The Lost Books of the Odyssey: A Novel

Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, re-imagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy.

With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that, taken together, open up this classic Greek myth to endless reverberating interpretations.The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary work that marks the emergence of an extraordinary new talent.

A Macmillan Audio production.

1100259182
The Lost Books of the Odyssey: A Novel

Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, re-imagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy.

With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that, taken together, open up this classic Greek myth to endless reverberating interpretations.The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary work that marks the emergence of an extraordinary new talent.

A Macmillan Audio production.

10.99 In Stock
The Lost Books of the Odyssey: A Novel

The Lost Books of the Odyssey: A Novel

by Zachary Mason

Narrated by Simon Vance

Unabridged — 4 hours, 44 minutes

The Lost Books of the Odyssey: A Novel

The Lost Books of the Odyssey: A Novel

by Zachary Mason

Narrated by Simon Vance

Unabridged — 4 hours, 44 minutes

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Overview

Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, re-imagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy.

With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that, taken together, open up this classic Greek myth to endless reverberating interpretations.The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary work that marks the emergence of an extraordinary new talent.

A Macmillan Audio production.


Product Details

BN ID: 2940171896652
Publisher: Macmillan Audio
Publication date: 11/15/2019
Edition description: Unabridged

Read an Excerpt

The Lost Books of the Odyssey


By Zachary Mason

Farrar, Straus and Giroux

Copyright © 2010 Zachary Mason
All rights reserved.
ISBN: 978-1-4299-5249-1



CHAPTER 1

A Sad Revelation


Odysseus comes back to Ithaca in a little boat on a clear day. The familiarity of the east face of the island seems absurd — bemused, he runs a tricky rip current he has not thought about in fifteen years and lands by the mouth of a creek where he swam as a boy. All his impatience leaves him and he sits under an oak he remembers whose branches overhang the water, good for diving. Twenty years have gone by, he reflects, what are a few more minutes. An hour passes in silence and it occurs to him that he is tired and might as well go home, so he picks up his sword and walks toward his house, sure that whatever obstacles await will be minor compared to what he has been through.

The house looks much as it did when he left. He notices that the sheep byre's gate has been mended. A rivulet of smoke rises from the chimney. He steals lightly in, hand on sword, thinking how ridiculous it would be to come so far and lose everything in a moment of carelessness.

Within, Penelope is at her loom and an old man drowses by the fire. Odysseus stands in the doorway for a while before Penelope notices him and shrieks, dropping her shuttle and before she draws another breath running and embracing him, kissing him and wetting his cheeks with her tears. Welcome home, she says into his chest.

The man by the fire stands up looking possessive and pitifully concerned and in an intuitive flash Odysseus knows that this is her husband. The idea is absurd — the man is soft, grey and heavy, no hero and never was one, would not have lasted an hour in the blinding glare before the walls of Troy. He looks at Penelope to confirm his guess and notices how she has aged — her hips wider, her hair more grey than not, the skin around her eyes traced with fine wrinkles. Without the eyes of homecoming there is only an echo of her beauty. She steps back from him and traces a deep scar on his shoulder and her wonder and the old man's fear become a mirror — he realizes that with his blackened skin, tangled beard and body lean and hard from years of war he looks like a reaver, a revenant, a wolf of the sea.

Willfully composed, Penelope puts her hand on his shoulder and says that he is most welcome in his hall. Then her face collapses into tears and she says she did not think he was coming back, had been told he was dead these last eight years, had given up a long time ago, had waited as long as she could, longer than anyone thought was right.

He had spent the days of his exile imagining different homecoming scenarios but it had never occurred to him that she would just give up. The town deserted, his house overrun by violent suitors, Penelope dying, or dead and burned, but not this. "Such a long trip," he thinks, "and so many places I could have stayed along the way."

Then, mercifully, revelation comes. He realizes that this is not Penelope. This is not his hall. This is not Ithaca — what he sees before him is a vengeful illusion, the deception of some malevolent god. The real Ithaca is elsewhere, somewhere on the sea-roads, hidden. Giddy, Odysseus turns and flees the tormenting shadows.

CHAPTER 2

The Other Assassin


In the Imperial Court of Agamemnon, the serene, the lofty, the disingenuous, the elect of every corner of the empire, there were three viziers, ten consuls, twenty generals, thirty admirals, fifty hierophants, a hundred assassins, eight hundred administrators of the second degree, two thousand administrators of the third and clerks, soldiers, courtesans, scholars, painters, musicians, beggars, larcenists, arsonists, stranglers, sycophants and hangers-on of no particular description beyond all number, all poised to do the bright, the serene, the etc. emperor's will. It so happened that in the twentieth year of his reign Agamemnon's noble brow clouded at the thought of a certain Odysseus, whom he felt was much too much renowned for cleverness, when both cleverness and renown he preferred to reserve for the throne. While it was true that this Odysseus had made certain contributions to a recent campaign, involving the feigned offering of a horse which had facilitated stealthy entry into an enemy city, this did not justify the infringement on the royal prerogatives, and in any case, the war had long since been brought to a satisfactory conclusion, so Agamemnon called for the clerk of Suicides, Temple Offerings, Investitures, Bankruptcy and Humane and Just Liquidation, and signed Odysseus's death warrant.

The clerk of Suicides etc. bowed and with due formality passed the document to the General who Holds Death in His Right Hand, who annotated it, stamped it, and passed it to the Viceroy of Domestic Matters Involving Mortality and so on through the many twists and turns of the bureaucracy, through the hands of spy-masters, career criminals, blind assassins, mendacious clerics and finally to the lower ranks of advisors who had been promoted to responsibility for their dedication and competence (rare qualities given their low wages and the contempt with which they were treated by their well-connected or nobly born superiors), one of whom noted it was a death order of high priority and without reading it assigned it to that master of battle and frequent servant of the throne, Odysseus.

A messenger came to Ithaca and gave Odysseus his orders. Odysseus read them, his face closed, and thanked the messenger, commenting that the intended victim was in for a surprise, and that he was morally certain no problems would arise on his end.

On the eight succeeding days Odysseus sent the following messages to the court as protocol required:

"I am within a day's sail of his island."

"I walk among people who know him and his habits."

"I am within ten miles of his house."

"Five miles."

"One."

"I am at his gate."

"The full moon is reflected in the silver mirror over his bed. The silence is perfect but for his breathing."

"I am standing over his bed holding a razor flecked with his blood. Before the cut he looked into my face and swore to slay the man who ordered his death. I think that as a whispering shade he will do no harm."

CHAPTER 3

The Stranger


I should have dreamed that night, of choking up a white bird that fought free of my throat, shook itself and flew away, leaving me empty and retching. But in fact there was no warning and I had no dreams, waking before dawn to a morning like every other morning on the long shore of Troy, alone in my tent — the smell of wood smoke, the light of false dawn, the silhouettes of passing soldiers on the canvas wall.

A hoarse voice outside my tent whispered, "Odysseus, son of Laertes, son of Autolykos, an enemy begs a word." I knew how easy it was to penetrate an enemy camp, having done so myself on many occasions, and I had given the Trojans much cause to hate me, so I stood and quietly drew my sword from its sheath. There was a genuine entreaty in his voice so I said, "Enter and have your word, enemy."

An unarmed man let himself into my tent. He looked simultaneously comfortable, surprised and as though he were exerting himself not to look over his shoulder. He muttered a quiet prayer to Pallas Athena which was unusual in so far as she hates the Trojans and it was evident from my visitor's narrow features and dark hair that he was of that race and city. He said, "I bring you a host-gift, Lord. A riddle — thus:

"One: When I was a boy visiting my grandfather, a man of great will but widely despised, he told me that his father's father had counted both bears and men among his kin, this in the days before the red-hairs came. Though the blood is running thin, he said, the change still sometimes comes. He took me to a glade in a dark wood, drew a dagger with a wavy blade and cut deep into his wrists. I thought he was killing himself before my eyes and was going to run for help but fur erupted from his wounds and surged over his arms. His hands became padded paws with yellow half-moon claws and his irises turned mirror-green. The change stopped there and he soon reverted to the shape of a man, exhausted and dissatisfied. He said that an uncle of his had had the true power but as a young man had gone off to live alone in the mountains and never come back, even to visit. And this is the reason, he added, that our family is disliked and respected, though these days few remember it.

"Two: I went hunting with my cousins when I was just shy of manhood. I fell behind the hunt and, distracted for a moment, did not hear the boar coming. I raised my spear and tried to thrust but my arms had lost their strength and it gored me. My cousins came bursting out of the wood and killed it but I had already fallen. It was my first wound and I wept openly, from pain and surprise and because I thought it had unmanned me, though as it turned out the gash didn't extend beyond the top of my thigh.

"Three: There is an Olympian who loves me. The first time she spoke to me I was lost in the fog in the channel off of Zakynthos.

"Who am I?"

I replied, "You must be none other than that famous Odysseus, king of Ithaca, which is to say myself, for all these things happened to me, though I have never spoken of any of them. Did some god spy on me and whisper my secrets in your ear? Speak quickly, stranger."

He had been watching my face intently. Closing his eyes, he said in a dead voice, "I am not making game of you and if any god did this it was without my knowledge or consent. For I too am Odysseus, king of Ithaca, and the night before last I fell asleep on that bed and the next morning woke up in a house in Troy, as you see me now, one of them. With a new wife and new children, who call me Iapetus." He sat down heavily on my camp chair. "I feigned madness to buy time and hide my confusion. Tonight I slipped out of their city to see who was in my tent — it was strange to walk so carelessly past the Trojan guards. I must admit, you were the last person I expected to find here. I had thought it would be Iapetus the Trojan, or some stranger, and was ready to bargain, or kill him if he was going to disgrace my name."

"Your approach to assassination has the virtue of originality." I put my blade to his throat, ready for him to make a move. I have interrogated men at sword's point before — often I have seen in their eyes a conviction that they, heroes, cannot die under such ignominious circumstances and a nascent intent to turn the tables on me. At such times I stick them in the big artery in the neck, the same stroke I used to kill pigs in the slaughter-house back home (it is a quiet death, life coursing gently away over a few minutes, pleasant compared to some). "Say I am in Ithaca and want to move my bed into the great hall. What then? Answer quickly, or I will send you back to Troy." If the wind happens to blow your ashes that way, I added privately.

"The bed is built around an olive tree that emerges from the floor and passes out through the ceiling. I built it myself, starting work the day after my wedding," he said, opening his eyes. "The second day I smashed my thumb with a hammer."

"What was I thinking during the rain before last winter's great sally on Troy?"

"I was watching the young men dress for battle and thinking of my own son Telemachus, who is nearly old enough for arms."

I lowered my sword. The stranger looked miserable. Absently, he pulled out the water jar I kept under my bed and drank.

"What now?" he asked. "I see that my life is occupied. I made no plan for this. I cannot imagine a plan. In effect, I am exiled from my life. I wish I had not come."

Self-pity wearies me. "Here is what now. I have my life and you have yours, though it is new to you. I will continue to fight for Agamemnon, the fool, whose vanity has filled a thousand men's mouths with dust. You do what you want. You do not have my rights and are not bound by my oaths. Go and fight for Troy if you please — you know our counsels, could break our lines and bring the war to a quick conclusion," I said, hope rising within me.

He shook his head. "I have killed too many Trojans to change sides. And though I could slaughter the Greeks and win fame I would be a traitor in my heart. No. And I cannot join the Greeks and be a nameless turncoat. I take my leave of Troy today. I will find some place where I can carve out a holding with my sword, some baron's daughter to marry."

I gave him a sack of food, another of gold, and arms and armor that I had stripped from a dead Trojan hero. He thanked me politely but seemed eager to go. I wished him well and told him that of the two of us I thought that he, freed from necessity, was the happier.

In due course, Troy fell and was sacked and the streets and the altars were strewn with dead. I had much honor and my pick of the spoils. Among other treasures I came away with a pretty slave-girl named Irina who had served in Iapetus's house. I overheard her talking to the other girls about a time years ago when her then master had lost his mind. He had developed a strange accent and would not look at his wife or children. For several weeks he had forsworn his usual companions and pastimes and spent his days walking the battlements looking out at the Greeks. One day he had come home at first light carrying a sack of gold and some armor that had once belonged to Sarpedon, who had died in battle. That afternoon he had taken a few men and all of his gold and gone away for good. The strangest thing, Irina said, was just before he left when she had walked in on him cutting his own thigh with a dagger — he looked like a sculptor, getting the cut just so. I was preoccupied with preparations for the trip home and spared only a moment to pity the victims of so-called Iapetus's stratagems.

After many years and travails I came to Ithaca's shore, full of caution. All my men were drowned, my ships sunk and my treasures scattered on the sea floor. I was ready for any sort of treachery or decay but found the kingdom to all appearances in good order. The roads were mended, the peasants cheerful and many tall ships spread white sails in the harbor. I asked a sailor who was king here and he said that Odysseus was king in Ithaca, of course. I went to my family's stronghold and introduced myself to the castellan as a wandering soldier and singer, looking for a place but not for too long — I had heard that Ithaca was prosperous and thought I would try my luck. I was courteously led into the great hall and there was Penelope, aged but still beautiful, and sitting next to her on my own seat was Iapetus the Trojan, bearded and sun-browned but still an alien, a foreigner, not a thing like me. Penelope's hand rested on his. Telemachus sat in the wings, watching me with polite hauteur. The king, the so-called Odysseus, stood and under his short tunic I saw a white scar on his thigh exactly where the boar had gored me. He said, "Welcome, stranger. Though you introduce yourself with humble speech, your bearing impresses me — you are obviously a man of the best blood and have the air of a captain. Indeed, you seem as though you might have been a king once. Sadly, times are peaceful and there is not so much call for courage as when I was young — I need no more men-at-arms, and have harpers enough. However, you will not go away without a meal, a bag of gold and a suit of armor. Speak highly of me and of Ithaca as fortune bears you elsewhere. Sometimes my mind will go with you as I tend to my duty here — of the two of us I think that you, freed from necessity, are the happier."

CHAPTER 4

Guest Friend


Alcinous, king of Phaeacia, and Odysseus, the wanderer, the eloquent, the silver-tongued, walked along wooded paths over high sea cliffs affording glimpses of the harbor, the distant city and the shining white-capped waves, the sort of place of which a man lost in mazy sea ways and the malice of petty gods might dream. Alcinous said:

Among the Phaeacians it is believed that each man lives out his life as a character in a story told by someone else. The family and city of each person's storyteller (or possibly tellers) are unknown and perhaps unknowable but are subjects of frequent speculation. Certain philosophers are of the opinion that the evolution of history can be made to reveal the raconteurs' national character. It has come to be more or less widely accepted (on the basis of the irregular depredations of locusts, of the propensity of Phaeacian kings for taking black–haired wives with green eyes and short tempers, of our excellence in archery, of the frequency in dreams of cavernous palaces carved into the living stone of low round mountains) that the storytellers are natives either of Phrygia, Sogdiana or distant Bamiyan. We have sent messengers to these kingdoms and even those beyond them but all have found nothing. The one thing on which all Phaeacians agree is that not enough is known to infer even a single teller's name.


(Continues...)

Excerpted from The Lost Books of the Odyssey by Zachary Mason. Copyright © 2010 Zachary Mason. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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