Future Nostalgia: Performing David Bowie
Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses-theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia looks at all aspects of Bowie's career in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.
1118967649
Future Nostalgia: Performing David Bowie
Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses-theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia looks at all aspects of Bowie's career in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.
24.49 In Stock
Future Nostalgia: Performing David Bowie

Future Nostalgia: Performing David Bowie

by Shelton Waldrep
Future Nostalgia: Performing David Bowie

Future Nostalgia: Performing David Bowie

by Shelton Waldrep

eBook

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Overview

Although David Bowie has famously characterized himself as a "leper messiah," a more appropriate moniker might be "rock god": someone whose influence has crossed numerous sub-genres of popular and classical music and can at times seem ubiquitous. By looking at key moments in his career (1972, 1977-79, 1980-83, and 1995-97) through several lenses-theories of sub-culture, gender/sexuality studies, theories of sound, post-colonial theory, and performance studies Waldrep examines Bowie's work in terms not only of his auditory output but his many reinterpretations of it via music videos, concert tours, television appearances, and occasional movie roles. Future Nostalgia looks at all aspects of Bowie's career in an attempt to trace Bowie's contribution to the performative paradigms that constitute contemporary rock music.

Product Details

ISBN-13: 9781623569938
Publisher: Bloomsbury USA
Publication date: 09/24/2015
Sold by: Barnes & Noble
Format: eBook
Pages: 208
File size: 2 MB

About the Author

Shelton Waldrep is Professor of English at the University of Southern Maine, USA, and currently the Trustee Professor of the University of Maine System.
Shelton Waldrep is Professor of English at the University of Southern Maine, USA, and currently the Trustee Professor of the University of Maine System. He is the author of The Dissolution of Place: Architecture, Identity, and the Body (2013) and The Aesthetics of Self-Invention: Oscar Wilde to David Bowie (2004), the co-author of Inside the Mouse: Work and Play at Disney World (1995), and the editor of The Seventies: The Age of Glitter in Popular Culture (1999).

Table of Contents

Acknowledgements

List of Figures

Chapter One Introduction:The Pastiche of Gender

Chapter Two The Persistence of the Dandy:Subcultures and Resistance

Chapter Three Avatars of the Future:Structuring Music

Chapter Four The Grain of the Voice:Autobiography and Multiplicity

Chapter Five The Lost Decade:Reconsidering the 1980s

Chapter Six Music for Cyborgs:Fictions of Disability

General Bibliography

Index
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