Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

Inventing American Still Life, 1800–1960, offers a fresh look at the myriad ways that American artists of the 19th and 20th centuries—both familiar names and recently rediscovered artists—approached the subject of still-life painting. A stunning array of works, some never before published, are beautifully illustrated in more than 250 color images. Four thematic essays address the connections between still life and other aspects of American culture, including literature and philosophy; the intersection of still-life painting, natural-history illustration, and commercial photography; the Philadelphia region’s defining impact and lasting influence on American still life; and the reception of still life by American critics and art historians from its earliest days to the present. Among the works featured are Raphaelle Peale’s celebrated Blackberries (c. 1813), Severin Roesen’s majestic Flower Still Life with Bird’s Nest (1853), William Michael Harnett’s landmark trompe l’oeil painting After the Hunt (1885), and Charles Sheeler’s modern masterpiece Rolling Power (1939).
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Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

Inventing American Still Life, 1800–1960, offers a fresh look at the myriad ways that American artists of the 19th and 20th centuries—both familiar names and recently rediscovered artists—approached the subject of still-life painting. A stunning array of works, some never before published, are beautifully illustrated in more than 250 color images. Four thematic essays address the connections between still life and other aspects of American culture, including literature and philosophy; the intersection of still-life painting, natural-history illustration, and commercial photography; the Philadelphia region’s defining impact and lasting influence on American still life; and the reception of still life by American critics and art historians from its earliest days to the present. Among the works featured are Raphaelle Peale’s celebrated Blackberries (c. 1813), Severin Roesen’s majestic Flower Still Life with Bird’s Nest (1853), William Michael Harnett’s landmark trompe l’oeil painting After the Hunt (1885), and Charles Sheeler’s modern masterpiece Rolling Power (1939).
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Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

by Jann Arden
Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

Feeding My Mother: Comfort and Laughter in the Kitchen as a Daughter Lives with Her Mom's Memory Loss

by Jann Arden

Paperback

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Overview


Inventing American Still Life, 1800–1960, offers a fresh look at the myriad ways that American artists of the 19th and 20th centuries—both familiar names and recently rediscovered artists—approached the subject of still-life painting. A stunning array of works, some never before published, are beautifully illustrated in more than 250 color images. Four thematic essays address the connections between still life and other aspects of American culture, including literature and philosophy; the intersection of still-life painting, natural-history illustration, and commercial photography; the Philadelphia region’s defining impact and lasting influence on American still life; and the reception of still life by American critics and art historians from its earliest days to the present. Among the works featured are Raphaelle Peale’s celebrated Blackberries (c. 1813), Severin Roesen’s majestic Flower Still Life with Bird’s Nest (1853), William Michael Harnett’s landmark trompe l’oeil painting After the Hunt (1885), and Charles Sheeler’s modern masterpiece Rolling Power (1939).

Product Details

ISBN-13: 9780735273931
Publisher: Random House of Canada, Limited
Publication date: 04/02/2019
Pages: 224
Sales rank: 274,314
Product dimensions: 5.19(w) x 8.00(h) x 0.00(d)

About the Author


Mark D. Mitchell is associate curator of American art, Philadelphia Museum of Art. Bill Brown is Karla Scherer Distinguished Service Professor in American Culture, University of Chicago. Katie A. Pfohl is a Ph.D. candidate in the Department of History of Art and Architecture, Harvard University. Carol Troyen is Kristin and Roger Servison Curator Emerita of American Paintings, Museum of Fine Arts, Boston.
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