The Joy Luck Club: A Novel

by Amy Tan, Jessica Hische (Illustrator)

Overview

From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische

It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series debuted with an 'A' for Jane Austen's Pride and Prejudice, a 'B' for Charlotte Brönte's Jane Eyre, and a 'C' for Willa Cather's My Ántonia. It continues with more perennial classics, perfect to give as elegant gifts or to showcase on your own shelves.

T is for Tan. In 1949 four Chinese women, recent immigrants to San Francisco, begin meeting to eat dim sum, play mahjong, and talk. United in shared unspeakable loss and hope, they call themselves the Joy Luck Club. With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between these four women and their American-born daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined.

Product Details

ISBN-13:	9780143124849
Publisher:	Temple Publications International, Inc.
Publication date:	04/23/2014
Series:	Penguin Drop Caps Series
Pages:	352
Sales rank:	47,622
Product dimensions:	5.50(w) x 7.80(h) x 1.10(d)
Lexile:	0930L (what's this?)
Age Range:	18 Years

About the Author

AMY TAN is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter's Daughter, and Saving Fish from Drowning, all New York Times bestsellers. She has published two children’s books, The Moon Lady and The Chinese Siamese Cat and a memoir, The Opposite of Fate. She was the co- producer and co-screenwriter of the film version of The Joy Luck Club. Her essays and stories have appeared in numerous magazines and anthologies and her work has been translated into thirty-five languages.

JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a Forbes Magazine "30 under 30" in art and design as well as an ADC Young Gun and one of Print Magazine’s "New Visual Artists". She has designed for Wes Anderson, McSweeney's, Tiffany & Co., Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.

Hometown:

San Francisco, California and New York, New York

Date of Birth:

February 19, 1952

Place of Birth:

Oakland, California

Education:

B.A., San Jose State University, 1973; M.A., 1974

What People are Saying About This

From the Publisher

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Praise for Joy Luck Club:

"Honest, moving, and beautifully courageous. Amy Tan shows us China, Chinese-American women and their families, and the mystery of the mother-daughter bond in ways that we have not experienced before."
—Alice Walker

"Tracing the poignant destinies of two generations of tough, intelligent women, each gorgeously written page welcomes the reader and leads to an enlightenment that, like all true wisdom, sometimes brings pleasure and sometimes sadness."
—Chicago Tribune

Praise for Penguin Drop Caps:

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook

Editorial Reviews

Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books

Winner of the 2014 Type Directors Club Communication Design Award

Praise for Joy Luck Club:

"Honest, moving, and beautifully courageous. Amy Tan shows us China, Chinese-American women and their families, and the mystery of the mother-daughter bond in ways that we have not experienced before."
—Alice Walker

"Tracing the poignant destinies of two generations of tough, intelligent women, each gorgeously written page welcomes the reader and leads to an enlightenment that, like all true wisdom, sometimes brings pleasure and sometimes sadness."
—Chicago Tribune

Praise for Penguin Drop Caps:

"[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering."
—Fast Company

“Vibrant, minimalist new typographic covers…. Bonus points for the heartening gender balance of the initial selections.”
—Maria Popova, Brain Pickings

"The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of Great Expectations? Because they’re beautiful objects. Paul Buckley and Jessica Hische’s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen’s A (Pride and Prejudice) is formed by opulent peacock feathers and Charlotte Bronte’s B (Jane Eyre) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf."
—Rex Bonomelli, The New York Times

"Drool-inducing."
—Flavorwire

"Classic reads in stunning covers—your book club will be dying."
—Redbook

From the Publisher