Henry Purcell's Dido and Aeneas

Although it takes little more than an hour to perform, Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England. This book demonstrates the opera's deep roots in the theatrical and musical traditions of its day, summarizing the cultural climate in which the opera was composed and analyzing Nahum Tate's libretto in light of seventeenth-century English music text conventions. Harris also evaluates the surviving sources, comparing them with the original libretto, and discusses the work's performance history and critical reception from the first performance through the revivals of the nineteenth and twentieth centuries.
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Henry Purcell's Dido and Aeneas

Although it takes little more than an hour to perform, Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England. This book demonstrates the opera's deep roots in the theatrical and musical traditions of its day, summarizing the cultural climate in which the opera was composed and analyzing Nahum Tate's libretto in light of seventeenth-century English music text conventions. Harris also evaluates the surviving sources, comparing them with the original libretto, and discusses the work's performance history and critical reception from the first performance through the revivals of the nineteenth and twentieth centuries.
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Henry Purcell's Dido and Aeneas

Henry Purcell's Dido and Aeneas

by Ellen T. Harris
Henry Purcell's Dido and Aeneas

Henry Purcell's Dido and Aeneas

by Ellen T. Harris

Paperback(Reprint)

$61.00 
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Overview


Although it takes little more than an hour to perform, Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England. This book demonstrates the opera's deep roots in the theatrical and musical traditions of its day, summarizing the cultural climate in which the opera was composed and analyzing Nahum Tate's libretto in light of seventeenth-century English music text conventions. Harris also evaluates the surviving sources, comparing them with the original libretto, and discusses the work's performance history and critical reception from the first performance through the revivals of the nineteenth and twentieth centuries.

Product Details

ISBN-13: 9780193152526
Publisher: Oxford University Press, USA
Publication date: 01/28/1990
Edition description: Reprint
Pages: 212
Product dimensions: 5.44(w) x 8.50(h) x 0.48(d)

About the Author

Ellen T. Harris is Professor Emeritus at MIT in Music and Theater Arts. Her research has focused largely on the music of Handel. Her books include the award-winning George Frideric Handel: A Life with Friends (Norton, 2014) and Handel as Orpheus: Voice and Desire in the Chamber Cantatas (Harvard, 2001). She has performed twice with John Williams and the Boston Pops and sung the National Anthem at Fenway Park.

Table of Contents

Contents

List of Plates

I. Background to the Music
Introduction to Part I
1. Synopsis: Literary and Textual Antecedents
2. Premiere: Place, Date, and Meaning

II. The Music
Introduction to Part II
3. The Tenbury Manuscript: Discrepancies and Omissions
4. Musical and Dramatic Structure
5. Musical Declamation
6. Ground Bass Techniques

III. Performance History
Introduction to Part III
7. The Late Eighteenth Century: Revival and Adaptation
8. The Nineteenth and Early Twentieth Century: Scholarly Editions and Added Accompaniments
9. Twentieth- and Twenty-First Century Interpretations: The Early Music Movement and Postmodernism

Bibliography

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