Good Fortune in a Wrapping Cloth

by Joan Schoettler

Overview

Ji-su's mother has been chosen by the Korean king to be a seamstress at the palace and sew bojagi, or wrapping cloths, for the royal household. It is a great honor, but to Ji-su it means saying good-bye to her mother. The only way for them to be reunited, Ji-su realizes, is for her to become a seamstress just as talented and be chosen to serve the king. Through the changing seasons, Ji-su sews, learning the craft from her great-aunt and practicing her stitches tirelessly. One day, she finally has the chance to show her work to the palace Sanguiwon master, who has the power to bring her to her mother or to dash her hopes of being reunited. Is her sewing fine enough for the king?

Joan Schoettler's warm text brings the landscape and culture ancient Korea and to life. Together with illustrator Jessica Lanan's breathtaking depictions of Korea through the seasons, Ji-su s story of longing and determination will capture the hearts of readers of all ages.

Product Details

ISBN-13:	9781619890275
Publisher:	Shen's Books
Publication date:	02/14/2012
Sold by:	Sachmanya
Format:	eBook
File size:	15 MB
Note:	This product may take a few minutes to download.
Age Range:	5 - 8 Years

Editorial Reviews

Gr 2–4—Ji-su, a girl in 18th-century Korea, is devastated when her mother is selected to sew for the king. It is an honor for the family, but it means a life apart, and Eomma has no choice in the matter. Ji-su is determined to learn to sew bojagi-wrapping cloths-as skillfully as her mother so that she will also work at the palace. Descriptive language and stunning watercolor paintings show the seasons passing as Ji-su works toward her goal. With a masterful eye for color and skillful use of perspective, Lanan brings the text to life and adds depth to Ji-su's emotions. When Ji-su presents her bojagi to the sewing master, the low perspective makes the men seem to tower over her, and readers feel her trepidation and the importance of the moment. Densely packed with Korean customs and vocabulary, the writing is nuanced and evocative: "Eomma and Ji-su held each other like threads in a seam." There is a glossary, but without some familiarity with Korean culture, it is difficult to infer the meaning of some words. Although the complexity of this book may limit its appeal for general audiences, Good Fortune is a treasure for libraries serving Korean populations.—Anna Haase Krueger, Antigo Public Library, WI

School Library Journal