Iron Orchid (Holly Barker Series #4)

by Stuart Woods, Carrington MacDuffie (Narrated by)

Overview

Holly Barker, the small-town cop turned CIA agent, tracks a master of disguise-and a consummate killer.

Iron Orchid, Stuart Woods's latest in the Holly Barker series, pits the no-nonsense cop against a very elusive killer-Teddy Fay, a villain first introduced in Capital Crimes-and the sparks fly.

Authorities thought they had seen the last of Teddy Fay-the ex-CIA tech wizard who kills his political targets for sport-when his plane exploded off the coast of Maine. But they underestimated him once, and they're in danger of doing so again. Now they've found irrefutable evidence that he is alive and on his way to hit a group who will never see him coming.

Holly, having resigned her position as the Orchid Beach Chief of Police to work for the CIA, joins the elite task force tracking Fay in New York City. There, she begins to suspect that there are boulders being left unturned in the investigation. Fay seems privy to too many secrets-and employs tricks only an insider would know. He begins to pick off America's enemies one by one-and no one seems the wiser. Can Holly trail her quarry and beat him at his own game? Can she get close enough to find him, and still keep her cover? A chance meeting between Holly and Fay kick-starts a high-speed chase through the canyons of midtown Manhattan, the Metropolitan Opera house, Central Park, and the United Nations Plaza, all to prevent another assassination before Fay disappears again-maybe this time for good.

With the signature mix of slick repartee and rapid-fire action that has won Stuart Woods many fans over the years, Iron Orchid confirms just why he is a master of the popular crime novel.

Product Details

ISBN-13:	9780786564774
Publisher:	Penguin Publishing Group
Publication date:	12/18/2007
Series:	Holly Barker Series , #4
Edition description:	Unabridged

About the Author

Stuart Woods is the author of fifty novels, including the New York Times-bestselling Stone Barrington and Holly Barker series. He is a native of Georgia and began his writing career in the advertising industry. Chiefs, his debut in 1981, won the Edgar Award. An avid sailor and pilot, Woods lives in New York City, Florida, and Maine.

Hometown:

Key West, Florida; Mt. Desert, Maine; New York, New York

Date of Birth:

January 9, 1938

Place of Birth:

Manchester, Georgia

Education:

B.A., University of Georgia, 1959

Website:

http://www.stuartwoods.com

Read an Excerpt

ONE

HOLLY BARKER TOOK AIM and squeezed off a round. Her father, Senior Master Sergeant, U.S. Army (ret.), Hamilton Barker, looked through his hand scope.

“High and to the right,” he said.

“How high and how far to the right of what?” Holly asked in disbelief.

“An inch high and to the right of dead center,” Ham replied. “That’s not good enough. Push with your right hand, pull with your left.”

“That’s what I’ve been doing since I was eight, when you first taught it to me,” Holly said. She took aim and, this time, made a point of pushing and pulling.

“That’s better,” Ham said.

“How much better?”

“A quarter of an inch off dead center,” he said.

“Oh, please,” Holly said, laughing.

“How did the Orchid Beach town council take your resignation as chief of police?” Ham asked.

“They were appropriately sad, except for a couple who looked relieved. At least they accepted my recommendation of Hurd Wallace to replace me. They’re getting a good man.”

“They’re losing a better woman. What are you going to do with your house?”

“One of my young policewomen is going to move into the guesthouse and be my caretaker. I’ll need the house to decompress once in a while. Also to remind me of Jackson.” Jackson Oxenhandler, Holly’s fiancé, had been killed in a bank robbery two years before, an innocent bystander.

Ham went to his range bag and came back with a mahogany box.

“What’s that?”

“Something for you to take with you on the new job.” He handed her the box and a small key.

Holly set down the box, inserted the key and unlocked it. “Oooh,” she said, gazing at the shiny stainless slide with her name engraved on it. “Nice Colt .45.”

“It’s not a Colt, and it’s not a .45,” Ham said. “It’s a nine-millimeter made of Caspian parts. The lightweight frame was designed by Terry Tussey, and the grip holds a round shorter than standard, but it will conceal nicely. Only weighs twenty-one ounces. I thought it might come in handy.”

Holly picked up the small gun and hefted it. “Nice,” she said.

Ham handed her a loaded magazine. “See if you can hit anything with it.”

The target was still set at twenty-five feet. Holly set herself, pushed and pulled and squeezed off the round.

“Half an inch off dead center,” Ham said. “Not bad, considering it’s a three-inch barrel, instead of four.”

“Sweet trigger,” Holly said. “Four, four and a half pounds?”

“Four, exactly. Try it with both eyes open, and use up the magazine, rapid fire.”

Holly obliged.

“That target no longer has a center,” Ham said, a touch of pride in his voice. He went back to his range bag and came back with some gun leather. “Mitch Rosen made you a shoulder rig, a belt and a holster for it,” he said.

“It’s beautiful work,” she said, caressing the mahogany leather. “Thank you, Ham.” She put her arms around him and hugged.

Ham, uncharacteristically, hugged her back, but then he looked a little embarrassed. “What time did you file for?”

“Ten,” Holly said. “My stuff’s in the car.”

“You’ll have to clear out at Fort Pierce for the Bahamas,” Ham said.

“I know, Ham.”

“I don’t know why you want to go to the Bahamas alone for a weekend,” he said.

“I just want to take Daisy and spend the weekend alone; I have a lot to think about.”

“Whatever you say.”

“I’ll be back on Monday, maybe Sunday night, depending on the weather.”

“Okay.”

She packed up her things, put her new gun into her range bag and went to the car. She gave Ham a wave and drove off.

AT FOUR O’CLOCK that afternoon, Holly landed the rented Cessna at Roberts International Airport in Grand Cayman, having flown first to the Bahamas, checked into a hotel, filed a new flight plan and left Daisy in a prearranged kennel. She dropped off her bag with the doorman at her Georgetown hotel, then kept the cab for the trip to the bank. Refusing the driver’s help, she hefted the two nylon duffels from the trunk of the cab and carried them inside.

A Mr. Dellinger—English, well-tailored and very discreet looking—was waiting for her. He nodded for a guard to take the bags, and the man went into a side room while Dellinger showed her into his office.

“How do you do?” Dellinger said, offering his hand.

“I’m very pleased to meet you,” Holly replied.

“The money will be machine counted in there,” Dellinger said. “It will take a little while; why don’t we get the paperwork done?”

“All right.” She sat down at his desk.

He handed her a sheet of paper. “It’s a very simple form,” he said. “You may use any name you like, and you needn’t put down an address, since we will not be mailing you account statements.”

Holly put down “H. Barker” for a name. “I’d like two credit cards in the same name,” she said. “They may be used by two different people, and I brought a sample signature of the other person.” She gave him a photocopy of Ham’s signature. It was illegible to anyone but her. She signed “H. Barker” for her own card.

The guard came back and handed Dellinger a slip of paper.

“Five million, seven hundred and sixty thousand dollars,” Dellinger said. “Does that sound right?”

“It sounds exactly right.”

“Let me tell you a few things about our service,” Dellinger said, “and I hope you won’t take offense at what may seem to be our assumptions. We give all our clients this information without regard to the amount deposited or the source of the funds.”

“I won’t be offended,” Holly said.

“First of all, because of the way we disperse cash around the world, these funds will immediately become untraceable. In the unlikely event that the United States or any other country should invade our island and take over our bank, they will not find a name on your account, only a number, which will not be in any way traceable to you. The number will not be coded in any way that would reveal even the nationality of the customer.

“The only thing traceable to you would be the credit card charges. When you view your credit card statement, you’ll be given the option of erasing the names of the payees—hotels, restaurants or shops, for instance. Only the amounts and dates of the charges would then appear on your statement, which you may access by entering your account number and a password, which you will designate. You may use as many as three passwords, each from four to twelve letters or digits or a combination of both.”

“That sounds good.”

“It is very important that you never forget the passwords, because if you do, you will not be able to access your account statements. In order to change the passwords, you would have to come personally here, to the bank.”

Holly signed one card and put them both into her pocket.

“The paper I gave you also has instructions for going to your account online,” Dellinger said. “Will there be anything else?”

“No, I think that does it,” Holly said. She shook his hand and left the bank. Now the drug money she had stolen from the hundreds of millions confiscated in a huge raid was safe from anyone but her, and no one would ever be able to prove that she had it. At least, she hoped not.

She spent the night in Georgetown, then, the following morning, flew back to the Bahamas. She spent two days there, shopping, eating and walking on the beach with Daisy, and on Monday morning she flew home to Orchid Beach.

Table of Contents

Editorial Reviews

Iron Orchid reads easily and is mildly suspenseful, but it's often silly and cartoonish; the best thing about it is that Woods doesn't seem to take it very seriously.
—The Washington Post

Patrick Anderson

Having ditched her Orchid Beach, Fla., police chief post, returning supersleuth Holly Barker opts for a CIA career in Woods's by-the-numbers thriller, the fourth in the Barker series (Blood Orchid). Barely through basic training at a highly regimented CIA "training farm," Barker's class is suddenly enlisted to track down calculating killer (and opera buff) Teddy Fay (first seen in Woods's Capital Crimes). An ex-CIA agent himself, Fay uses insider information to continue assassinating international political figures who also happen to be enemies of the U.S. Barker stakes out the Metropolitan Opera House, and narrowly misses Teddy in disguise in several contrived set pieces. The narrative accelerates from a somewhat sluggish first half when CIA operatives' solid deliberation moves Barker ever closer to nabbing the elusive Fay who, by the way, lives mere blocks away from her. But Fay dupes the CIA again, with the help of a Santa Claus costume, and assassinates a Saudi prince before vanishing. Woods's latest lacks the urgent plotting and bracing thrills needed to make it truly memorable, and though Barker is a tough, formidable protagonist, the question remains why she, after absconding with over $5.5 million in untraceable drug money, bothers to clock in at all. Only Barker's dog, Daisy the Doberman, knows for sure. (Oct.) Copyright 2005 Reed Business Information.

Publishers Weekly

Orchid Beach cop Holly Barker has joined the CIA, and she's after Teddy Fay, who was once CIA himself but now wipes out various political figures for fun. Copyright 2005 Reed Business Information.

Library Journal

Now that she's exhausted the criminal permutations of Orchid Beach (Fla.) and Stone Barrington's New York City (Reckless Abandon, 2004), police chief Holly Barker enlists in Woods's third franchise: fighting President Will Lee's nemesis, a political assassin who's crazy like a fox. Teddy Fay is on the loose again. Run to earth by government agents wise to his scheme to execute right-wing politicians (Capital Crimes, 2003), he's faked his death, gone to earth in the Big Apple and set up shop with a new mission: killing his nation's enemies. Holly, who's quit her Orchid Beach gig to join the CIA, has her hands full fooling the Agency's polygraph experts about the $5.76 million she just stashed in the Caymans and standing up to a fight instructor who implies that she's a lesbian. She finds out about Teddy only after he blows up Iranian terrorist Ali Hakim and her trainee group is improbably dismissed from class several weeks early and packed off to New York. There follows a series of cat-and-cat encounters in which Teddy, in heavy disguise, keeps accosting Holly, who keeps recognizing him moments after it's too late to catch him. Holly gets her ashes hauled once by Stone, and Teddy several times by Irene Foster, his inside source in the CIA, while they're waiting for the next Middle East assassin or spy to meet his quietus. The real drama here, however, is the complete absence of anything like narrative development. Woods has borrowed from Walt Disney a form of mutually reinforcing franchise advertising whereby the only thing that happens in each installment is a series of plugs for all the others. The non-conclusion hints broadly that Holly and Teddy could go on chasing each other forever.A sitcom approach to international intrigue in which paper dolls from Woods's previous work keep slipping into new outfits as insubstantial as they are.

Kirkus Reviews

Praise for Iron Orchid
 
“A page-turner...Readers will root for Barker.”—Associated Press
 
“A compelling and entertaining cat and mouse caper.”—Midwest Book Review

More Praise for Stuart Woods

“Stuart Woods is a no-nonsense, slam-bang storyteller.”—Chicago Tribune

“A world-class mystery writer...I try to put Woods’s books down and I can’t.”—Houston Chronicle 

“Mr. Woods, like his characters, has an appealing way of making things nice and clear.”—The New York Times

“Woods certainly knows how to keep the pages turning.”—Booklist

“Since 1981, readers have not been able to get their fill of Stuart Woods’ New York Times bestselling novels of suspense.”—Orlando Sentinel

From the Publisher