Jill Jekel and Tristen Hyde are playing a dangerous game: when these teenage descendants of the legendary Dr. Jekyll and Mr. Hyde find a box left behind by Jill’s murdered father—a box holding “the original documents detailing the actual experiments that inspired the novel”—they decide to recreate the experiments. Brainy Jill hopes to win scholarship money while “troubled but beautiful” Tristen wants to excise the evil inside of him, which has already driven him to violence. Through their alternating narration, readers learn of their deep bond—and that Jill and Tristen are not only on their way to finding the formula but also to figuring out what happened to her father and his disappeared mother. Readers may be troubled by the violence intertwined with their growing romance; Tristen pins Jill against a desk and reveals that he has “a force within me that wanted nothing less than to destroy Jill herself.” But Fantaskey’s (Jessica’s Guide to Dating on the Dark Side) premise is creative, and there are plenty of twists to keep readers engaged—right through the fiery final face-off. Ages 14-up. (May)
Jill Jekel always obeys her parents¿ rules. But after her father is murdered, Jill begins to embrace her wild side. Teaming up with handsome but troubled Tristen Hyde, Jill sorts through the secret papers her father left behind. Soon, she and Tristen are recreating the experiments that inspired the classic monster novel, Dr. Jekyll and Mr. Hyde.
¿This novel is filled with compelling plot devices; one particularly nice touch is the way that Jekel and Hyde alternate telling their stories, embodying a double perspective. Fans of the genre won¿t be able to resist this slick genre update.¿¿Booklist
Jill Jekel always obeys her parents¿ rules. But after her father is murdered, Jill begins to embrace her wild side. Teaming up with handsome but troubled Tristen Hyde, Jill sorts through the secret papers her father left behind. Soon, she and Tristen are recreating the experiments that inspired the classic monster novel, Dr. Jekyll and Mr. Hyde.
¿This novel is filled with compelling plot devices; one particularly nice touch is the way that Jekel and Hyde alternate telling their stories, embodying a double perspective. Fans of the genre won¿t be able to resist this slick genre update.¿¿Booklist
Jekel Loves Hyde
Narrated by Natalia Payne
Beth FantaskeyUnabridged — 9 hours, 57 minutes
Jekel Loves Hyde
Narrated by Natalia Payne
Beth FantaskeyUnabridged — 9 hours, 57 minutes
Overview
Jill Jekel always obeys her parents¿ rules. But after her father is murdered, Jill begins to embrace her wild side. Teaming up with handsome but troubled Tristen Hyde, Jill sorts through the secret papers her father left behind. Soon, she and Tristen are recreating the experiments that inspired the classic monster novel, Dr. Jekyll and Mr. Hyde.
¿This novel is filled with compelling plot devices; one particularly nice touch is the way that Jekel and Hyde alternate telling their stories, embodying a double perspective. Fans of the genre won¿t be able to resist this slick genre update.¿¿Booklist
Editorial Reviews
"This novel is filled with compelling plot devices; one particularly nice touch is the way that Jekel and Hyde alternate telling their stories, embodying a double perspective. Fans of the genre won't be able to resist this slick genre update."--Booklist
"Fantaskey's (Jessica's Guide to Dating on the Dark Side) premise is creative, and there are plenty of twists to keep readers engaged--right through the fiery final face-off."--Publishers Weekly
"Teen readers will be drawn to the classic story of Jeckyll and Hyde with a modern, romantic twist."--VOYA, starred review
At the funeral of her father, seventeen-year-old Jill Jekel feels very alone. Jill's mother is devastated, and as few attend the funeral, Jill realizes she faces a very solitary future. So Jill is surprised when Tristen Hyde, a handsome student from England, approaches and says, "It's going to be okaytrust me." At school Jill and Tristen are brought together through a science competition for which they both qualify; Tristen is not interested, but Jill is desperately in need of a scholarship. Eventually Tristen decides to participate in the competition. Maybe through science experiments team "Jekel and Hyde" can solve some of the mysteries of Tristen's strange and sometimes violent behavior and his family's past. Jill also has family secrets. Can the box that is locked away in Jill's house help to solve the mysteries in both families? Will the results of their work reveal a history for Jill and Tristen where the Jeckyll and Hyde novel is not fiction but horrifically real? Tristen told Jill to trust him, but as their relationship deepens and their research intensifies, both fear that their lives may never be 'okay' again. Teen readers will be drawn to the classic story of Jeckyll and Hyde with a modern, romantic twist. Jill and Tristen experience love, troubled parents, and the pressure of school all the while trying to solve a generations-old mystery that could destroy them both. Chapters alternate from the perspective of Jill and Tristen, enabling the reader to experience their inner thoughts, growing love, and fears. Reviewer: Nancy Pierce
Gr 9 Up—Jill Jekel is a lonely, shy, studious high school student who first meets and is attracted to handsome, talented, and mysterious Tristen Hyde at her father's funeral in Beth Fantaskey's novel (Harcourt, 2010). The brutal murder of Jill's father has sent her mother into a deep depression. Tristen and Jill join forces to create a Jekel and Hyde team for a competition to recreate the original formula used in Robert Louis Stevenson's The Strange Case of Dr. Jekel and Mr. Hyde, hoping that Jill can win a scholarship and it will help Tristen fight his evil urges. Stevenson's classic figures prominently in this contemporary melodramatic teen romance. The story is revealed through two voices: Jill narrated by Natalia Payne, and Andy Parvis as a very British-sounding Tristen. The reading is well-paced, highlighting their different personalities, the changes Jill and Tristen experience, and the pulsating romantic tension between them. Though sensual, the story is not overtly sexual; profanity is used for emphasis and not gratuitously. The use of the Jekel and Hyde characters is clever but not entirely resolved. Why, for example, does the formula reverse the evil that Tristen feels growing in him as it has in all the Hyde men? For listeners who enjoy a breathy romance.—Maria Salvadore, formerly Washington DC Public Library
Jill Jekel and Tristen Hyde are going to need major mojo to win that chemistry scholarship they're aiming for, because they never seem to do any science. In this ellipsis-laden paranormal romance, the scions of the doomed houses of Jekyll and Hyde-a hand-waving explanation justifies the distinct family trees, and Jill explains that her grandfather changed the spelling of their name when he immigrated, "[y]ou know, to distance us from the bad stuff that happened in England"-fall in love. Tristen wants to save himself from the family curse, which he believes will turn him into a mad killing machine. Jill wants enough money to go to college and get help for her mother, chronically depressed since the mysterious death of Jill's father. What if Jill holds the ancient Jekyll secret, the chemical formula to create monsters out of men? Can that help Tristen? Sadly, it can't help this novel. Giving the formula to a boy turns him into a violent killer, but giving it to a girl arouses "hormones" that make her "act so boldly, so embarrassingly forward" and prompt her to demand violence between men while "writhing" against them. There's plenty of better fantastical love stories for the thirsty fan. (Paranormal romance. 12-14)
Product Details
BN ID: | 2940169388688 |
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Publisher: | Recorded Books, LLC |
Publication date: | 02/18/2010 |
Edition description: | Unabridged |
Age Range: | 12 - 17 Years |
Read an Excerpt
Prologue
Jill
I buried my father the day after my seventeenth birthday.
Even the sun was cruel that morning, an obscenely bright but cold January day. The snow that smothered the cemetery glared harshly white, blinding those mourners who couldn’t squeeze under the tent that covered Dad’s open grave. And the tent itself gleamed crisply, relentlessly white, so it hurt a little to look at that, too.
Hurt a lot, actually.
Against this inappropriately immaculate backdrop, splashes of black stood in stark relief, like spatters of ink on fresh paper: the polished hearse that glittered at the head of the procession, the minister’s perfectly ironed shirt, and the sober coats worn by my father’s many friends and colleagues, who came up one by one after the service to offer Mom and me their condolences.
Maybe I saw it all in terms of color because I’m an artist. Or maybe I was just too overwhelmed to deal with anything but extremes. Maybe my grief was so raw that the whole world seemed severe and discordant and clashing.
I don’t remember a word the minister said, but he seemed to talk forever. And as the gathering began to break up, I, yesterday’s birthday girl, stood there under that tent fidgeting in my own uncomfortable, new black dress and heavy wool coat, on stage like some perverse debutante at the world’s worst coming-out party.
I looked to my mother for support, for help, but her eyes seemed to yawn as vacant as Dad’s waiting grave. I swear, meeting Mom’s gaze was almost as painful as looking at the snow, or the casket, or watching the endless news reports about my father’s murder. Mom was disappearing, too . . .
Feeling something close to panic, I searched the crowd.
Who would help me now?
I wasn’t ready to be an adult . . .
Was I really . . . alone?
Even my only friend, Becca Wright, had begged off from the funeral, protesting that she had a big civics test, which she’d already rescheduled twice because of travel for cheerleading. And, more to the point, she just "couldn’t handle" seeing my poor, murdered father actually shoved in the ground.
I looked around for my chemistry teacher, Mr. Messerschmidt, whom I’d seen earlier lingering on the fringes of the mourners, looking nervous and out of place, but I couldn’t find him, and I assumed that he’d returned to school, without a word to me.
Alone.
I was alone.
Or maybe I was worse than alone, because just when I thought things couldn’t get more awful, my classmate Darcy Gray emerged from the crowd, strode up, and thrust her chilly hand into mine, air-kissing my cheek. And even this gesture, which I knew Darcy offered more out of obligation than compassion, came across like the victor’s condescending acknowledgment of the vanquished. When Darcy said, "So sorry for your loss, Jill," I swore it was almost like she was congratulating herself for still having parents. Like she’d bested me once more, as she had time and again since kindergarten.
"Thanks," I said stupidly, like I genuinely appreciated being worthy of pity.
"Call me if you need anything," Darcy offered. Yet I noticed that she didn’t jot down her cell number. Didn’t even reach into her purse and feign looking for a pen.
"Thanks," I said again.
Why was I always acting grateful for nothing?
"Sure," Darcy said, already looking around for an escape route.
As she walked away, I watched her blond hair gleaming like a golden trophy in that too-brilliant sun, and the loneliness and despair that had been building in me rose to a crescendo that was so powerful I wasn’t quite sure how I managed to keep my knees from buckling. Not one real friend there for me . . .
That’s when I noticed Tristen Hyde standing at the edge of the tent. He wore a very adult, tailored overcoat, unbuttoned, and I could see that he had donned a tie, too, for this occasion. He had his hands buried in his pockets, a gesture that I first took as signaling discomfort, unease. I mean, what teenage guy wouldn’t be uncomfortable at a funeral? And I hardly knew Tristen. It wasn’t like we were friends. He’d certainly never met my father.
Yet there he was, when almost nobody else had shown up for me.
Why? Why had he come?
When Tristen saw that I’d noticed him, he pulled his hands from his pockets, and I realized that he wasn’t uneasy at all. In fact, as he walked toward me, I got the impression that he’d just been waiting, patiently, for his turn. For the right time to approach me.
And what a time he picked. It couldn’t have been more dead on.
"It’s going to be okay," he promised as he came up to me, reaching out to take my arm, like he realized that I was folding up inside, on the verge of breaking down.
I looked up at him, mutely shaking my head in the negative.
No, it was not going to be okay.
He could not promise that.
Nobody could. Certainly not some kid from my high school, even a tall one dressed convincingly like a full-fledged man.
I shook my head more vehemently, tears welling in my eyes.
"Trust me," he said softly, his British accent soothing. He squeezed my arm harder. "I know what I’m talking about."
I didn’t know at the time that Tristen had vast experience with this "grief" thing. All I knew was that I let him, a boy I barely knew, wrap his arms around me and pull me to his chest. And suddenly, as he smoothed my hair, I really started weeping. Letting out all the tears that I’d bottled up, from the moment that the police officer had knocked on the door of our house to say that my father had been found butchered in a parking lot outside the lab where he worked, and all through planning the funeral, as my mother fell to pieces, forcing me to do absurd, impossible things like select a coffin and write insanely large checks to the undertaker. Suddenly I was burying myself under Tristen’s overcoat, nearly knocking off my eyeglasses as I pressed against him, and sobbing so hard that I must have soaked his shirt and tie.
When I was done, drained of tears, I pulled away from him, adjusting my glasses and wiping my eyes, sort of embarrassed. But Tristen didn’t seem bothered by my show of emotion.
"It does get better, hurt less," he assured me, repeating, "Trust me, Jill."
Such an innocuous little comment at the time, but one that would become central to my very existence in the months to come.
Trust me, Jill . . .
"I’ll see you at school," Tristen added, pressing my arm again. Then he bent down, and in a gesture I found incredibly mature, kissed my cheek. Only I shifted a little, caught off-guard, not used to being that near to a guy, and the corners of our lips brushed.
"Sorry," I murmured, even more embarrassed—and kind of appalled with myself. I’d never even come close to kissing a guy on the lips under any circumstances, let alone on such a terrible day. Not that I’d really felt anything, of course, and yet . . . It just seemed wrong to even consider anything but death at that moment. How could I even think about how some guy felt, how he smelled, how it had been just to give up and be held by somebody stronger than me? My father was DEAD. "Sorry," I muttered again, and I think I was kind of apologizing to Dad, too.
"It’s okay," Tristen reassured me, smiling a little. He was the first person who’d dared to smile at me since the murder. I didn’t know what to make of that, either. When should people smile again? "See you, okay?" he said, releasing my arm.
I hugged myself, and it seemed a poor substitute for the embrace I’d just been offered. "Sure. See you. Thanks for coming."
I followed his progress as Tristen wandered off through the graves, bending over now and then to brush some snow off the tombstones, read an inscription, or maybe check a date, not hurrying, like graveyards were his natural habitat. Familiar territory.
Tristen Hyde had come for . . . me.
Why?
But there was no more time to reflect on whatever motives had driven this one particular classmate to attend a stranger’s burial, because suddenly the funeral director was tapping my shoulder, telling me that it was time to say any final goodbyes before the procession of black cars pulled away from the too-white tent and the discreetly positioned backhoe hurried in to do its job because there was more snow in the forecast.
"Okay," I said, retrieving my mother and guiding her by the hand, forcing us both to bow our heads one last time.
We sealed my father’s grave on a day of stark contrasts, of black against white, and it was the last time I’d ever find myself in a place of such extremes. Because in the months after the dirt fell on the coffin, my life began to shift to shades of gray, almost like the universe had taken a big stick and stirred up the whole scene at that cemetery, mixing up everything and repainting my world.
As it turned out, my father wasn’t quite the man we’d all thought he was.
Correction.
Nothing and no one, as I would come to learn, would turn out to be quite what they’d seemed back on that day.
Not even me.
And Tristen . . . He would prove to be the trickiest, the most complicated, the most compelling of all the mysteries that were about to unravel.