Gilbert Keith Chesterton was among the world's most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.
It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers. (Summary by Ray Clare)
Gilbert Keith Chesterton was among the world's most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.
It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers. (Summary by Ray Clare)
A Miscellany of Men
Narrated by LibriVox Community
G. K. Chesterton— 5 hours, 58 minutes
A Miscellany of Men
Narrated by LibriVox Community
G. K. Chesterton— 5 hours, 58 minutes
Overview
Gilbert Keith Chesterton was among the world's most prolific writers who incorporated relentless logic, wonderful humor, and a clear view of truth into an amazing tool for exposing the foolishness of the policies of the world around him through the device of paradox.
It is always great fun, and certainly always a learning experience to read Chesterton. A Miscellany of Men may be his hardest work to define, as it deals with a huge array of issues, using "personal types" as illustration. It would only be bewildering, if there was not these common threads: First that these types still exist, and the same faulty reasoning applies to issues of our day, and second, that underlying all of this is a firm and reasoned defense of democracy in a sense very close to that of the American Founding Fathers. (Summary by Ray Clare)
Product Details
| BN ID: | 2940170367139 |
|---|---|
| Publisher: | DISCOS PALMAS |
| Publication date: | 07/09/2019 |
Read an Excerpt
A Miscellany of Men
By G. K. Chesterton
IHS Press
Copyright © 2004 IHS PressAll rights reserved.
ISBN: 978-1-932528-93-0
CHAPTER 1
THE SUFFRAGIST
RIGHTLY OR WRONGLY, it is certain that a man both liberal and chivalric, can and very often does feel a dis-ease and distrust touching those political women we call Suffragettes. Like most other popular sentiments, it is generally wrongly stated even when it is rightly felt. One part of it can be put most shortly thus: that when a woman puts up her fists to a man she is putting herself in the only posture in which he is not afraid of her. He can be afraid of her speech and still more of her silence; but force reminds him of a rusted but very real weapon of which he has grown ashamed. But these crude summaries are never quite accurate in any matter of the instincts. For the things which are the simplest so long as they are undisputed invariably become the subtlest when once they are disputed: which was what Joubert meant, I suppose, when he said, "It is not hard to believe in God if one does not define Him." When the evil instincts of old Foulon made him say of the poor, "Let them eat grass," the good and Christian instincts of the poor made them hang him on a lamp-post with his mouth stuffed full of that vegetation. But if a modern vegetarian aristocrat were to say to the poor, "But why don't you like grass?" their intelligences would be much more taxed to find such an appropriate repartee. And this matter of the functions of the sexes is primarily a matter of the instincts; sex and breathing are about the only two things that generally work best when they are least worried about. That, I suppose, is why the same sophisticated age that has poisoned the world with Feminism is also polluting it with Breathing Exercises. We plunge at once into a forest of false analogies and bad blundering history; while almost any man or woman left to themselves would know at least that sex is quite different from anything else in the world.
There is no kind of comparison possible between a quarrel of man and woman (however right the woman may be) and the other quarrels of slave and master, of rich and poor, or of patriot and invader, with which the Suffragists deluge us every day. The difference is as plain as noon; these other alien groups never came into contact until they came into collision. Races and ranks began with battle, even if they afterwards melted into amity. But the very first fact about the sexes is that they like each other. They seek each other: and awful as are the sins and sorrows that often come of their mating, it was not such things that made them meet. It is utterly astounding to note the way in which modern writers and talkers miss this plain, wide, and overwhelming fact: one would suppose woman a victim and nothing else. By this account ideal, emancipated woman has, age after age, been knocked silly with a stone axe. But really there is no fact to show that ideal, emancipated woman was ever knocked silly; except the fact that she is silly. And that might have arisen in so many other ways. Real responsible woman has never been silly; and any one wishing to knock her would be wise (like the street-boys) to knock and run away. It is ultimately idiotic to compare this prehistoric participation with any royalties or rebellions. Genuine royalties wish to crush rebellions. Genuine rebels wish to destroy kings. The sexes cannot wish to abolish each other; and if we allow them any sort of permanent opposition it will sink into something as base as a party system.
As marriage, therefore, is rooted in an aboriginal unity of instincts, you cannot compare it, even in its quarrels, with any of the mere collisions of separate institutions. You could compare it with the emancipation of negroes from planters – if it were true that a white man in early youth always dreamed of the abstract beauty of a black man. You could compare it with the revolt of tenants against a landlord – if it were true that young landlords wrote sonnets to invisible tenants. You could compare it to the fighting policy of the Fenians – if it were true that every normal Irishman wanted an Englishman to come and live with him. But as we know there are no instincts in any of these directions, these analogies are not only false but false on the cardinal fact. I do not speak of the comparative comfort or merit of these different things: I say they are different. It may be that love turned to hate is terribly common in sexual matters: it may be that hate turned to love is not uncommon in the rivalries of race or class. But any philosophy about the sexes that begins with anything but the mutual attraction of the sexes, begins with a fallacy; and all its historical comparisons are as irrelevant and impertinent as puns.
But to expose such cold negation of the instincts is easy: to express or even half express the instincts is very hard. The instincts are very much concerned with what literary people call "style" in letters or more vulgar people call "style" in dress. They are much concerned with how a thing is done, as well as whether one may do it: and the deepest elements in their attraction or aversion can often only be conveyed by stray examples or sudden images. When Danton was defending himself before the Jacobin tribunal he spoke so loud that his voice was heard across the Seine, in quite remote streets on the other side of the river. He must have bellowed like a bull of Bashan. Yet none of us would think of that prodigy except as something poetical and appropriate. None of us would instinctively feel that Danton was less of a man or even less of a gentleman, for speaking so in such an hour. But suppose we heard that Marie Antoinette, when tried before the same tribunal, had howled so that she could be heard in the Faubourg St. Germain – well, I leave it to the instincts, if there are any left. It is not wrong to howl. Neither is it right. It is simply a question of the instant impression on the artistic and even animal parts of humanity, if the noise were heard suddenly like a gun.
Perhaps the nearest verbal analysis of the instinct may he found in the gestures of the orator addressing a crowd. For the true orator must always be a demagogue: even if the mob be a small mob, like the French Committee or the English House of Lords. And "demagogue," in the good Greek meaning, does not mean one who pleases the populace, but one who leads it: and if you will notice, you will see that all the instinctive gestures of oratory are gestures of military leadership; pointing the people to a path or waving them on to an advance. Notice that long sweep of the arm across the body and outward, which great orators use naturally and cheap orators artificially. It is almost the exact gesture of the drawing of a sword.
The point is not that women are unworthy of votes; it is not even that votes are unworthy of women. It is that votes are unworthy of men, so long as they are merely votes; and have nothing in them of this ancient militarism of democracy. The only crowd worth talking to is the crowd that is ready to go somewhere and do something; the only demagogue worth hearing is he who can point at something to be done: and, if he points with a sword, will only feel it familiar and useful like an elongated finger. Now, except in some mystical exceptions which prove the rule, these are not the gestures, and therefore not the instincts, of women. No honest man dislikes the public woman. He can only dislike the political woman; an entirely different thing. The instinct has nothing to do with any desire to keep women curtained or captive: if such a desire exists. A husband would be pleased if his wife wore a gold crown and proclaimed laws from a throne of marble; or if she uttered oracles from the tripod of a priestess; or if she could walk in mystical motherhood before the procession of some great religious order. But that she should stand on a platform in the exact altitude in which he stands; leaning forward a little more than is graceful and holding her mouth open a little longer and wider than is dignified – well, I only write here of the facts of natural history; and the fact is that it is this, and not publicity or importance, that hurts. It is for the modern world to judge whether such instincts are indeed danger signals; and whether the hurting of moral as of material nerves is a tocsin and a warning of nature.
CHAPTER 2THE POET AND THE CHEESE
THERE IS SOMETHING creepy in the flat Eastern Counties; a brush of the white feather. There is a stillness, which is rather of the mind than of the bodily senses. Rapid changes and sudden revelations of scenery, even when they are soundless, have something in them analogous to a movement of music, to a crash or a cry. Mountain hamlets spring out on us with a shout like mountain brigands. Comfortable valleys accept us with open arms and warm words, like comfortable innkeepers. But travelling in the great level lands has a curiously still and lonely quality; lonely even when there are plenty of people on the road and in the market-place. One's voice seems to break an almost elvish silence, and something unreasonably weird in the phrase of the nursery tales, "And he went a little farther and came to another place," comes back into the mind.
In some such mood I came along a lean, pale road south of the Fens, and found myself in a large, quiet, and seemingly forgotten village. It was one of those places that instantly produce a frame of mind which, it may be, one afterwards decks out with unreal details. I dare say that grass did not really grow in the streets, but I came away with a curious impression that it did. I dare say the marketplace was not literally lonely and without sign of life, but it left the vague impression of being so. The place was large and even loose in design, yet it had the air of something hidden away and always overlooked. It seemed shy, like a big yokel; the low roofs seemed to be ducking behind the hedges and railings; and the chimneys holding their breath. I came into it in that dead hour of the afternoon which is neither after lunch nor before tea, nor anything else even on a half-holiday; and I had a fantastic feeling that I had strayed into a lost and extra hour that is not numbered in the twenty-four.
I entered an inn which stood openly in the market-place yet was almost as private as a private house. Those who talk of "public -houses" as if they were all one problem would have been both puzzled and pleased with such a place. In the front window a stout old lady in black with an elaborate cap sat doing a large piece of needlework. She had a kind of comfortable Puritanism about her; and might have been (perhaps she was) the original Mrs. Grundy. A little more withdrawn into the parlour sat a tall, strong, and serious girl, with a face of beautiful honesty and a pair of scissors stuck in her belt, doing a small piece of needlework. Two feet behind them sat a hulking labourer with a humorous face like wood painted scarlet, with a huge mug of mild beer which he had not touched, and probably would not touch for hours. On the hearth rug there was an equally motionless cat; and on the table a copy of Household Words.
I was conscious of some atmosphere, still and yet bracing, that I had met somewhere in literature. There was poetry in it as well as piety; and yet it was not poetry after my particular taste. It was somehow at once solid and airy. Then I remembered that it was the atmosphere in some of Wordsworth's rural poems; which are full of genuine freshness and wonder, and yet are in some incurable way commonplace. This was curious; for Wordsworth's men were of the rocks and fells, and not of the Fenlands or flats. But perhaps it is the clearness of still water and the mirrored skies of meres and pools that produces this crystalline virtue. Perhaps that is why Wordsworth is called a Lake Poet instead of a mountain poet. Perhaps it is the water that does it. Certainly the whole of that town was like a cup of water given at morning.
After a few sentences exchanged at long intervals in the manner of rustic courtesy, I inquired casually what was the name of the town. The old lady answered that its name was Stilton, and composedly continued her needlework. But I had paused with my mug in air, and was gazing at her with a suddenly arrested concern. "I suppose," I said, "that it has nothing to do with the cheese of that name." "Oh, yes," she answered, with a staggering indifference, "they used to make it here."
I put down my mug with a gravity far greater than her own. "But this place is a Shrine!" I said. "Pilgrims should be pouring into it from wherever the English legend has endured alive. There ought to be a colossal statue in the market-place of the man who invented Stilton cheese. There ought to be another colossal statue of the first cow who provided the foundations of it. There should be a burnished tablet let into the ground on the spot where some courageous man first ate Stilton cheese, and survived. On the top of a neighbouring hill (if there are any neighbouring hills) there should be a huge model of a Stilton cheese, made of some rich green marble and engraven with some haughty motto: I suggest something like: 'Ver non semper viret; sed Stiltonia semper virescit.'" The old lady said, "Yes, sir," and continued her domestic occupations.
After a strained and emotional silence, I said, "If I take a meal here tonight can you give me any Stilton?"
"No, sir; I'm afraid we haven't got any Stilton," said the immovable one, speaking as if it were something thousands of miles away.
"This is awful," I said: for it seemed to me a strange allegory of England as she is now; this little town that had lost its glory; and forgotten, so to speak, the meaning of its own name. And I thought it yet more symbolic because from all that old and full and virile life, the great cheese was gone; and only the beer remained. And even that will be stolen by the Liberals or adulterated by the Conservatives. Politely disengaging myself, I made my way as quickly as possible to the nearest large, noisy, and nasty town in that neighbourhood, where I sought out the nearest vulgar, tawdry, and avaricious restaurant. There (after trifling with beef, mutton, puddings, pies, and so on) I got a Stilton cheese. I was so much moved by my memories that I wrote a sonnet to the cheese. Some critical friends have hinted to me that my sonnet is not strictly new; that it contains "echoes" (as they express it) of some other poem that they have read somewhere. Here, at least, are the lines I wrote: —
SONNET TO A STILTON CHEESE
Stilton, thou shouldst be living at this hour
And so thou art. Nor losest grace thereby;
England has need of thee, and so have I —
She is a Fen. Far as the eye can scour,
League after grassy league from Lincoln tower
To Stilton in the fields, she is a Fen.
Yet this high cheese, by choice of fenland men,
Like a tall green volcano rose in power.
Plain living and long drinking are no more,
And pure religion reading Household Words,
And sturdy manhood sitting still all day
Shrink, like this cheese that crumbles to its core;
While my digestion, like the House of Lords,
The heaviest burdens on herself doth lay.
I confess I feel myself as if some literary influence, something that has haunted me, were present in this otherwise original poem; but it is hopeless to disentangle it now.
CHAPTER 3THE THING
The wind awoke last night with so noble a violence that it was like the war in heaven; and I thought for a moment that the Thing had broken free. For wind never seems like empty air. Wind always sounds full and physical, like the big body of something; and I fancied that the Thing itself was walking gigantic along the great roads between the forests of beech.
* * *
Let me explain. The vitality and recurrent victory of Christendom have been due to the power of the Thing to break out from time to time from its enveloping words and symbols. Without this power all civilisations tend to perish under a load of language and ritual. One instance of this we hear much in modern discussion: the separation of the form from the spirit of religion. But we hear too little of numberless other cases of the same stiffening and falsification; we are far too seldom reminded that just as church -going is not religion, so reading and writing are not knowledge, and voting is not self-government. It would be easy to find people in the big cities who can read and write quickly enough to be clerks, but who are actually ignorant of the daily movements of the sun and moon.
(Continues...)
Excerpted from A Miscellany of Men by G. K. Chesterton. Copyright © 2004 IHS Press. Excerpted by permission of IHS Press.
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