Middlemarch

The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies. Eliot's sophisticated and acute characterization gives rich expression to every nuance of feeling, and vividly brings to life the town's inhabitants – including the young idealist Dorothea Brooke, the dry scholar Casaubon, the young, passionate reformist doctor Lydgate, the flighty young beauty Rosamond and the old, secretive banker Bulstrode – as they move in counterpoint to each other.

Art, religion, politics, society, science, human relationships in all their complexity, nothing is left unexamined under the narrator's microscope. One of the greatest novels written in the English language, Middlemarch is a literary landmark in its groundbreaking approach, as well as a priceless document of its age.

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Middlemarch

The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies. Eliot's sophisticated and acute characterization gives rich expression to every nuance of feeling, and vividly brings to life the town's inhabitants – including the young idealist Dorothea Brooke, the dry scholar Casaubon, the young, passionate reformist doctor Lydgate, the flighty young beauty Rosamond and the old, secretive banker Bulstrode – as they move in counterpoint to each other.

Art, religion, politics, society, science, human relationships in all their complexity, nothing is left unexamined under the narrator's microscope. One of the greatest novels written in the English language, Middlemarch is a literary landmark in its groundbreaking approach, as well as a priceless document of its age.

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Middlemarch

Middlemarch

by George Eliot
Middlemarch

Middlemarch

by George Eliot

Paperback

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Overview

The most ambitious narrative of nineteenth-century realism, Middlemarch tells the story of an entire town in the years leading up to the Reform Bill of 1832, a time when modern methods were starting to challenge old orthodoxies. Eliot's sophisticated and acute characterization gives rich expression to every nuance of feeling, and vividly brings to life the town's inhabitants – including the young idealist Dorothea Brooke, the dry scholar Casaubon, the young, passionate reformist doctor Lydgate, the flighty young beauty Rosamond and the old, secretive banker Bulstrode – as they move in counterpoint to each other.

Art, religion, politics, society, science, human relationships in all their complexity, nothing is left unexamined under the narrator's microscope. One of the greatest novels written in the English language, Middlemarch is a literary landmark in its groundbreaking approach, as well as a priceless document of its age.


Product Details

ISBN-13: 9781420953183
Publisher: Neeland Media
Publication date: 05/20/2016
Pages: 646
Product dimensions: 5.50(w) x 8.50(h) x 1.43(d)

About the Author

Mary Anne Evans (1819–1880), better known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels, largely set in provincial England, are well known for their realism and psychological insight. Middlemarch is her masterpiece.

Read an Excerpt

WHO that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa,' has not smiled with some gentleness at the thought of the little girl walking forth one morning hand - in - hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide - eyed and helpless - looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child - pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many - volumed romances of chivalry and the social conquests of a brilliant girl to her. Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self - despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.
(Continues…)



Excerpted from "Middlemarch"
by .
Copyright © 2012 George Eliot.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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What People are Saying About This

From the Publisher

"Kate Reading...lends the prose emphasis and expression.... Reading's well-paced, measured narration captures the novel's realism—-with its fresh rendering of a complex and often harsh social world." —-AudioFile

Reading Group Guide

1. Discuss the relationship between religious and secular, spiritual and worldly, in the novel. Is it conflicted or not? Why?

2. What is Eliot's view of ambition in its different forms-social, intellectual, political? How is this evident in the novel?

3. In her introduction, A. S. Byatt contends that Eliot was "the great English novelist of ideas." How do you interpret this? How do you think ideas-human thought-inform the plot of Middlemarch?

4. George Eliot is a pseudonym for Mary Ann Evans. How does Eliot's femaleness-and her concealing of it-add resonance to the novel, if at all? Do you see Dorothea's character differently in this regard? Do you see Middlemarch as a "women's" novel?

5. Middlemarch was originally published in serial form, a single book at a time. What kinds of concerns affected Eliot's narrative in this regard? How do these discrete segments differ from the whole?

6. Discuss the convention of marriage in the novel. Do you feel it ultimately restricts the characters? Or is it the novel's provincial setting that proves more oppressive?

7. Discuss the metaphor of Dorothea as St. Theresa. What is Eliot saying here?

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