Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
1301110028
Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
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Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

by Mechthild Fend
Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850

by Mechthild Fend

eBook

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Overview

Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.

Product Details

ISBN-13: 9781526104670
Publisher: Manchester University Press
Publication date: 10/17/2016
Series: Rethinking Arts Histories MUP
Sold by: Barnes & Noble
Format: eBook
File size: 6 MB

About the Author

Mechthild Fend is Reader in History of Art at University College London

Table of Contents

Introduction 1. The surface's substance 2. Nervous canvas 3. Limite sensitive 4. Skin colour 5. Seeing through the skin 6. Hermetic borderline 7. Epilogue: segregation Index
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