Ethics in the Gutter: Empathy and Historical Fiction in Comics

Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that-as Linda Hutcheon has put it-both "enshrine and question" history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader's empathetic reactions to the content.

This book's most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.

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Ethics in the Gutter: Empathy and Historical Fiction in Comics

Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that-as Linda Hutcheon has put it-both "enshrine and question" history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader's empathetic reactions to the content.

This book's most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.

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Ethics in the Gutter: Empathy and Historical Fiction in Comics

Ethics in the Gutter: Empathy and Historical Fiction in Comics

by Uncle Peter Davis
Ethics in the Gutter: Empathy and Historical Fiction in Comics

Ethics in the Gutter: Empathy and Historical Fiction in Comics

by Uncle Peter Davis

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Overview


Ethics in the Gutter: Empathy and Historical Fiction in Comics explores an often-overlooked genre of graphic narratives: those that fictionalize historical realities. While autographics, particularly those that place the memoirist in the context of larger cultural conversations, have been the objects of sustained study, fictional graphic narratives that-as Linda Hutcheon has put it-both "enshrine and question" history are also an important area of study. By bringing narratology and psychological theory to bear on a range of graphic narratives, Kate Polak seeks to question how the form utilizes point of view and the gutter as ethical tools that shape the reader's empathetic reactions to the content.

This book's most important questions surround how we receive and interpret representations of history, considering the ways in which what we think we know about historical atrocities can be at odds with the convoluted circumstances surrounding violence. Beginning with a new look at Watchmen, and including examinations of such popular series as Scalped and Hellblazer as well as Bayou and Deogratias, the book questions how graphic narratives create an alternative route by which to understand large-scale violence. Ethics in the Gutter explores how graphic narrative representations of violence can teach readers about the possibilities and limitations of empathy and ethics.


Product Details

ISBN-13: 9780814213537
Publisher: Ohio State University Press
Publication date: 09/20/2017
Series: Studies in Comics and Cartoons Series
Edition description: 1
Pages: 272
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Kate Polak is Assistant Professor of English at Wittenberg University.

Table of Contents

List of illustrations ix

Acknowledgments xi

Introduction History, Metafiction, and the Affective Power of Graphic Narratives 1

Chapter 1 Being a Dog: Transformation, Focalization, and Memory in Deogratias 37

Chapter 2 Just Like Sally: Rape and Reflexivity in Watchmen 76

Chapter 3 "We're Still Here": Authenticity and Memory in Scalped 111

Chapter 4 My Children Will Remember All of the Things I Tried to Forget: Bayou and Intergenerational Trauma 144

Chapter 5 Telling the Wound: Framing and Restricted Narration in Hellblazer 177

Conclusion (The) Moving Past 212

Works Cited 223

Index 231

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