror & Exploitation
Tjut Djalil Filmography
The Legend of the South Sea Queen
Stills Gallery
Mondo Previews

Editorial Reviews

A bald-faced copy of Terminator mixed with bizarre Oriental legends and squirming sexual violence, this Indonesian oddity scores high for insane action and impressive chutzpah. After the prologue fills us in on the story of the evil Queen and the possession of Tania ("I'm not a lady, I'm an anthropologist!") is complete, the rest of Lady Terminator is pure plagiarism, right down to reproducing some of Terminator's scenes and dialogue. It's a rip-off on the cheap, as well, with certain sequences being used twice in order to bulk up running time. Luckily, the whole mess is just weird enough to work, blending Eastern and Western influences together into something far greater than its original intent. Make no mistake; this is nothing more than a cynical cash-in packed with as much nudity, explosions and blood squibs as possible, but fans of outlaw cinema will be thrilled by the sick surrealism on screen and the outrageous chicanery at work behind the scenes.