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Hans Dieter Schaal. Scenic Architecture
The pioneering character and continuing success of Schaal’s scenic compositions for stage sets and exhibitions is significantly due to this field allowing him to take full advantage of his multiple talents. He succeeds equally in the thinking and practical skills of an architect, a painter, a sculptor, a landscape designer, an urban visionary, cineast, and a man of literature. In works such as his installations for Berlin – Berlin (1987) or Prometheus (1998), for the Filmmuseum Berlin (2000), and for the concentration-camp memorials Mittelbau-Dora (2006), Bergen-Belsen (2007) or Esterwegen (2011), he always presents his own view of the world, his own view of things.
1123863703
Hans Dieter Schaal. Scenic Architecture
The pioneering character and continuing success of Schaal’s scenic compositions for stage sets and exhibitions is significantly due to this field allowing him to take full advantage of his multiple talents. He succeeds equally in the thinking and practical skills of an architect, a painter, a sculptor, a landscape designer, an urban visionary, cineast, and a man of literature. In works such as his installations for Berlin – Berlin (1987) or Prometheus (1998), for the Filmmuseum Berlin (2000), and for the concentration-camp memorials Mittelbau-Dora (2006), Bergen-Belsen (2007) or Esterwegen (2011), he always presents his own view of the world, his own view of things.
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Hans Dieter Schaal. Scenic Architecture

Hans Dieter Schaal. Scenic Architecture

Hans Dieter Schaal. Scenic Architecture

Hans Dieter Schaal. Scenic Architecture

Overview

The pioneering character and continuing success of Schaal’s scenic compositions for stage sets and exhibitions is significantly due to this field allowing him to take full advantage of his multiple talents. He succeeds equally in the thinking and practical skills of an architect, a painter, a sculptor, a landscape designer, an urban visionary, cineast, and a man of literature. In works such as his installations for Berlin – Berlin (1987) or Prometheus (1998), for the Filmmuseum Berlin (2000), and for the concentration-camp memorials Mittelbau-Dora (2006), Bergen-Belsen (2007) or Esterwegen (2011), he always presents his own view of the world, his own view of things.

Product Details

ISBN-13: 9783936681970
Publisher: Edition Axel Menges GmbH
Publication date: 12/07/2016
Edition description: 1st
Pages: 136
Product dimensions: 11.40(w) x 12.00(h) x 0.70(d)

About the Author

Frank R. Werner was professor of history and theory of architecture at the Staatliche Akademie der Bildenden Künste Stuttgart from 1990 to 1994, from 1994 until his retirement in 2011 he was director of the Institut für Architekturgeschichte und Architekturtheorie at the Bergische Universität in Wuppertal.
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