Film Art: An Introduction / Edition 7

Film Art: An Introduction / Edition 7

ISBN-10:
0072484551
ISBN-13:
9780072484557
Pub. Date:
07/28/2003
Publisher:
McGraw-Hill Companies, The
ISBN-10:
0072484551
ISBN-13:
9780072484557
Pub. Date:
07/28/2003
Publisher:
McGraw-Hill Companies, The
Film Art: An Introduction / Edition 7

Film Art: An Introduction / Edition 7

Paperback

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Overview

Combining the traditional topics reviewed in a discussion of film as an art form this updated book now inlcudes information on the latest film technology such as the computer special effects used in Forest Gump. The book differentiates documentaries from fiction film,mainstream commercial films from avant-garde/experimental films. Western and horror films are also reviewed. The role of sound is fully analyzed.

Product Details

ISBN-13: 9780072484557
Publisher: McGraw-Hill Companies, The
Publication date: 07/28/2003
Edition description: Older Edition
Pages: 560
Product dimensions: 8.50(w) x 10.10(h) x 0.85(d)

About the Author

David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.

Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste(James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.

Table of Contents


Part I TYPES OF FILMMAKING, TYPES OF FILM
Chapter 1 The Work of Film Production
Chapter 2 Types of Film
Part II FILM FORM
Chapter 3 The Significance of Film Form
Chapter 4 Narrative As A Formal System
Chapter 5 Nonnarrative Formal System
Part III FILM STYLE
Chapter 6 The Shot: Mise-En-Scene
Chapter 7 The Shot: Cinematographic Properties
Chapter 8 The Relation of Shot to Shot: Editing
Chapter 9 Sound in the Cinema
Chapter 10 Style as a Formal System: Summary
Part IV CRITICAL ANALYSIS OF FILM
Chapter 11 Film Criticism: Sample Analyses
Part V FILM HISTORY
Chapter 12 Film Form and Film History
Glossary
Internet Resources: Selected Reference Sites in Film from the World Wide Web
Credit
Index
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