The Making of a Marchioness

Part I, the original Marchioness, is in the Cinderella (and Miss Pettigrew) tradition, while Part II, called The Methods of Lady Walderhurst, is an absorbing melodrama; most novels end 'and they lived happily ever after' but this one develops into a realistic commentary on late-Victorian marriage. 'Delightful... A sparky sense of humour combined with lively social commentary make this a joy to read' wrote the Bookseller. Kate Saunders told Open Book listeners that she was up until two in the morning finishing this 'wildly romantic tale whose 'hero and heroine are totally unromantic' (Daily Telegraph); the Guardian referred to 'a touch of Edith Wharton's stern unsentimentality'; the Spectator wrote about the novel's 'singular charm'; and the Daily Mail stressed the 'sharp observations in this charming tale.' By the author of "The Secret Garden"

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The Making of a Marchioness

Part I, the original Marchioness, is in the Cinderella (and Miss Pettigrew) tradition, while Part II, called The Methods of Lady Walderhurst, is an absorbing melodrama; most novels end 'and they lived happily ever after' but this one develops into a realistic commentary on late-Victorian marriage. 'Delightful... A sparky sense of humour combined with lively social commentary make this a joy to read' wrote the Bookseller. Kate Saunders told Open Book listeners that she was up until two in the morning finishing this 'wildly romantic tale whose 'hero and heroine are totally unromantic' (Daily Telegraph); the Guardian referred to 'a touch of Edith Wharton's stern unsentimentality'; the Spectator wrote about the novel's 'singular charm'; and the Daily Mail stressed the 'sharp observations in this charming tale.' By the author of "The Secret Garden"

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The Making of a Marchioness

The Making of a Marchioness

The Making of a Marchioness

The Making of a Marchioness

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Overview

Part I, the original Marchioness, is in the Cinderella (and Miss Pettigrew) tradition, while Part II, called The Methods of Lady Walderhurst, is an absorbing melodrama; most novels end 'and they lived happily ever after' but this one develops into a realistic commentary on late-Victorian marriage. 'Delightful... A sparky sense of humour combined with lively social commentary make this a joy to read' wrote the Bookseller. Kate Saunders told Open Book listeners that she was up until two in the morning finishing this 'wildly romantic tale whose 'hero and heroine are totally unromantic' (Daily Telegraph); the Guardian referred to 'a touch of Edith Wharton's stern unsentimentality'; the Spectator wrote about the novel's 'singular charm'; and the Daily Mail stressed the 'sharp observations in this charming tale.' By the author of "The Secret Garden"


Product Details

ISBN-13: 9781906462123
Publisher: Persephone Books
Publication date: 12/31/2009
Series: Persephone Classics
Pages: 328
Product dimensions: 5.50(w) x 7.58(h) x 1.05(d)

About the Author

Frances Eliza Hodgson Burnett (24 November 1849 - 29 October 1924) was an English playwright and author. She is best known for her children's stories, in particular Little Lord Fauntleroy (published in 1885-6), A Little Princess (1905), and The Secret Garden (1911).

Frances Eliza Hodgson was born in Cheetham, near Manchester, England. After her father died in 1852, the family eventually fell on straitened circumstances and in 1865 emigrated to the United States, settling near Knoxville, Tennessee. There, Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870 her mother died and in 1872 she married Swan Burnett, who became a medical doctor after which they lived in Paris for two years where their two sons were born before returning to the US to live in Washington D.C. There she began to write novels, the first of which (That Lass o' Lowries), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess.

Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and bought a home there in the 1890s where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1892, which caused a relapse of the depression she struggled with for much of her life. She divorced Swan Burnett in 1898 and married Stephen Townsend in 1900, and divorced him in 1902. Towards the end of her life she settled in Long Island, where she died in 1924 and is buried in Roslyn Cemetery, on Long Island.

In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon.

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