The Girl with the Dragon Tattoo

by Stieg Larsson Narrated by Simon Vance

Overview

A spellbinding amalgam of murder mystery, family saga,
love story, and financial intrigue.

It's about the disappearance forty years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden . . . and about her octogenarian uncle, determined to know the truth about what he believes was her murder.

It's about Mikael Blomkvist, a crusading journalist recently at the wrong end of a libel case, hired to get to the bottom of Harriet's disappearance . . . and about Lisbeth Salander, a twenty-four-year-old pierced and tattooed genius hacker possessed of the hard-earned wisdom of someone twice her age who assists Blomkvist with the investigation. This unlikely team discovers a vein of nearly unfathomable iniquity running through the Vanger family, astonishing corruption in the highest echelons of Swedish industrialism, and an unexpected connection between themselves.

Contagiously exciting, it's about society at its most hidden, and about the intimate lives of a brilliantly realized cast of characters, all of them forced to face the darker aspects of their world and of their own lives.


From the Compact Disc edition.

Editorial Reviews

Donna Rofkind

Stieg Larsson's first murder mystery has been a smash hit throughout Europe since its 2005 publication in the author's native Sweden, and has now become a bestseller in the U.S. as well. But the bitter twist in Larsson's success story is that he didn't live to see The Girl with the Dragon Tattoo published: he died of a heart attack just after he delivered the manuscripts for this book and the two that follow. When the most shocking corpse in the drawing room turns out to be the 50-year-old author's, the thrills of crime fiction can take a melancholy turn. But let's try, for the moment, to evaluate Larsson's novel apart from its ill-fated provenance. What is it that's generating so much enthusiasm from a gobsmacked international audience?

The eccentric sidekick is nearly as familiar a genre convention as the lonely private eye, and Larsson, who was an eager student of the canon, dreamed up a fairly irresistible one. She is Lisbeth Salander, the girl with the dragon tattoo; and although she doesn't meet her partner-in-crime-solving until more than halfway through the novel, the reader connects with her right away. In fact, the book sprang to life for me at a precise moment on page 32 with the introduction of Salander, a goth wild child and a delightfully unlikely heroine.

"She was the very quintessence of difficult," thinks Salander's boss at the staid private-security firm where she works as a researcher. Whip-thin, abundantly tattooed and pierced, her dyed hair "as short as a fuse," Salander skulks through the corridors like a feral club kid. She has a gift for annoying the other employees, some of whom suspect she might be retarded. In fact Salander, who is 24 years old but looks 14, is an investigative savant, a high school dropout with freakishly superior computer skills who refuses to reveal her information sources and whose work methods are, to say the least, unorthodox.

One of the people Salander has recently investigated is Mikael Blomkvist, a well-known financial reporter and part owner of a muckraking magazine called Millennium . According to her report, Blomkvist is "a public person with few secrets and not very much to hide." Yet readers will find him to be a multi-dimensional and urgent figure, driven by an angry social conscience to expose the unchecked corruption that's rotting the top tiers of Swedish high finance. And he's just as angry about the cowardice of some of his journalist colleagues, who treat CEOs like rock stars and neglect to go after "the sharks who created interest crises and speculated away the savings of small investors." Moody, droll, and often surprisingly gentle, Blomkvist is not the only journalist-turned-sleuth in the mystery world -- other contemporary crime novels, by writers like Denise Mina, Denise Hamilton, Val McDermid, and Liza Marklund, feature reporters as protagonists -- but he is certainly one of the most engaging.

Both Blomkvist and the magazine are on the verge of bankruptcy after his humiliating defeat in a libel case, brought against him by a powerful industrialist named Hans-Erik Wennerström. Needing time to lick his wounds, Blomkvist decides to accept an offer to spend a year looking into an unsolved mystery that occurred 40 years ago on an island near a small industrial town called Hedestad, three hours north of Stockholm.

The offer comes from Henrik Vanger, octogenarian patriarch of a once-renowned family corporation whose influence is on the wane. What haunts the old man is the long-ago disappearance of his beloved grandniece, Harriet, when she a teenager.

Convinced she was murdered, Vanger dangles two incentives in front of Blomkvist to persuade him to re-investigate this very cold case: a large sum of money, and some irreparably damaging information about his vengeful enemy Wennerström.

The Vanger family, as Blomkvist quickly learns, is a large, contentious clan whose members mostly detest one another. Their closets are crammed with skeletons, including Nazi party affiliations, domestic-violence incidents, and an alcohol-related drowning. Many of them lived on or near the family's island compound at the time of Harriet's disappearance in 1966 and still live there today. What made Harriet's vanishing so confounding was that it occurred when the island was closed off by a dramatic oil-truck accident on the single bridge into Hedestad, making it, as Blomkvist notes in a nod to the classic whodunit writer Dorothy Sayers, "a sort of locked-room mystery in island format." Though search parties repeatedly explored every inch of the island and coastline, no trace of the girl was ever found.

As soon as Blomkvist manages to turn up some new evidence, Salander is brought in by her security firm to be his research assistant, and up ratchets the action: the cold case turns hot, the chilly northern landscape goes from blanc to noir, and the Vanger family secrets begin to tumble. As they try to make sense of a situation that now threatens their lives, Salander and Blomkvist make a most unlikely duo -- the methodical journalist and the unscrupulous hacker, the social conscience and the antisocial anarchist, the saddened older warrior and the furious young hellcat -- but their partnership, in its peculiarity, is all the charm and fire of this novel.

As a first-time crime novelist, Larsson was smart enough to figure out that much success depends on an artful juggle between giving information about his protagonists and withholding it. He plays this game well, offering tantalizing hints about, say, Salander's childhood or Blomkvist's failed marriage. The crucial puzzle in any first-rate novel, as Larsson understood, is the puzzle of human nature, and it's the richness of that mystery, more than the intricacies of its plot or the sophistication of its milieu, that powers this book. --Donna Rofkind

Donna Rifkind's reviews appear frequently in The Washington Post Book World and the Los Angeles Times. She has also been a contributor to The New York Times Book Review, The Wall Street Journal, The Times Literary Supplement, The American Scholar, and other publications. In 2006, she was a finalist for the Nona Balakian Citation for Excellence in Reviewing from the National Book Critics Circle.

Product Details

BN ID:	2940172161957
Publisher:	Penguin Random House
Publication date:	11/15/2019
Series:	Millennium , #1
Edition description:	Unabridged

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Read an Excerpt

A Friday in NovemberIt happened every year, was almost a ritual. And this was his eighty-second birthday. When, as usual, the flower was delivered, he took off the wrapping paper and then picked up the telephone to call Detective Superintendent Morell who, when he retired, had moved to Lake Siljan in Dalarna. They were not only the same age, they had been born on the same day–which was something of an irony under the circumstances. The old policeman was sitting with his coffee, waiting, expecting the call.“It arrived.”“What is it this year?”“I don’t know what kind it is. I’ll have to get someone to tell me what it is. It’s white.”“No letter, I suppose.”“Just the flower. The frame is the same kind as last year. One of those do-it-yourself ones.”“Postmark?”“Stockholm.”“Handwriting?”“Same as always, all in capitals. Upright, neat lettering.”With that, the subject was exhausted, and not another word was exchanged for almost a minute. The retired policeman leaned back in his kitchen chair and drew on his pipe. He knew he was no longer expected to come up with a pithy comment or any sharp question which would shed a new light on the case. Those days had long since passed, and the exchange between the two men seemed like a ritual attaching to a mystery which no-one else in the whole world had the least interest in unravelling.The Latin name was Leptospermum (Myrtaceae) rubinette. It was a plant about ten centimetres high with small, heather-like foliage and a white flower with five petals about two centimetres across.The plant was native to the Australian bush and uplands, where it was to be found among tussocks of grass. There it was called Desert Snow. Someone at the botanical gardens in Uppsala would later confirm that it was a plant seldom cultivated in Sweden. The botanist wrote in her report that it was related to the tea tree and that it was sometimes confused with its more common cousin Leptospermum scoparium, which grew in abundance in New Zealand. What distinguished them, she pointed out, was that rubinette had a small number of microscopic pink dots at the tips of the petals, giving the flower a faint pinkish tinge.Rubinette was altogether an unpretentious flower. It had no known medicinal properties, and it could not induce hallucinatory experiences. It was neither edible, nor had a use in the manufacture of plant dyes. On the other hand, the aboriginal people of Australia regarded as sacred the region and the flora around Ayers Rock.The botanist said that she herself had never seen one before, but after consulting her colleagues she was to report that attempts had been made to introduce the plant at a nursery in Göteborg, and that it might, of course, be cultivated by amateur botanists. It was difficult to grow in Sweden because it thrived in a dry climate and had to remain indoors half of the year. It would not thrive in calcareous soil and it had to be watered from below. It needed pampering.The fact of its being so rare a flower ought to have made it easier to trace the source of this particular specimen, but in practice it was an impossible task. There was no registry to look it up in, no licences to explore. Anywhere from a handful to a few hundred enthusiasts could have had access to seeds or plants. And those could have changed hands between friends or been bought by mail order from anywhere in Europe, anywhere in the Antipodes.But it was only one in the series of mystifying flowers that each year arrived by post on the first day of November. They were always beautiful and for the most part rare flowers, always pressed, mounted on watercolour paper in a simple frame measuring 15cm by 28cm.The strange story of the flowers had never been reported in the press; only a very few people knew of it. Thirty years ago the regular arrival of the flower was the object of much scrutiny–at the National Forensic Laboratory, among fingerprint experts, graphologists, criminal investigators, and one or two relatives and friends of the recipient. Now the actors in the drama were but three: the elderly birthday boy, the retired police detective, and the person who had posted the flower. The first two at least had reached such an age that the group of interested parties would soon be further diminished.The policeman was a hardened veteran. He would never forget his first case, in which he had had to take into custody a violent and appallingly drunk worker at an electrical substation before he caused others harm. During his career he had brought in poachers, wife beaters, con men, car thieves, and drunk drivers. He had dealt with burglars, drug dealers, rapists, and one deranged bomber. He had been involved in nine murder or manslaughter cases. In five of these the murderer had called the police himself and, full of remorse, confessed to having killed his wife or brother or some other relative. Two others were solved within a few days. Another required the assistance of the National Criminal Police and took two years.The ninth case was solved to the police’s satisfaction, which is to say that they knew who the murderer was, but because the evidence was so insubstantial the public prosecutor decided not to proceed with the case. To the detective superintendent’s dismay, the statute of limitations eventually put an end to the matter. But all in all he could look back on an impressive career.He was anything but pleased.For the detective, the “Case of the Pressed Flowers” had been nagging at him for years–his last, unsolved and frustrating case. The situation was doubly absurd because after spending literally thousands of hours brooding, on duty and off, he could not say beyond doubt that a crime had indeed been committed.The two men knew that whoever had mounted the flowers would have worn gloves, that there would be no fingerprints on the frame or the glass. The frame could have been bought in camera shops or stationery stores the world over. There was, quite simply, no lead to follow. Most often the parcel was posted in Stockholm, but three times from London, twice from Paris, twice from Copenhagen, once from Madrid, once from Bonn, and once from Pensacola, Florida. The detective superintendent had had to look it up in an atlas.After putting down the telephone the eighty-two-year-old birthday boy sat for a long time looking at the pretty but meaningless flower whose name he did not yet know. Then he looked up at the wall above his desk. There hung forty-three pressed flowers in their frames. Four rows of ten, and one at the bottom with four. In the top row one was missing from the ninth slot. Desert Snow would be number forty-four.Without warning he began to weep. He surprised himself with this sudden burst of emotion after almost forty years.Friday, December 20   The trial was irretrievably over; everything that could be said had been said, but he had never doubted that he would lose. The written verdict was handed down at 10:00 on Friday morning, and all that remained was a summing up from the reporters waiting in the corridor outside the district court.   Carl Mikael Blomkvist saw them through the doorway and slowed his step. He had no wish to discuss the verdict, but questions were unavoidable, and he—of all people—knew that they had to be asked and answered. This is how it is to be a criminal, he thought. On the other side of the microphone. He straightened up and tried to smile. The reporters gave him friendly, almost embarrassed greetings.   "Let's see . . . Aftonbladet, Expressen, TT wire service, TV4, and . . . where are you from? . . . ah yes, Dagens Nyheter. I must be a celebrity," Blomkvist said.   "Give us a sound bite, Kalle Blomkvist." It was a reporter from one of the evening papers.   Blomkvist, hearing the nickname, forced himself as always not to roll his eyes. Once, when he was twenty-three and had just started his first summer job as a journalist, Blomkvist had chanced upon a gang which had pulled off five bank robberies over the past two years. There was no doubt that it was the same gang in every instance. Their trademark was to hold up two banks at a time with military precision. They wore masks from Disney World, so inevitably police logic dubbed them the Donald Duck Gang. The newspapers renamed them the Bear Gang, which sounded more sinister, more appropriate to the fact that on two occasions they had recklessly fired warning shots and threatened curious passersby.   Their sixth outing was at a bank in Östergötland at the height of the holiday season. A reporter from the local radio station happened to be in the bank at the time. As soon as the robbers were gone he went to a public telephone and dictated his story for live broadcast.   Blomkvist was spending several days with a girlfriend at her parents' summer cabin near Katrineholm. Exactly why he made the connection he could not explain, even to the police, but as he was listening to the news report he remembered a group of four men in a summer cabin a few hundred feet down the road. He had seen them playing badminton out in the yard: four blond, athletic types in shorts with their shirts off. They were obviously bodybuilders, and there had been something about them that had made him look twice—maybe it was because the game was being played in blazing sunshine with what he recognised as intensely focused energy.   There had been no good reason to suspect them of being the bank robbers, but nevertheless he had gone to a hill overlooking their cabin. It seemed empty. It was about forty minutes before a Volvo drove up and parked in the yard. The young men got out, in a hurry, and were each carrying a sports bag, so they might have been doing nothing more than coming back from a swim. But one of them returned to the car and took out from the boot something which he hurriedly covered with his jacket. Even from Blomkvist's relatively distant observation post he could tell that it was a good old AK4, the rifle that had been his constant companion for the year of his military service.   He called the police and that was the start of a three-day siege of the cabin, blanket coverage by the media, with Blomkvist in a front-row seat and collecting a gratifyingly large fee from an evening paper. The police set up their headquarters in a caravan in the garden of the cabin where Blomkvist was staying.   The fall of the Bear Gang gave him the star billing that launched him as a young journalist. The downside of his celebrity was that the other evening newspaper could not resist using the headline "Kalle Blomkvist solves the case." The tongue-in-cheek story was written by an older female columnist and contained references to the young detective in Astrid Lindgren's books for children. To make matters worse, the paper had run the story with a grainy photograph of Blomkvist with his mouth half open even as he raised an index finger to point.   It made no difference that Blomkvist had never in life used the name Carl. From that moment on, to his dismay, he was nicknamed Kalle Blomkvist by his peers—an epithet employed with taunting provocation, not unfriendly but not really friendly either. In spite of his respect for Astrid Lindgren—whose books he loved—he detested the nickname. It took him several years and far weightier journalistic successes before the nickname began to fade, but he still cringed if ever the name was used in his hearing.   Right now he achieved a placid smile and said to the reporter from the evening paper: "Oh come on, think of something yourself. You usually do."   His tone was not unpleasant. They all knew each other, more or less, and Blomkvist's most vicious critics had not come that morning. One of the journalists there had at one time worked with him. And at a party some years ago he had nearly succeeded in picking up one of the reporters—the woman from She on TV4.   "You took a real hit in there today," said the one from Dagens Nyheter, clearly a young part-timer. "How does it feel?"   Despite the seriousness of the situation, neither Blomkvist nor the older journalists could help smiling. He exchanged glances with TV4. How does it feel? The half-witted sports reporter shoves his microphone in the face of the Breathless Athlete on the finishing line.   "I can only regret that the court did not come to a different conclusion," he said a bit stuffily.   "Three months in gaol and 150,000 kronor damages. That's pretty severe," said She from TV4.   "I'll survive."   "Are you going to apologise to Wennerström? Shake his hand?"   "I think not."   "So you still would say that he's a crook?" Dagens Nyheter.   The court had just ruled that Blomkvist had libelled and defamed the financier Hans-Erik Wennerström. The trial was over and he had no plans to appeal. So what would happen if he repeated his claim on the courthouse steps? Blomkvist decided that he did not want to find out.   "I thought I had good reason to publish the information that was in my possession. The court has ruled otherwise, and I must accept that the judicial process has taken its course. Those of us on the editorial staff will have to discuss the judgement before we decide what we're going to do. I have no more to add."   "But how did you come to forget that journalists actually have to back up their assertions?" She from TV4. Her expression was neutral, but Blomkvist thought he saw a hint of disappointed repudiation in her eyes.   The reporters on site, apart from the boy from Dagens Nyheter, were all veterans in the business. For them the answer to that question was beyond the conceivable. "I have nothing to add," he repeated, but when the others had accepted this TV4 stood him against the doors to the courthouse and asked her questions in front of the camera. She was kinder than he deserved, and there were enough clear answers to satisfy all the reporters still standing behind her. The story would be in the headlines but he reminded himself that they were not dealing with the media event of the year here. The reporters had what they needed and headed back to their respective newsrooms.  

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