Sarah Moss had a childhood dream of moving to Iceland, sustained by a wild summer there when she was nineteen. In 2009, she saw an advertisement for a job at the University of Iceland and applied on a whim, despite having two young children and a comfortable life in Kent. The resulting adventure was shaped by Iceland’s economic collapse, which halved the value of her salary, by the eruption of Eyjafjallajokull and by a collection of new friends, including a poet who saw the only bombs fall on Iceland in 1943, a woman who speaks to elves and a chef who guided Sarah’s family around the intricacies of Icelandic cuisine.
Moss explored hillsides of boiling mud and volcanic craters and learned to drive like an Icelander on the unsurfaced roads that link remote farms and fishing villages in the far north. She watched the northern lights and the comings and goings of migratory birds, and as the weeks and months went by, she and her family learned new ways to live.
Names for the Sea is her compelling, beautiful and very funny account of living in a country poised on the edge of Europe, where modernization clashes with living folklore.
Sarah Moss had a childhood dream of moving to Iceland, sustained by a wild summer there when she was nineteen. In 2009, she saw an advertisement for a job at the University of Iceland and applied on a whim, despite having two young children and a comfortable life in Kent. The resulting adventure was shaped by Iceland’s economic collapse, which halved the value of her salary, by the eruption of Eyjafjallajokull and by a collection of new friends, including a poet who saw the only bombs fall on Iceland in 1943, a woman who speaks to elves and a chef who guided Sarah’s family around the intricacies of Icelandic cuisine.
Moss explored hillsides of boiling mud and volcanic craters and learned to drive like an Icelander on the unsurfaced roads that link remote farms and fishing villages in the far north. She watched the northern lights and the comings and goings of migratory birds, and as the weeks and months went by, she and her family learned new ways to live.
Names for the Sea is her compelling, beautiful and very funny account of living in a country poised on the edge of Europe, where modernization clashes with living folklore.
Names for the Sea: Strangers in Iceland
368Names for the Sea: Strangers in Iceland
368Related collections and offers
Product Details
ISBN-13: | 9781619021228 |
---|---|
Publisher: | Counterpoint Press |
Publication date: | 05/14/2013 |
Pages: | 368 |
Sales rank: | 216,754 |
Product dimensions: | 5.60(w) x 8.20(h) x 1.20(d) |
About the Author
Customer Reviews
Explore More Items
Relive the sensuality, the romance, and the drama of Fifty Shades Freedthe love story that enthralled millions of readers around the worldthrough the thoughts, reflections, and dreams of
E L James revisits the world of Fifty Shades with a deeper and darker take on the love story that has enthralled millions of readers around the globe.
Their scorching, sensual affair ended in
In the eighth book in Donna Leon’s internationally bestselling series, Commissario Guido Brunetti’s career comes under threat as his professional and personal lives unexpectedly
In the pages of Donna Leon’s internationally bestselling Commissario Guido Brunetti mysteries, the conversations of the Brunetti family have often turned to topics of art and literature, but
Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s
In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, a man, and a woman. "In the Machine" is a ghost story
"Cunningham's short book is a haunting, beautiful piece of work. . . . A magnificent work of art." -The Washington Post
"Easily read on a plane-and-ferry journey from here to the sandy, tide-washedFrom the author of The Old Ways and Underland, an "eloquent (and compulsively readable) reminder that, though we're laying waste the world, nature still holds sway over much of the earth's surface."
The acclaimed author of The Wild Places and Underland examines the subtle ways we are shaped by the landscapes through which we move
Chosen by Slate as one of the 50 best nonfiction books of