Emma

The most perfect of Jane Austen’s perfect novels begins with twenty-one-year-old Emma Woodhouse comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives–for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton–and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured.

Jane Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters–some pretentious or ridiculous, some admirable and moving, all utterly true.


 

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Emma

The most perfect of Jane Austen’s perfect novels begins with twenty-one-year-old Emma Woodhouse comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives–for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton–and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured.

Jane Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters–some pretentious or ridiculous, some admirable and moving, all utterly true.


 

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Overview

The most perfect of Jane Austen’s perfect novels begins with twenty-one-year-old Emma Woodhouse comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives–for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton–and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured.

Jane Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters–some pretentious or ridiculous, some admirable and moving, all utterly true.


 


Product Details

ISBN-13: 9780679405818
Publisher: Knopf Doubleday Publishing Group
Publication date: 11/28/1991
Series: Everyman's Library
Pages: 560
Sales rank: 66,586
Product dimensions: 5.25(w) x 8.26(h) x 1.18(d)
Age Range: 12 - 18 Years

About the Author

About The Author

Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At twenty-one, she began a novel called The First Impressions, an early version of Pride and Prejudice. In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of Northanger Abby to a London publisher, but the first of her novels to appear was Sense and Sensibility, published at her own expense in 1811. It was followed by Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1815).

After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote Persuasion and revised Northanger Abby. Her last work, Sandition, was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of Northanger Abby and Persuasion in 1818.

Date of Birth:

December 16, 1775

Date of Death:

July 18, 1817

Place of Birth:

Village of Steventon in Hampshire, England

Place of Death:

Winchester, Hampshire, England

Education:

Taught at home by her father

Read an Excerpt

Emma


By Jane Austen

Vintage

Copyright © 2007 Jane Austen
All right reserved.

ISBN: 9780307386847

Chapter One


EMMA WOODHOUSE, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection.

Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own.

The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself: these were thedisadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.

Sorrow came-a gentle sorrow-but not at all in the shape of any disagreeable consciousness. Miss Taylor married. It was Miss Taylor's loss which first brought grief. It was on the wedding day of this beloved friend that Emma first sat in mournful thought of any continuance. The wedding over, and the bride people gone, her father and herself were left to dine together, with no prospect of a third to cheer a long evening. Her father composed himself to sleep after dinner, as usual, and she had then only to sit and think of what she had lost.

The event had every promise of happiness for her friend. Mr. Weston was a man of unexceptionable character, easy fortune, suitable age, and pleasant manners; and there was some satisfaction in considering with what self-denying, generous friendship she had always wished and promoted the match; but it was a black morning's work for her. The want of Miss Taylor would be felt every hour of every day. She recalled her past kindness-the kindness, the affection of sixteen years-how she had taught and how she had played with her from five years old-how she had devoted all her powers to attach and amuse her in health-and how nursed her through the various illnesses of childhood. A large debt of gratitude was owing here; but the intercourse of the last seven years, the equal footing and perfect unreserve which had soon followed Isabella's marriage, on their being left to each other, was yet a dearer, tenderer recollection. She had been a friend and companion such as few possessed; intelligent, well-informed, useful, gentle, knowing all the ways of the family, interested in all its concerns, and peculiarly interested in herself, in every pleasure, every scheme of hers; one to whom she could speak every thought as it arose, and who had such an affection for her as could never find fault.

How was she to bear the change? It was true that her friend was going only half a mile from them; but Emma was aware that great must be the difference between a Mrs. Weston, only half a mile from them, and a Miss Taylor in the house; and with all her advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.

The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all his life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.

Her sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.

Highbury, the large and populous village almost amounting to a town, to which Hartfield, in spite of its separate lawn, and shrubberies, and name, did really belong, afforded her no equals. The Woodhouses were first in consequence there. All looked up to them. She had many acquaintances in the place, for her father was universally civil, but not one among them who could be accepted in lieu of Miss Taylor for even half a day. It was a melancholy change; and Emma could not but sigh over it, and wish for impossible things, till her father awoke, and made it necessary to be cheerful. His spirits required support. He was a nervous man, easily depressed; fond of everybody that he was used to, and hating to part with them; hating change of every kind. Matrimony, as the origin of change, was always disagreeable; and he was by no means yet reconciled to his own daughter's marrying, nor could ever speak of her but with compassion, though it had been entirely a match of affection, when he was now obliged to part with Miss Taylor too; and from his habits of gentle selfishness, and of being never able to suppose that other people could feel differently from himself, he was very much disposed to think Miss Taylor had done as sad a thing for herself as for them, and would have been a great deal happier if she had spent all the rest of her life at Hartfield. Emma smiled and chatted as cheerfully as she could, to keep him from such thoughts; but when tea came, it was impossible for him not to say exactly as he had said at dinner:

"Poor Miss Taylor! I wish she were here again. What a pity it is that Mr. Weston ever thought of her!"

"I cannot agree with you, papa; you know I cannot. Mr. Weston is such a good-humoured, pleasant, excellent man, that he thoroughly deserves a good wife; and you would not have had Miss Taylor live with us for ever, and bear all my odd humours,1 when she might have a house of her own?"

"A house of her own! but where is the advantage of a house of her own? This is three times as large; and you have never any odd humours, my dear."

"How often we shall be going to see them, and they coming to see us! We shall be always meeting! We must begin; we must go and pay our wedding-visit very soon."

"My dear, how am I to get so far? Randalls is such a distance. I could not walk half so far."

"No, papa; nobody thought of your walking. We must go in the carriage, to be sure."

"The carriage! But James will not like to put the horses to for such a little way; and where are the poor horses to be while we are paying our visit?"

"They are to be put into Mr. Weston's stable, papa. You know we have settled all that already. We talked it all over with Mr. Weston last night. And as for James, you may be very sure he will always like going to Randalls, because of his daughter's being housemaid there. I only doubt whether he will ever take us anywhere else. That was your doing, papa. You got Hannah that good place. Nobody thought of Hannah till you mentioned her-James is so obliged to you!"

"I am very glad I did think of her. It was very lucky, for I would not have had poor James think himself slighted upon any account; and I am sure she will make a very good servant; she is a civil, pretty-spoken girl; I have a great opinion of her. Whenever I see her, she always curtseys and asks me how I do, in a very pretty manner; and when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it. I am sure she will be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to his daughter, you know, she will be hearing of us. He will be able to tell her how we all are."

Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary.

Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connections in London. He had returned to a late dinner after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed:

"It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk."

"Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire."

"But you must have found it very damp and dirty. I wish you may not catch cold."

"Dirty, sir! Look at my shoes. Not a speck on them."

"Well: that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding."

"By the bye, I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?"

"Ah! poor Miss Taylor! 'tis a sad business."

"Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say 'poor Miss Taylor.' I have a great regard for you and Emma; but when it comes to the question of dependence or independence! at any rate, it must be better to have only one to please than two."

"Especially when one of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know-and what you would certainly say if my father were not by."

"I believe it is very true, my dear, indeed," said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome."

"My dearest papa! You do not think I could mean you, or suppose Mr. Knightley to mean you. What a horrible idea! Oh, no! I meant only myself. Mr. Knightley loves to find fault with me, you know-in a joke-it is all a joke. We always say what we like to one another."

Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them; and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by everybody.

"Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on anybody. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer."

"Well," said Emma, willing to let it pass, "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Everybody was punctual, everybody in their best looks: not a tear, and hardly a long face to be seen. Oh, no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day."

"Dear Emma bears everything so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she will miss her more than she thinks for."

Emma turned away her head, divided between tears and smiles.

"It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it: but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married."

"And you have forgotten one matter of joy to me," said Emma, "and a very considerable one-that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many people said Mr. Weston would never marry again, may comfort me for anything."

Mr. Knightley shook his head at her. Her father fondly replied, "Ah! my dear, I wish you would not make matches and foretell things, for whatever you say always comes to pass. Pray do not make any more matches."


From the Paperback edition.

Continues...

Excerpted from Emma by Jane Austen Copyright © 2007 by Jane Austen. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

EmmaThe Penguin Edition of the Novels of Jane Austen

Chronology

Introduction

Further Reading

Note on the Text

Emma

Volume One

Volume Two

Volume Three

Emendations to the Text

Notes

What People are Saying About This

From the Publisher

"No one creates silly English characters better than Austen, and Wanda McCaddon is up to the challenge." —-AudioFile

Reading Group Guide

INTRODUCTION
(Excerpted from The Jane Austen Book Club)

Emma was written between January 1814 and March 1815, published in 1815. The title character, Emma Woodhouse, is queen of her little community. She is lovely and wealthy. Se has no mother; her fussy, fragile father imposes no curbs on either her behavior or her self-satisfaction. Everyone else in the village is deferentially lower in social standing. Only Mr. Knightley, an old family friend, ever suggests she needs improvement.

Emma has a taste for matchmaking. When she meets pretty Harriet Smith, "the natural daughter of somebody," Emma takes her up as both a friend and a cause. Under Emma's direction, Harriet refuses a proposal from a local farmer, Robert Martin, so that Emma can engineer one from Mr. Elton, the vicar. Unluckily, Mr. Elton misunderstands the intrigues and believes Emma is interested in him for herself. He cannot be lowered to consider Harriet Smith.

Things are further shaken by the return to the village by Jane Fairfax, niece to the garrulous Miss Bates; and by a visit from Frank Churchill, stepson of Emma's ex-governess. He and Jane are secretly engaged, but as no one knows this, it has no impact on the matchmaking frenzy.

The couples are eventually sorted out, if not according to Emma's plan, at least to her satisfaction. Uninterested in marriage at the book's beginning, she happily engages herself to Mr. Knightly before its end.

ABOUT JANE AUSTEN

Jane Austen was born on December 16, 1775 at Steventon near Basingstoke, the seventh child of the rector of the parish. She lived with her family at Steventon until they moved to Bath when her father retired in 1801. After his death in 1805, she moved around with her mother; in 1809, they settled in Chawton, near Alton, Hampshire. Here she remained, except for a few visits to London, until in May 1817 she moved to Winchester to be near her doctor. There she died on July 18, 1817. As a girl Jane Austen wrote stories, including burlesques of popular romances. Her works were only published after much revision, four novels being published in her lifetime. These are Sense and Sensibility (1811), Pride and Prejudice (1813),Mansfield Park (1814) and Emma (1816). Two other novels, Northanger Abbey and Persuasion, were published posthumously in 1818 with a biographical notice by her brother, Henry Austen, the first formal announcement of her authorship. Persuasion was written in a race against failing health in 1815-16. She also left two earlier compositions, a short epistolary novel, Lady Susan, and an unfinished novel, The Watsons. At the time of her death, she was working on a new novel, Sanditon, a fragmentary draft of which survives.

DISCUSSION QUESTIONS

  • About Emma, Jane Austen famously said, "I'm going to take a heroine whom no one but myself will much like." Do you like Emma? Why or why not?
     
  • Austen makes an unusual choice by selecting as her main character the most privileged woman in the book, the woman with "little to distress or vex her." The Jane Fairfax story line (which W.J. Harvey has called the "shadow novel-within-the-novel") has more traditional elements of tension and drama than Emma's story. Austen's own publisher traitorously said of Emma, "it wants incident and romance." Do you agree? Would you have rather read about Jane?
     
  • Early in the book, Emma tells Harriet she doesn't plan to marry. But the other women all embody, in one way or another, the serious economic consequences of staying single. The book is filled with women at risk. Discuss with reference to: Miss Bates, Jane Fairfax, Mrs. Elton, Harriet Smith, Miss Taylor.
     
  • Class issues run through every plot line in Emma. How would you describe Mr. Knightley's views on class and privilege? Harriet Smith is "the natural daughter of nobody knows whom." Which fact—her illegitimacy or her undetermined class standing—is more important in effecting her marital prospects? How do you feel about Emma's hopes to see Harriet married above her expectations? How does Emma's relationship to Harriet change over the course of the book?
     
  • Two characters, Mrs. Elton and Frank Churchill, come into Highbury from the outside and threaten the little community with change. Mr. Knightley likes neither of them. How do you feel about them?
     
  • One effect of the hidden (Jane Fairfax/Frank Churchill) story is to undermine the omniscience of the narrator. Some critics have suggested that the narrator controls the reader less in Emma than in most Austen books. Because of this, Reginald Ferrar has suggested the book improves on rereading. "Only when the story has been thoroughly assimilated can the infinite delights and subtleties of its workmanship begin to be appreciated." He suggests that rereading Pride and Prejudice allows you to repeat the pleasure you had at the first reading, while rereading Emmaalways provides new pleasures. (He also says that "until you know the story, you are apt to find the movement dense and slow and obscure, difficult to follow, and not very obviously worth the following.") Do you agree with any of this? Do you like a book in which the writer's intentions are not always clear and there is space for the reader to take charge or do you like to know what the writer wants you to be feeling and noticing? How do you feel about the idea of a book that has to be reread in order to be enjoyed? Is Emma such a book?
     
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