The Night Listener
After an absence of eight years, Armistead Maupin returns with the tale of Gabriel Noone, a writer whose cult-hit radio serial "Noone at Night" has brought him into the homes of millions. Noone is in the midst of a painful separation from his lover of 10 years when a publisher sends him proofs of a remarkable book: the memoir of an ailing 13-year-old boy who suffered horrific sexual abuse at the hands of his parents.

Now living with his adoptive mother, Donna, Pete Lomax is not only a brave and gifted diarist but a devoted listener of Noone's show. When Noone phones the boy to offer encouragement, it soon becomes clear that Pete sees in this heartsick middle-aged storyteller the loving father he's always wanted. Thus begins an extraordinary friendship that only grows deeper as the boy's health deteriorates, freeing Noone to unlock his innermost feelings.

Then, out of the blue, troubling new questions arise, exploding Noone's comfortable assumptions and causing his ordered existence to spin wildly out to control. As he walks a line between truth and illusion, he is finally forced to confront all of his relationships—familial, romantic, and erotic.

As complex and hypnotically engrossing as the best of mysteries, The Night Listener is an astonishing tour de force that will move and challenge Maupin's readers as never before.

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The Night Listener
After an absence of eight years, Armistead Maupin returns with the tale of Gabriel Noone, a writer whose cult-hit radio serial "Noone at Night" has brought him into the homes of millions. Noone is in the midst of a painful separation from his lover of 10 years when a publisher sends him proofs of a remarkable book: the memoir of an ailing 13-year-old boy who suffered horrific sexual abuse at the hands of his parents.

Now living with his adoptive mother, Donna, Pete Lomax is not only a brave and gifted diarist but a devoted listener of Noone's show. When Noone phones the boy to offer encouragement, it soon becomes clear that Pete sees in this heartsick middle-aged storyteller the loving father he's always wanted. Thus begins an extraordinary friendship that only grows deeper as the boy's health deteriorates, freeing Noone to unlock his innermost feelings.

Then, out of the blue, troubling new questions arise, exploding Noone's comfortable assumptions and causing his ordered existence to spin wildly out to control. As he walks a line between truth and illusion, he is finally forced to confront all of his relationships—familial, romantic, and erotic.

As complex and hypnotically engrossing as the best of mysteries, The Night Listener is an astonishing tour de force that will move and challenge Maupin's readers as never before.

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The Night Listener

The Night Listener

by Armistead Maupin
The Night Listener

The Night Listener

by Armistead Maupin

Paperback(Reprint)

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Overview

After an absence of eight years, Armistead Maupin returns with the tale of Gabriel Noone, a writer whose cult-hit radio serial "Noone at Night" has brought him into the homes of millions. Noone is in the midst of a painful separation from his lover of 10 years when a publisher sends him proofs of a remarkable book: the memoir of an ailing 13-year-old boy who suffered horrific sexual abuse at the hands of his parents.

Now living with his adoptive mother, Donna, Pete Lomax is not only a brave and gifted diarist but a devoted listener of Noone's show. When Noone phones the boy to offer encouragement, it soon becomes clear that Pete sees in this heartsick middle-aged storyteller the loving father he's always wanted. Thus begins an extraordinary friendship that only grows deeper as the boy's health deteriorates, freeing Noone to unlock his innermost feelings.

Then, out of the blue, troubling new questions arise, exploding Noone's comfortable assumptions and causing his ordered existence to spin wildly out to control. As he walks a line between truth and illusion, he is finally forced to confront all of his relationships—familial, romantic, and erotic.

As complex and hypnotically engrossing as the best of mysteries, The Night Listener is an astonishing tour de force that will move and challenge Maupin's readers as never before.


Product Details

ISBN-13: 9780060930905
Publisher: HarperCollins Publishers
Publication date: 07/01/2000
Series: Harper Perennial
Edition description: Reprint
Pages: 368
Sales rank: 214,020
Product dimensions: 5.31(w) x 8.00(h) x 0.82(d)

About the Author

About The Author

Armistead Maupin is the author of the nine-volume Tales of the City series, which includes Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You, Michael Tolliver Lives, Mary Ann in Autumn, and now The Days of Anna Madrigal. Maupin's other novels include Maybe the Moon and The Night Listener. Maupin was the 2012 recipient of the Lambda Literary Foundation's Pioneer Award. He lives in San Francisco with his husband, the photographer Christopher Turner.

Hometown:

San Francisco, California

Date of Birth:

May 13, 1944

Place of Birth:

Washington, D.C.

Education:

University of North Carolina at Chapel Hill

Read an Excerpt

Chapter One
Jwelling The Elephant

I know how it sounds when I call him my son. There's something a little precious about it, a little too wishful to be taken seriously. I've noticed the looks on people's faces, those dim, indulgent smiles that vanish in a heartbeat. It's easy enough to see how they've pegged me: an unfulfilled man on the shady side of fifty, making a last grasp at fatherhood with somebody else's child.That's not the way it is. Frankly, I've never wanted a kid. Never once believed that nature's whim had robbed me of my manly destiny. Pete and I were an accident, pure and simple, a collision of kindred spirits that had nothing to do with paternal urges, latent or otherwise. That much I can tell you for sure.

Son isn't the right word, of course.

Just the only one big enough to describe what happened.

I'm a fabulist by trade, so be forewarned: I've spent years looting my life for fiction. Like a magpie, I save the shiny stuff and discard the rest; it's of no use to me if it doesn't serve the geometry of the story. This makes me less than reliable when it comes to the facts. Ask Jess Carmody, who lived with me for ten years and observed this affliction firsthand. He even had a name for it'The Jewelled Elephant Syndrome'after a story I once told him about an old friend from college.

My friend, whose name was Boyd, joined the Peace Corps in the late sixties. He was sent to a village in India where he fell in love with a local girl and eventually proposed to her. But Boyd's blue-blooded parents back in South Carolina were so aghast at the prospect of dusky grandchildren that they refused to attend the wedding in NewDelhi.

So Boyd sent them photographs. The bride turned out to be an aristocrat of the highest caste, better bred by far than any member of Boyd's family. The couple had been wed in regal splendor, perched atop a pair of jewelled elephants. Boyd's parents, imprisoned in their middle-class snobbery, had managed to miss the social event of a lifetime.

I had told that story so often that Jess knew it by heart. So when Boyd came to town on business and met Jess for the first time, Jess was sure he had the perfect opener. "Well," he said brightly, "Gabriel tells me you got married on an elephant."Boyd just blinked at him in confusion.

I could already feel myself reddening. "You weren't?"

"No," Boyd said with an uncomfortable laugh. "We were married in a Presbyterian church."

Jess said nothing, but he gave me a heavy-lidded stare whose meaning I had long before learned to decipher: You are never to be trusted with the facts.

In my defense, the essence of the story had been true. Boyd had indeed married an Indian girl he had met in the Peace Corps, and she had proved to be quite rich. And Boyd's parents'who were, in fact, exceptionally stuffy'had always regretted that they'd missed the wedding.

I don't know what to say about those elephants, except that I believed in them utterly. They certainly never felt like a lie. More like a kind of shorthand for a larger, less satisfying truth. Most stories have holes in them that cry out for jewelled elephants. And my instinct, alas, is to supply them.

I don't want that to happen when I talk about Pete. I will try to lay out the facts exactly as I remember them, one after the other, as unbejewelled as possible. I owe that much to my son'to both of us, really'and to the unscripted intrigues of everyday life.But, most of all, I want you to believe this.And that will be hard enough as it is.

I wasn't myself the afternoon that Pete appeared. Or maybe more severely myself than I had ever been. Jess had left me two weeks earlier, and I was raw with the realization of it. I have never known sorrow to be such a physical thing, an actual presence that weighed on my limbs like something wet and woolen. I couldn't write'or wouldn't, at any rate'unable to face the grueling self-scrutiny that fiction demands. I would feed the dog, walk him, check the mail, feed myself, do the dishes, lie on the sofa for hours watching television.

Everything seemed pertinent to my pain. The silliest coffee commercial could plunge me into profound Chekhovian gloom. There was no way around the self-doubt or the panic or the anger. My marriage had exploded in midair, strewing itself across the landscape, and all I could do was search the rubble for some sign of a probable cause, some telltale black box.

The things I knew for sure had become a litany I recited to friends on the telephone: Jess had taken an apartment on Buena Vista Park. He wanted space, he said, a place to be alone. He had spent a decade expecting to die, and now he planned to think about living. (He could actually do that, he realized, without having to call it denial.) He would meditate and read, and focus on himself for once. He couldn't say for sure when he'd be back, or if he'd ever be back, or if I'd even want him when it was over. I was not to take this personally, he said; it had nothing to do with me.

Then, after stuffing his saddlebags full of protease inhibitors, he pecked me solemnly on the lips and mounted the red motorcycle he had taught himself to ride six months earlier. I'd never trusted that machine. Now, as I watched it roar off down the hill, I realized why: It had always seemed made for this moment.

Reading Group Guide

Introduction
The narrator of The Night Listener is Gabriel Noone, a late-night radio storyteller who has risen to national fame in San Francisco. Having just separated from his lover of ten years, Noone is adrift in pain and confusion when he receives unexpected comfort from a thirteen-year-old fan in Wisconsin. Pete Lomax, a gifted writer himself, has somehow survived--and skillfully recorded--a life of unimaginable abuse. Wise beyond his years, he becomes a sort of surrogate son to the storyteller through a series of long distance phone calls. But, just as the clouds begin to part for Gabriel, a question arises that casts doubt upon the very existence of this miracle child. Desperate for the truth, Gabriel begins an odyssey that will throw his own stormy relationships--familial, romantic, and erotic--into sharp perspective. A personal saga that turns into a mystery that turns back into a personal saga again, The Night Listener keeps us guessing as it keeps us reading. Along the way Maupin brilliantly explores the question of how we tell stories, to whom, and why.

Questions for Discussion
  • In the first chapter Gabriel tells us about "the Jewelled Elephant Syndrome," his tendency to embellish stories to make them more complete and satisfying. Do you think this is a conscious act? To what extent does it affect his relationship with Jess? With his father? Does it ultimately make us question Gabriel's reliability as a narrator?

  • Some readers have noted Gabriel's resemblance to Maupin himself, a writer who gained prominence as a serial storyteller. Is he inviting us to speculate about the truth of this novel even as we consider thetruth of Pete's story? Are we meant to wonder if Maupin actually had such a friendship with such a boy? And if he did, why would he not write a nonfiction book about it? Is he, like Gabriel, using fiction "to fix the things that have to be fixed"?

  • Throughout the novel Maupin continually blurs the line between reality and illusion. Gabriel's bookkeeper, Anna, was a character in Maupin's Tales of the City series, so we're confronted here with the incongruity of an author (Maupin) conversing with one of his own fictional creations. Will and Jamie, the gay couple in Gabriel's "Noone at Night," are meant to represent Gabriel and Jess, just as Gabriel and Jess are apparently modeled on Maupin and his ex-lover Terry Anderson. What do you think the author intended by these disorienting layers of fact and invention? Is he just having fun with his own lore? Or is he suggesting that only emotional truths are of real importance?

  • Did Pete's language and insights strike you as overly mature? Were you suspicious of him before Jess raised the issue, or did you share Gabriel's outrage at the suggestion of a hoax? How do you explain Gabriel's inertia when it came to uncovering the truth?

  • How do long-held secrets and tensions between fathers and sons affect the narrative of The Night Listener?

  • Did Donna's motherly protectiveness strike you as overzealous? Is it plausible that she would go to such great lengths to protect Pete from exposure at the expense of his literary success? Did her attitude towards Gabriel in their face-to-face meeting seem appropriately righteous, or false? Why?

  • There are at least six deaths and two resurrections in The Night Listener? How did each of them affect Gabriel's sense of abandonment and loss? Did Pete's resurrection give you hope for his existence or finally confirm him as a figment of Donna's imagination? Pap's resurrection at the end of the novel seems to imply that Gabriel invented his father's deathbed scene in order to reconcile with him through storytelling. Did you wonder if Armistead Maupin was attempting the same thing in The Night Listener?

  • Maupin has said that The Night Listener is, in part, "about the power of the human voice and its capacity to comfort and seduce us." Does that apply to Pete or Gabriel or both of them? To whom does the novel's title refer?

    About the Author: Armistead Maupin is an internationally bestselling author whose narrative strengths have been compared to those of Charles Dickens. His Tales of the City series began as a serial in the San Francisco Chronicle in 1976 and went on to become six novels and a trio of award-winning television miniseries. Maupin is also the author of the 1992 novel, Maybe the Moon. His recording of The Night Listener was named one of the two best audio books of the year by Publishers Weekly. He lives in San Francisco.

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