Kirchengeb#x000E4;ude in urbanen Gebieten: Wahrnehmung - Deutung - Umnutzung in praktisch-theologischer Perspektive

by Sonja Keller

Overview

Die Studie untersucht die plurale Wahrnehmung und Deutung von Kirchengebäuden, zumal diese Deutungsvielfalt für das Verständnis und die Bewertung der Umnutzungsoptionen konstitutiv ist. Um die Perzeption von Kirchen, ihre Nutzung und Funktion zu erschließen, wurden durch teilstandardisierte Gruppendiskussionen empirische Daten gesammelt. Mittels einer strukturierten Inhaltsanalyse wurden die Daten ausgewertet und damit exemplarische Beschreibungen der Eigenart der Kirchengebäude und der Umnutzung von Kirchen aufgezeigt. Der empirisch belegte "Bedeutungsüberschuss" der Kirchengebäude wird theoretisch hinsichtlich verschiedener Zusammenhänge, in denen Kirchengebäude erlebt und wahrgenommen werden, aufgefächert. Durch den interdisziplinären Rückgriff auf verschiedene Wissensbestände wird aufgezeigt, wie Kirchengebäude wahrgenommen werden, welchen Nutzungsverschiebungen sie unterlagen, welche theologischen Verständnisse wirkmächtig sind und wie die Räumlichkeit der Kirchengebäude selbst das Erleben der Räume prägt. Die Untersuchung zeigt, dass der Zugriff auf Kirchengebäude aus verschiedenen Perspektiven erfolgt, was die Herausforderungen, Kirchen umzunutzen, prägt.

Product Details

ISBN-13:	9783110461008
Publisher:	De Gruyter
Publication date:	07/25/2016
Series:	Praktische Theologie im Wissenschaftsdiskurs , #19
Sold by:	Barnes & Noble
Format:	eBook
Pages:	328
File size:	2 MB
Age Range:	18 Years
Language:	German

About the Author

Sonja Keller, Instituteof Practical Theology, University Hamburg, Germany.
Sonja Keller, Institut für Praktische Theologie, Universität Hamburg.

Read an Excerpt

I have lived more than a thousand years. I have died countless times. I forget precisely how many times. My memory is an extraordinary thing, but it is not perfect. I am human.

The early lives blur a bit. The arc of your soul follows the pattern of each of your lives. It is macrocosmic. There was my childhood. There have been many childhoods. And even in the early part of my soul I reached adulthood many times. These days, in every one of my infancies, the memory comes faster. We go through the motions. We look oddly at the world around us. We remember. I say “we” and I mean myself, my soul, my selves, my many lives. I say “we” and I also mean the other ones like me who have the Memory, the conscious record of experience on this earth that survives every death. There aren’t many, I know. Maybe one in a century, one born out of millions. We find one another rarely, but believe me, there are others. At least one of them has a memory far more extraordinary than mine.

I have been born and died many times in many places. The space between them is the same. I wasn’t in Bethlehem for Christ’s birth. I never saw the glory that was Rome. I never bowed to Charlemagne. At that time I was scratching out a crop in Anatolia, speaking a dialect unintelligible to the villages north and south. Only God and the devil can be counted on for all the thrilling parts. The great hits of history go along without the notice of most. I read about them in books like everybody else.

Sometimes I feel more akin to houses and trees than to my fellow human beings. I stand around watching the waves of people come and go. Their lives are short, but mine is long. Sometimes I imagine myself as a post driven into the ocean’s edge.

I’ve never had a child, and I’ve never gotten old. I don’t know why. I have seen beauty in countless things. I have fallen in love, and she is the one who endures. I killed her once and died for her many times and I still have nothing to show for it. I always search for her; I always remember her. I carry the hope that someday she will remember me.

Reading Group Guide

INTRODUCTION
Daniel has spent centuries falling in love with the same girl. Life after life, crossing continents and dynasties, he and Sophia (despite her changing name and form) have been drawn together—and he remembers it all. Daniel has "the memory," the ability to recall past lives and recognize souls of those he's previously known. It is a gift and a curse. For all the times that he and Sophia have been drawn together throughout history, they have also been torn painfully, fatally, apart. A love always too short.

Interwoven through Sophia and Daniel's unfolding present day relationship are glimpses of their expansive history together. From 552 Asia Minor to 1918 England and 1972 Virginia, the two souls share a long and sometimes torturous path of seeking each other time and time again. But just when young Sophia (now "Lucy" in the present) finally begins to awaken to the secret of their shared past, to understand the true reason for the strength of their attraction, the mysterious force that has always torn them apart reappears. Ultimately, they must come to understand what stands in the way of their love if they are ever to spend a lifetime together.

ABOUT ANN BRASHARES

Ann Brashares is the New York Times bestselling author of The Sisterhood of the Traveling Pants, The Second Summer of the Sisterhood, Girls in Pants, and Forever in Blue, and the adult novel The Last Summer (of You and Me). She lives in New York.

DISCUSSION QUESTIONS

My Name is Memory unfolds in chapters alternating between Daniel and Lucy's voices. What did you think of this technique? Do you think the author captured both voices equally well? Was there one character whose point of view you preferred reading?

As we watch Lucy mature from a teenager to a young woman over the course of the novel, we also watch Daniel mature over centuries, carrying knowledge and wisdom from lifetime to lifetime. When they meet, he has centuries worth of experiences and she is still learning how to be an adult for the first time. Do you think Lucy and Daniel can find common ground in their shared lifetime, or do their differing experiences separate them too much?

My Name is Memory is set in present day, with flashbacks to previous eras—including North Africa in 541 B.C., Crete in 899 B.C., England in 1918 A.D., St. Louis in 1932 A.D., and Georgia in 1968 A.D. Was there one particular setting you enjoyed most? Why?

How do Lucy's experiences with her older sister Dana's mental illness affect her reaction to Daniel when he tells her about their past lives together? How much of her response do you think comes from fear? Do you think she wants to believe him?

One of the themes of My Name is Memory is our perspective on the value of the here-and-now and the passage of time. As someone who has lived and remembers many lifetimes, Daniel sees life as fleeting and replaceable, and it affects how he treats himself and his family members. How does this change for him over the course of the book? What causes the change? Did the book make you think about the value of the present, or the value of the long view differently?

Daniel insists on being called "Daniel" in each life, and he calls Lucy "Sophia," the name she had when he first fell in love with her. Why is he so attached to using these names? What is their significance to him? What changes at the end that allows him to finally call her "Lucy"?

Daniel talks about human beings' ability to recognize other people's souls, and says, "Our souls reveal themselves in our face and body… Choose a person's face and study it carefully… Ask yourself what you know about the person, and if you open yourself to the information, you will find you know an overwhelming amount" (p. 55). Do you think this is true? Have you ever recognized something like this in a stranger?

Throughout the novel, Daniel faces hardships that he believes are a direct result of his past choices. After rejecting his mother Molly's love by committing suicide, he is reborn to an abusive mother. After Daniel angered him hundreds of years ago, his brother Joaquim chases him through lifetimes, keeping Daniel and Sophia/Lucy apart. Do you believe in this idea, which some call karma, that our actions will come back to us?

When Lucy looks back on her first meeting with Daniel she is filled with regret. "It must have been painful for him to realize [Sophia] was gone, replaced by a coward" (p. 196). Do you agree with Lucy's assessment of herself that she's a coward, or would you consider her brave? Does her level of bravery change over the course of the book? How or why?

Brashares writes, as Daniel thinks he's about to lose Lucy, "If you didn't have a choice, you had to make a choice. If you didn't have options, you made some. You couldn't just let the world happen to you" (p. 505). Is this something he has always believed? Is it advice he has followed? To what consequences? How has it shaped his collection of lives?

At the beginning of the novel, Daniel says that despite all his lives, "I've never had a child, and I've never gotten old. I don't know why" (p. 2). Why do you think these two rites of passage, so integrally a part of the human condition, have been denied him? Do you think he will get to experience both of these things in his "ultimate" life? Is the life with Lucy the one he's been waiting for?

Editorial Reviews

The book leaves some questions unanswered, and the closing chapters feel a bit rushed. But this is an inventive, romantic, highly pleasurable ride through time that will appeal to older teens as well as adults.
—The Washington Post

Sarah Pekkanen

Primarily known for her young adult Traveling Pants series, Brashares offers her second adult novel (The Last Summer (Of You and Me), 2007), about a man who remembers his past lives and the woman he's loved through them all. In 2004, Virginia high-school student Lucy develops an obsessive crush on a mysterious new classmate, Daniel. They finally share a kiss at the Senior Ball, but then Daniel calls her Sophia and insists that they have loved each other for centuries. A frightened Lucy runs away, leaving Daniel bereft. He has spent most of his many lives trying to find Sophia, ever since their disastrous first meeting during his first remembered life. As a soldier in North Africa in the sixth century he mistakenly burned down a house (think civilian casualties in Afghanistan), causing a little girl version of Sophia to die-his "original sin." Two hundred years later in Asia Minor, Daniel helped the woman her soul then inhabited escape from her abusive husband, Daniel's older brother Joaquim, who then killed him. Throughout the centuries when Daniel and Sophia have met, their ages or circumstances usually kept them apart. However, during World War I Sophia/Constance was his nurse and sweetheart at a British military hospital where she hid a letter of explanation about Daniel to her future self. Fast forward to 2006. Attending college, Lucy has lost track of Daniel. Then a psychic shocks her by bringing up Daniel by name. Now driven to find the truth through hypnosis and the Internet, Lucy finds the WWI letter and accepts her pasts. But she can't find Daniel. Unfortunately, menacing Joaquim is on Daniel's trail too. Plenty of grown up "Pants" fans will swoon for this hokey but undeniablyeffective romance, and an ambiguous ending leaves the door ajar for a sequel.

Kirkus Reviews

A romance that stretches across centuries and past lives constitutes the core of Brashares's varied second adult novel, the first in a planned trilogy. The story is primarily that of Daniel, as, in the present, he pursues Lucy (whom he knows as Sophia in a previous life) and attempts to persuade her of their history and destiny, but his passion initially and understandably scares her off. He disappears, presumed dead, but Lucy, unable to forget him, investigates his claims of their history until she discovers the truth. Meanwhile, Daniel takes readers on a tour of romantic near-misses, from sixth-century Africa through eighth-century Turkey to WWI. The story moves slowly and predictably, though when a plot finally materializes, Brashares (Sisterhood of the Traveling Pants) manages some satisfying momentum, even if the story begins to feel like it's borrowed from a James Patterson novel. Brashares's insights into human nature, meanwhile, should appeal to readers who enjoyed The Time-Traveler's Wife, but can appreciate a Nicholas Sparks-esque sensibility. (June)

Publishers Weekly

We all like to believe in the constancy of love. And then along comes Ann Brashares to take the concept to a whole new level.

Her latest novel, "My Name Is Memory," is about a young man who is probably the most constant lover in all of literature.

Minneapolis Star Tribune

"[A] fantastical romance." —The Washington Post

"You'll fall hard for this story of a cosmically tormented couple: Daniel can recall all of his previous lives, and he pursues his great love, Sophia, through the ages." —Glamour

"We all like to believe in the constancy of love. And then along comes Ann Brashares to take the concept to a whole new level." —Minneapolis Star Tribune

"Literature is filled with lovers that not even death can divide... now in Ann Brashares's entrancing new romantic saga, readers will be swept away by Daniel and Lucy, whose love is truly one for the agest." —BookPage

From the Publisher

Most of us recycle everyday without giving it much thought. But what if we were recyclable? Daniel, who thinks of himself as a recycled soul, is different from everyone else—he remembers all his past lives. For over 1000 years, he's been learning how actions in one life affect the next and discovering that not everyone who returns has good intentions. But most of all, he remembers Sophia, despite her changing name and form, and while Sophia can't quite remember him, she's inexplicably drawn to get as close to him as she can. Although circumstances keep them apart time and time again, Daniel has mastered patience and has boundless faith that one day they will live a lifetime together. VERDICT Brashares's second adult novel (after The Last Summer [of You and Me]; author of the YA "Sisterhood of the Traveling Pants" series) is reminiscent of Audrey Niffenegger's The Time Traveler's Wife, and Daniel and Sophia's near misses and chance encounters captivate and entrance us. [See Prepub Alert, LJ 3/1/10; national tour.]—Jennifer Anderson, Texas A&M Univ.-Corpus Christi Lib.

Library Journal