The Long Goodbye

by Meghan O'Rourke

Overview

What is it like to mourn today, in a culture that has largely set aside rituals that acknowledge grief? After her mother died of cancer at the age of fifty-five, Meghan O’Rourke found that nothing had prepared her for the intensity of her sorrow. She began to create a record of her interior life as a mourner, trying to capture the paradox of grief—its monumental agony and microscopic intimacies—an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond. With lyricism and unswerving candor, The Long Goodbye captures the fleeting moments of joy that make up a life and the way memory can lead us out of the jagged darkness of loss. Effortlessly blending research and reflection, the personal and the universal, it is a love letter from a daughter to a mother that will touch any reader who has felt the powerful ties of familial love.

Product Details

ISBN-13:	9781594485664
Publisher:	Penguin Publishing Group
Publication date:	04/03/2012
Pages:	320
Sales rank:	70,280
Product dimensions:	5.20(w) x 8.00(h) x 0.85(d)
Age Range:	18 Years

About the Author

Meghan O’Rourke is the author of the poetry collections Once and Halflife. She is a cultural critic for Slate, and her essays and poems have appeared in The New Yorker, The Nation, and other publications. She lives in Brooklyn, New York.

What People are Saying About This

Joyce Carol Oates

"Meghan O'Rourke has written a beautiful memoir about her loss of a truly irreplaceable mother--yes, it is sad, it is in fact heartrending, but it is many things more: courageous, inspiring, wonderfully intelligent and informed, and an intimate portrait of an American family as well." --(Joyce Carol Oates)

Jerome Groopman

Meghan O'Rourke is an extraordinary writer, and she offers precious gifts to readers in this powerful memoir. There is the gift of entering her family with its vibrant characters and culture. There is the gift of her profound insights into the experience of grief, its grip and the diverse ways we struggle to reenter a world where joy is felt. But most of all, there is her gift of showing us how love prevails after even the most devastating loss. (Jerome Groopman, M.D. Recanati Professor, Harvard Medical School, author of Anatomy of Hope and How Doctors Think)

Katie Roiphe

In her blazingly honest, relentlessly brave memoir Meghan O'Rourke takes on the strange, impossible time after a parent's death. I couldn't recommend this elegant and fearless book more highly to anyone who has, or has had, a mother. (Katie Roiphe, author of Uncommon Arrangments)

Richard Ford

"Meghan O'Rourke, a celebrated poet and critic, writes prose as if she was born to it first. Her memoir The Long Goodbye is emotionally acute, strikingly empathetic, thorough and unstinting intellectually, and of course elegantly wrought. But it's above all a useful book, for life -- the good bits and the sad ones, too." --(Richard Ford)

Reading Group Guide

INTRODUCTION

What does it mean to mourn today, in a culture that has largely set aside the rituals that acknowledge grief? In the days after her mother died of cancer at the age of 55, Meghan O'Rourke began to create a record of her life as a mourner, trying to capture the paradox of grief—its monumental agony and microscopic intimacies—an endeavor that ultimately bloomed into a profound look at how caring for her mother during her illness changed and strengthened their bond.

O'Rourke's story is one of a life gone off the rails, of how losing her mother—and separating from her husband—left her fundamentally altered. But it is also one of resilience, as she watches her family persevere even in the face of immeasurable loss.

ABOUT MEGHAN O'ROURKE

Meghan O'Rourke is the author of Halflife, a collection of poetry. She is a cultural critic for Slate, and her essays and poems have appeared in The New Yorker, The Nation, and other publications. She lives in New York.

DISCUSSION QUESTIONS

The Long Goodbye is in some ways as much about memory as it is about grief. How do you think our memories shape us?

Have you experienced the loss of someone close to you? If so, what elements of the author's account rang true for you? If not, what aspects of the story did you connect with?

What does the author mean by "am I really she who has woken up again without a mother" (296)? Does being someone's child, someone's daughter, change once a mother is gone? If so, how?

How does the author's mother respond emotionally and psychologically to her diagnosis? What was your reaction to these scenes?

"If I told the story of her death, I could understand it better, make sense of it—perhaps even change it" (139). How does the act of writing help the author during her mother's death and in the time after? Have you ever written things down in order to better understand them?

What rituals or little things bring the author's mother and her loved ones joy in her last days? If you've witnessed or been with a loved one in their final months can you relate to this? What activities or moments come to mind?

The author argues that in our society mourners are largely left alone with their grief. How does this affect the author? If you have suffered a loss, were you affected by feelings of isolation? What, if anything, might make it easier for mourners to grieve?

Hamlet and Orpheus, writings by C.S. Lewis and Raymond Carver—how do these characters and works on loss and dying help the author make sense of her experience? What aspects of the grieving process do they unlock for her? Are there characters or stories that have helped you define loss?

How does the author begin to "experience" her mother after her death? Where does she experience her presence, and what encounters give her solace?

"We are the words; we are the music; we are the thing itself. And I see this when I have a shock… There is a pattern hid behind the cotton wool" (Virginia Woolf, 289). How does Woolf's idea that there is, in the author's words, "an order behind our existence," give O'Rourke hope? Do you find these words comforting?

How does the author feel about the role of hospitals in death today? Hospice? What might we do to make dying less bureaucratic, in her view? In yours?

In the time leading up to her mother's death, the author reflects on memories of her childhood. How do memories bring us comfort? Can memories also be a way to honor those who have died?

The author writes about how her mother's illness affected each member of her family differently. Are our family roles redefined by a loss?

Editorial Reviews

"Meghan O'Rourke, a celebrated poet and critic, writes prose as if she was born to it first. Her memoir The Long Goodbye is emotionally acute, strikingly empathetic, thorough and unstinting intellectually, and of course elegantly wrought. But it's above all a useful book, for life-the good bits and the sad ones, too."
-Richard Ford

"Meghan O'Rourke has written a beautiful memoir about her loss of a truly irreplaceable mother-yes, it is sad, it is in fact heartrending, but it is many things more: courageous, inspiring, wonderfully intelligent and informed, and an intimate portrait of an American family as well."
-Joyce Carol Oates

"Meghan O'Rourke is an extraordinary writer, and she offers precious gifts to readers in this powerful memoir. There is the gift of entering her family, with its vibrant characters and culture. There is the gift of her profound insights into the experience of grief, its grip and the diverse ways we struggle to reenter a world where joy is felt. But most of all, there is her gift of showing us how love prevails after even the most devastating loss."
-Jerome Groopman, M.D., Recanati Professor, Harvard Medical School, and author of The Anatomy of Hope and How Doctors Think

From the Publisher

In this eloquent, somber memoir about the death of her mother and grieving aftermath, poet and journalist O'Rourke (Halflife) ponders the eternal human question: how do we live with the knowledge that we will one day die? O'Rourke's mother died of metastatic colorectal cancer on Christmas day 2008; the headmaster of a Westport, Conn., private school, she was only 55 years old, and left a stricken husband, two sons, and daughter O'Rourke, the eldest sibling. O'Rourke had shuttled back and forth from her life in Brooklyn and then job at Slate over the preceding year to care for her increasingly debilitated mother. The two were extremely close, and the shock of her mother's illness devastated the whole family (the author married her longtime boyfriend shortly after the Stage 4 diagnosis, then separated just as quickly). Over the last months, O'Rourke was bracing herself, "preparing" for her mother's death, by reading everything she could during the dizzying rounds of doctors' and hospital visits, until the family could take their mother home to die in a heavily medicated peace. Anxious by nature, secretive, often emotionally brittle, O'Rourke grew acutely sensitive to her mother's changing states over the last months, desperate for a sign of her mother's love to carry her through the months of bereavement. O'Rourke heals herself in this pensive, cerebral work, moving from intense anguish and nostalgia to finding solace in dreams, sex, and the comforting words of other authors. (Apr.)

Publishers Weekly

Stunned by the strength of her reaction when her mother died at age 55, award-winning poet and Slate culture critic O'Rourke began keeping a record of her slow passage through grief, which she eventually shared with Slate readers. Her nine-part series got huge response and even sparked comparisons to Joan Didion's The Year of Magical Thinking. That's a good recommendation.

Library Journal