Given the fact that he's always operated in a sort of vacuum, it's not surprising that David Gilmour would take more than two decades between solo albums, but this disc -- his first since 1984's
About Face -- is as timeless and distinctive as anything the
Pink Floyd guitarist has ever done. Gilmour challenges himself (and his listeners) in a number of ways here, beginning with the Byzantine structures of the angular opener, "Castellorizon," on which he weaves some of his more passionate leads into a multi-instrumental mesh crafted by Polly Samson (his chief collaborator on
The Division Bell). Unlike Gilmour's more conceptually driven works,
On an Island draws from a number of musical streams, ranging from the leisurely jazziness of "Then I Close My Eyes" to the warm, surprisingly feisty soul vibe of "This Heaven" (on which longtime Van Morrison sideman Georgie Fame's Hammond organ is the primary flavoring). Gilmour calls upon a number of stellar guest stars --
David Crosby and
Graham Nash harmonize beautifully on the title track, while Polish composer
Zbigniew Preisner adds orchestrations that enhance the drama of several tunes, notably "Where We Start" -- but it's always clear whose hands are on the controls. Gilmour doesn't grip them too tightly, however, so this
Island journey remains bucolic from beginning to end.