Monty Python, Shakespeare and English Renaissance Drama
At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.
1101363990
Monty Python, Shakespeare and English Renaissance Drama
At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.
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Monty Python, Shakespeare and English Renaissance Drama

Monty Python, Shakespeare and English Renaissance Drama

by Darl Larsen
Monty Python, Shakespeare and English Renaissance Drama

Monty Python, Shakespeare and English Renaissance Drama

by Darl Larsen

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Overview

At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they’re both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare’s status as England’s National Poet and Python’s similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the “Other” in Shakespearean and Pythonesque creations.

Product Details

ISBN-13: 9780786481095
Publisher: McFarland & Company, Incorporated Publishers
Publication date: 10/17/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 246
File size: 1 MB

About the Author

Darl Larsen is professor of theatre and media arts at Brigham Young University in Provo, Utah.

Table of Contents

Table of Contents

Acknowledgments vii
Foreword 1

Introduction: “Whither Python?” 5
1. The Reading(s) of a National Poet 11
2. “And Now for Something Completely Different(?)” Shakespeare, Jonson and Monty Python 36
3. “Is Not the Truth the Truth?” (Ab)uses of History 73
4. “I Pray You Lend Me Your Dwarf”: Structures of Humor 115
5. (Ad)dressing the Other 158
Conclusion 213

Bibliography 219
Index 231
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