The Kid [Criterion Collection] [Blu-ray]

Director: Charlie Chaplin, Sim?n Franco

Overview

The Kid was Charles Chaplin's first self-produced and directed feature film; 1914's 6-reel Tillie's Punctured Romance was a Mack Sennett production in which Chaplin merely co-starred. The story "with a smile and perhaps a tear," begins with unwed mother Edna Purviance leaving the Charity Hospital, babe in arms. Her burden is illustrated with a title card showing Christ bearing the cross. The father of the child is a poor artist who cares little for of his former lover, carelessly knocking her photo into his garret fireplace and cooly returning it there when he sees it is too badly damaged to keep. The mother sorrowfully leaves her baby in the back seat of a millionaire's limousine, with a note imploring whoever finds it to care for and love the child. But thieves steal the limo, and, upon discovering the baby, ditch the tot in an alleyway trash can. Enter Chaplin, out for his morning stroll, carefully selecting a choice cigarette butt from his well used tin. He stumbles upon the squalling infant and, after trying to palm it off on a lady with another baby in a carriage, decides to adopt the kid himself. Meanwhile Purviance has relented, but when she returns to the mansion and is told that the car has been stolen, she collapses in despair. Chaplin outfits his flat for the baby as best he can, using an old coffee pot with a nipple on the spout as a baby bottle and a cane chair with the seat cut out as a potty seat. Chaplin's attic apartment is a representation of the garret he had shared with his mother and brother in London, just as the slum neighborhood is a recreation of the ones he knew as a boy. Five years later, Chaplin has become a glazier, while his adopted son (the remarkable Jackie Coogan) drums up business for his old man by cheerfully breaking windows in the neighborhood. Purviance meanwhile has become a world famous opera singer, still haunted by the memory of her child, who does charity work in the very slums in which he now lives. Ironically, she gives a toy dog to little Coogan. Chaplin and Coogan's close calls with the law and fights with street toughs are easily overcome, but when Coogan falls ill, the attending doctor learns of the illegal adoption and summons the Orphan Asylum social workers who try to separate Chaplin from his foster son. In one of the most moving scenes in all of Chaplin's films, Chaplin and Coogan try to fight the officials, but Chaplin is subdued by the cop they have summoned. Coogan is roughly thrown into the back of the Asylum van, pleading to the welfare official and to God not to be separated from his father. Chaplin, freeing himself from the cop, pursues the orphanage van over the rooftops and, descending into the back of the truck, dispatches the official and tearfully reunites with his "son". Returning to check on the sick boy, Purviance encounters the doctor and is shown the note which she had attached to her baby five years earlier. Chaplin and Coogan, not daring to return home, settle in a flophouse for the night. The proprietor sees a newspaper ad offering a reward for Coogan's return and kidnaps the sleeping boy. After hunting fruitlessly, a grieving Chaplin falls asleep on his tenement doorstep and dreams that he has been reunited with the boy in Heaven (that "flirtatious angel" is Lita Grey, later Chaplin's second wife). Woken from his dream by the cop, he is taken via limousine to Purviance's mansion where he is welcomed by Coogan and Purviance, presumably to stay. Chaplin had difficulties getting The Kid produced. His inspiration, it is suggested was the death of his own first son, Norman Spencer Chaplin a few days after birth in 1919. His determination to make a serio-comic feature was challenged by First National who preferred two reel films, which were more quickly produced and released. Chaplin wisely gained his distributors' approval by inviting them to the studio, where he trotted out the delightful Coogan to entertain them. Chaplin's divorce case from his first wife Mildred Harris also played a part; fearing seizure of the negatives Chaplin and crew escaped to Salt Lake City and later to New York to complete the editing of the film. Chaplin's excellent and moving score for The Kid was composed in 1971 for a theatrical re-release, but used themes that Chaplin had composed in 1921. Chaplin re-edited the film somewhat for the re-release, cutting scenes that he felt were overly sentimental, such as Purviance's observing of a May-December wedding and her portrayal as a saint, outlined by a church's stained glass window.

Product Details

Release Date:	02/16/2016
UPC:	0715515168014
Original Release:	1921
Rating:	NR
Source:	THE CRITERION COLLECTION, INC
Region Code:	A
Presentation:	[B&W]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	0:53:00
Sales rank:	9,757

Special Features

New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin; New audio commentary featuring Chaplin historian Charles Maland; Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven; A Study in Undercranking, a new program featuring silent-film specialist Ben Model; Interviews with Coogan and actor Lita Grey Chaplin; Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman; Deleted scenes and titles from the original 1921 version of The Kid; "Charlie" on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe; Footage of Chaplin conductiing his score for The Kid; Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock; Trailers

Cast & Crew

Performance Credits

Jackie Coogan	The Child
Edna Purviance	The Woman
Carl Miller	The Man
Tom Wilson	The Policeman,la femme au landau
Albert Austin	A Crook
Nellie Bly Baker	Slum Woman
Henry Bergman	Flophouse Proprietor
Lita Grey	The Flirting Angel
Charlie Chaplin	A Tramp,Composer
Juan Mart?n Otegui	Actor
Charles Reisner	l'homme fort
Edward Biby	le chauffeur de l'orphelinat
Kitty Bradbury	la m?re de la fianc?e
Frank Campeau	le responsable de l'aide sociale
Bliss Chevalier	Actor
Jack Coogan Sr.	Pickpocket
Rupert Franklin	Bride's Father
Sadie Gordon	Actor
Martha Hall	Extra in wedding scene
Ed Hunt	Extra in reception scene
Kathleen Kay	Maid
Walter Lynch	Tough cop
Henry Berman	Lodging House Proprietor
Edgar Sherrod	Priest
Raymond Lee	His Kid Brother
Beulah Bains	Bride
Robert Dunbar	Bridegroom
Jules Hanft	Physician
John McKinnon	Chief of Police
Phyllis Allen	A Woman
Esther Ralston	Actor

Technical Credits

Charles Chaplin

Charles Chaplin

Producer,Screenwriter

Editorial Reviews

Charles Chaplin's first feature-length film pairs his Tramp character with an orphan boy, forging a life together in a slum reminiscent of Chaplin's childhood London home. Finding humor in the extreme harshness of the Tramp's impoverished existence with his plucky adopted foundling, Chaplin turns the pair's survival into a series of comic set pieces depicting such events as their scheme to sell windows and their daily breakfast rituals. Coordinated in their movements and well-matched in their temperaments, the Tramp and the Kid are the perfect pair, underlining the potential for tragedy when the child welfare authorities step in. Still, having revealed the Tramp's paternal devotion in a bravura chase scene and a whimsical dream sequence, Chaplin reunites the redefined family for a happy ending. Chaplin overcame First National's resistance to his desire to make a dramatic comedy, and he wrote, directed, and starred in a major success. Shot over nine months and accompanied by a score composed by Chaplin himself, The Kid became an critically hailed international hit, launching Jackie Coogan as a major child star. With a blend of social realism and finely tuned physical comedy, Chaplin infuses The Kid with a pathos and sweetness that would later mark one of his greatest features, City Lights (1931).