Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

This book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Brontë, Charlotte Brontë, and a number of often neglected popular women Gothicists.

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Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

This book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Brontë, Charlotte Brontë, and a number of often neglected popular women Gothicists.

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Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

Perils of the Night: A Feminist Study of Nineteenth-Century Gothic

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Overview

This book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Brontë, Charlotte Brontë, and a number of often neglected popular women Gothicists.


Product Details

ISBN-13: 9780195056938
Publisher: Oxford University Press, USA
Publication date: 02/28/1990
Pages: 368
Product dimensions: 5.81(w) x 8.56(h) x 1.21(d)

Table of Contents

IBoundaries of the Self as a Gothic Theme
Introduction: The Genre, the Canon, and the Myth3
1Self-Defense in the Gothic Tradition: Radcliffe, Brockden Brown, Henry James29
2The Mystery of Knowledge: Frankenstein, Melmoth, Pierre43
3"Deadly Iteration": Hawthorne's Gothic Vision93
4Boundaries of the Self as Romantic Theme: Emily Bronte118
Epilogue144
IIBoundaries of the Self in Women's Gothic
5Speaking "I" and the Gothic Nightmare: Boundaries of the Self as a Woman's Theme149
6Gothic Romance and Women's Reality in Jane Eyre193
7Villette: Demystifying Women's Gothic229
Epilogue290
Notes293
Bibliography323
Index341
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