London: The Novel

by Edward Rutherfurd

Overview

“A TOUR DE FORCE . . . LONDON TRACKS THE HISTORY OF THE ENGLISH CAPITAL FROM THE DAYS OF THE CELTS UNTIL THE PRESENT TIME. . . . BREATHTAKING.”
—The Orlando Sentinel

Now in a handsome new trade paperback edition, here is Edward Rutherfurd’s classic novel of London, a glorious pageant spanning two thousand years. He brings this vibrant city’s long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the twentieth century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

“REMARKABLE . . . The invasion by Julius Caesar’s legions in 54 B.C. . . . The rise of chivalry and the Crusades . . . The building of the Globe theatre . . . and the coming of the Industrial Revolution. . . . What a delightful way to get the feel of London and of English history. . . . We witness first-hand the lust of Henry VIII. We overhear Geoffrey Chaucer deciding to write The Canterbury Tales. . . . Each episode is a punchy tale made up of bite-size chunks ending in tiny cliffhangers.”
—The New York Times

Product Details

ISBN-13:	9780345455680
Publisher:	Random House Publishing Group
Publication date:	10/29/2002
Edition description:	Reprint
Pages:	1152
Sales rank:	38,099
Product dimensions:	5.51(w) x 8.27(h) x 2.06(d)

About the Author

Edward Rutherfurd was born in Salisbury, England, and was educated in Wiltshire and at Cambridge. He has since lived on both sides of the Atlantic, in Dublin and New York, but he returned to his roots to write his first novel, the best-selling Sarum, a history of Salisbury.  This was followed by the best-selling Russka, a sweeping history of Russia from the cossack horsemen to the Bolshevik revolution.

Until the 1980s, Edward Rutherfurd pursued a business career -- he attended Stanford Business School, worked  for W.H. Smith, and was employed by  Tory Party Central Office. As a child, he had been fascinated by the novels of C.S. Forester, Henty, and the historical romances of Sir Arthur Conan Doyle. His grandmother, Evelyn Winch, was a well-known romantic novelist of the 1930s. Rutherfurd was also influenced by the novels of James Michener, such as Covenant and Texas, and saw that no one had attempted a similar approach in the United Kingdom.

Rutherfurd gave up his secure day job and spent two years researching and writing Sarum. When it was half-finished, and funds were running low, he realized he needed to find an agent. He approached agent Gill Coleridge with a few chapters and a synopsis. Within a month, Century bought the book in England, and the novel was auctioned in the United States. Ten years later, Sarum is still selling all over the world.  

Edward Rutherfurd currently lives outside Dublin, Ireland.


From the Hardcover edition.

Read an Excerpt

54 BC

Fifty-four years before the birth of Christ, at the end of a cold, star-filled spring night, a crowd of two hundred people stood in a semicircle by the bank of the river and waited for the dawn.

Ten days had passed since the ominous news had come.

In front of them, at the water's edge, was a smaller group of five figures. Silent and still, in their long grey roves they might have been taken for so many standing stones. These were the druids, and they were about to perform a ceremony which, it was hoped, would save the island and their world.

Amongst those gathered by the riverbank were three people, each of whom, whatever hopes or fears they may have had concerning the threat ahead, guarded a personal and terrible secret.

One was a boy, the second a woman, the third a very old man.

There were many sacred sites along the lengthy course of the river. But nowhere was the spirit of the great river so clearly present than at this quiet place.

Here, sea and river met. Downstream, in a series of huge loops, the ever widening flow passed through open marshland until, about ten miles away, it finally opened out into the long, eastward funnel of the estuary and out to the cold North Sea. Upstream, the river meandered delightfully between pleasant woods and lush, level meadows. But at this point, between two of the river's great bends, lay a most gracious stretch of water, two and a half miles long, where the river flowed eastwards in a single, majestic sweep.

It was tidal. At high tide, when the incoming sea in the estuary reversed the current, this river road was a thousand yards across; at low tide, only three hundred. In thecentre, halfway along the southern bank where the marshes formed little islands, a single gravel spit jutted out into the stream forming a promontory at low water, and becoming an island when the tide was high. It was on the top of this spit that the little crowd was standing. Opposite them, on the northern bank, lay the place, now deserted, that bore the name of Londinos.

Londinos. Even now, in the dawning light, the shape of the ancient place could be seen clearly across the water: two low gravel hills with levelled tops rising side by side about eighty feet above the waterfront. Between the two hills ran a little brook. To the left, on the western flank, a larger stream descended to a broad inlet that interrupted the northern bank.

On the eastern side of the two hills, there had once been a small hillfort whose low earthwork wall, now empty, could serve as a lookout post for vessels approaching from the estuary. The western hill was sometimes used by the druids when they sacrificed oxen.

And the was all there was. An abandoned settlement. A sacred spot. The tribal centres were to the north and south. The tribes over whom the great chief Cassivelaunus was master lived in the huge eastern tracts above the estuary. The tribe of Cantii, in the long peninsula south of the estuary, had already given that region the name of Kent. The river was a border between them, Londinos a sort of no-man's-land.

The very name was obscure. Some said that a man called Londinos had lived there; others suggested that it might refer to the little earthwork on the eastern hill. But nobody knew. Somehow, in the last thousand years, the place had got the name.

The cold breeze was coming up the river from the estuary. There was a faint, sharp smell of mud and riverweed. Above, the bright morning star was beginning to fade as the clear sky turned to a paler blue.

The boy shivered. He had been standing an hour and he was cold. Like most of the folk there, he wore a simple woolen tunic that reached to the knees and was fastened at the waist with a leather belt. Beside him stood his mother holding a baby, and his sister little Branwen, whom he held by the hand. For it was his task at such times to keep her in order.

He was a bright, brave little fellow, dark-haired and blue-eyed, like most of his Celtic people. His name was Segovax and he was nine. A closer inspection, however, would have revealed two unusual features in his appearance. On the front of his head on the forelock, grew a patch of white hair, as though someone had dabbed it with a brush of white dye. Such hereditary marks were to be found amongst several families dwelling in the hamlets along that region of the river. "You needn't worry," his mother had told him. "A lot of women think it's a sign that you're lucky."

The second feature was much stranger. When the boy spread his fingers, it could be seen that between them, as far as the first joint, was a thin layer of skin, like the webbing on a duck's foot. This too was an inherited trait, although it did not show itself in every generation. It was as though, in some distant, primordial time some gene in a fish-like prototype of Man had obstinately refused to change its watery character entirely, and so passed on this vestige of its origins. Indeed, with his large-eyed face and his wiry little body, the boy did somehow make one think of a tadpole or some other little creature of the waters, a quick survivor down the endless eons of time.

His grandfather had also exhibited the condition. "But they cut the extra skin away when he was a baby," Segovax's father had told his wife. She could not bear the thought of the knife, though, and so nothing had been done. It did not trouble the boy.

Segovax glanced around at his family: little Branwen, with her affectionate nature and her fits of temper that no one could control; the baby boy in his mother's arms, just starting to walk and babble his first words; his mother pale and strangely distracted of late. How he loved them. But as he stared past the druids, his face broke into a little smile. By the water's edge was a modest raft with two men standing beside it. And one of them was his father.

They shared so much, father and son. The same little tuft of white hair, the same large eyes. His father's face, scoured by crease lines almost resembling scales, made one think of some solemn, fish-like creature. So dedicated was he that the local people referred to him simply as the Fisher. And though other men, Segovax realized, were physically stronger than this quiet fellow with his curved back and long arms, none was kinder or more quietly determined. "He may not be much to look at," the men in the hamlet would say, "but the Fisher never gives up." His mother, Segovax knew, adored his father. So did he.

Which was why, the day before, he had formed the daring plan that, if he managed to carry it out, would probably cost him his life.


From the Hardcover edition.

Editorial Reviews

Like his aesthetic mentor, James Michener, Rutherfurd (Russka; Sarum) takes readers from primordial days to the present; here he focuses on the last 2000 years of humanity on the island kingdom as manifested through the fortunes of seven families and one ancient, ever-evolving city. Such chapter headings as "The Tower," "Hampton Court" and "The Globe" reveal Rutherfurd's primary techniqueto create verbal dioramas that, alas, too often feel as static and didactic as museum displays. Rutherfurd lavishes his greatest attention on the minor figures in English history rather than the greats. Instead of Shakespeare there is Edmund Meredith, playwright of the middling The Blackamoor; instead of Christopher Wren, there is a cowardly, anti-papist woodcarver; and there is Isaac Fleming, creator of the wedding cake. Due to the sheer scope of Rutherfurd's vision, many signal events, such as the Black Death, are afforded only a glancing nod, while the first and final chapters read more like a mannerly BBC documentary than a proper setup for a legend on a grand scale. Rutherfurd's workmanlike narrative ultimately buckles under the weight of its own vast scale, yet readers will savor individual tidbits like the snapshot of young Geoffrey Chaucer saving an abandoned baby. Readers with imagination may even come away with the sense that great cities aren't just places but living beings with hearts and souls. Major ad/promo; BOMC main selection; simultaneous Random House audio; author tour. (June)

Publishers Weekly - Publisher's Weekly

As evidenced by his previous historical novels, Russka (LJ 9/1/91) and Sarum (LJ 9/15/87), Rutherfurd does not flinch at a challenge. Wrap up 2000 years in an 800-page book? No problem. This all-encompassing fictional history of London is told through the experiences of a group of diverse families who, over the generations, meet, mingle, intermarry, and feud. Beginning with prehistory and continuing to the present, Rutherfurd combines geological details, historical events, real people, and his fictional characters to bring London to life. The writing veers from the mundane to the didactic, and readers would be well advised to list the characters as they encounter them. Rutherfurd's whirlwind historical tour is an appropriate purchase for all collections. [Previewed in Prepub Alert, LJ 2/15/97.]Nancy Pearl, Washington Ctr. for the Book, Seattle

Library Journal

YA--Certainly not for the fainthearted, this 800+ page novel on the history of London is true to the author's form. Rutherford so skillfully weaves detailed fiction and fact that YAs may have to head for the reference books to verify which is which. Basically, the story is London's evolution from a trading post to the seat of an Empire and the families who lived that history. Through the adventures and everyday lives of these characters, one can go to Shakespeare's Globe Theater, tend the plague patients with Dr. Richard Meredith, attend hangings at Newgate Prison, weep at the loss of life and limb due to "God's fire," visit the taverns with Chaucer and his pilgrims, and have other experiences in this exciting city. A special book for readers who have a burning interest in history and the stick-to-itiveness to finish and reflect on it. A perfect choice for the summer hiatus or winter holidays.--Carol Clark, R. E. Lee High School, Springfield, VA

School Library Journal

Rutherfurd, having celebrated at some length the growth of an English cathedral town (Sarum, 1987) and the turbulent history of Russia (Russka, 1991), offers a massive survey in fictional form of London's long history. Like the work of his likely inspiration, James Michener, Rutherfurd's novels are distinguished by admirable research and a propulsive plot. This latest follows the growth of London from its origins as a Celtic encampment through its emergence as the Roman capital in Britain and on to its long climb to preeminence as England's (and, for a time, the world's) greatest city. Interwoven with the private (and rather melodramatic) adventures of a half-dozen families over a 2,000-year span are most of the events that shaped England (from the Norman invasion up to the Battle of Britain). These incidents tend to be announced portentously ("England's great Peasant Revolt had begun") and the characters, to fill in the historical background, sometimes offer speeches packed with an alarming (and unlikely) amount of information. There are obligatory cameos by everyone from Shakespeare to Dickens. Still, this is a vigorous, colorful narrative, a pleasant if unsurprising entertainment.

Kirkus Reviews