Playing Ourselves: Interpreting Native Histories at Historic Reconstructions
Across North America, hundreds of reconstructed Oliving historyO sites, which traditionally presented history from a primarily European perspective, have hired Native staff in an attempt to communicate a broader view of the past. Playing Ourselves explores this major shift in representation, using detailed observations of five historic sites in the U.S. and Canada to both discuss the theoretical aspects of Native cultural performance and advise interpreters and their managers on how to more effectively present an inclusive history. Drawing on anthropology, history, cultural performance, cross-cultural encounters, material culture theory, and public history, author Laura Peers examines Oliving historyO sites as locations of cultural performance where core beliefs about society, cross-cultural relationships, and history are performed. In the process, she emphasizes how choices made in the communication of history can both challenge these core beliefs about the past and improve cross-cultural relations in the present.
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Playing Ourselves: Interpreting Native Histories at Historic Reconstructions
Across North America, hundreds of reconstructed Oliving historyO sites, which traditionally presented history from a primarily European perspective, have hired Native staff in an attempt to communicate a broader view of the past. Playing Ourselves explores this major shift in representation, using detailed observations of five historic sites in the U.S. and Canada to both discuss the theoretical aspects of Native cultural performance and advise interpreters and their managers on how to more effectively present an inclusive history. Drawing on anthropology, history, cultural performance, cross-cultural encounters, material culture theory, and public history, author Laura Peers examines Oliving historyO sites as locations of cultural performance where core beliefs about society, cross-cultural relationships, and history are performed. In the process, she emphasizes how choices made in the communication of history can both challenge these core beliefs about the past and improve cross-cultural relations in the present.
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Playing Ourselves: Interpreting Native Histories at Historic Reconstructions

Playing Ourselves: Interpreting Native Histories at Historic Reconstructions

by Laura Peers
Playing Ourselves: Interpreting Native Histories at Historic Reconstructions

Playing Ourselves: Interpreting Native Histories at Historic Reconstructions

by Laura Peers

eBook

$36.00 

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Overview

Across North America, hundreds of reconstructed Oliving historyO sites, which traditionally presented history from a primarily European perspective, have hired Native staff in an attempt to communicate a broader view of the past. Playing Ourselves explores this major shift in representation, using detailed observations of five historic sites in the U.S. and Canada to both discuss the theoretical aspects of Native cultural performance and advise interpreters and their managers on how to more effectively present an inclusive history. Drawing on anthropology, history, cultural performance, cross-cultural encounters, material culture theory, and public history, author Laura Peers examines Oliving historyO sites as locations of cultural performance where core beliefs about society, cross-cultural relationships, and history are performed. In the process, she emphasizes how choices made in the communication of history can both challenge these core beliefs about the past and improve cross-cultural relations in the present.

Product Details

ISBN-13: 9780759113862
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 03/15/2007
Series: American Association for State and Local History
Sold by: Barnes & Noble
Format: eBook
Pages: 242
File size: 2 MB

About the Author

Laura Peers is lecturer in anthropology, curator of the Americas Collections at the Pitt River Museum, and fellow at Linacre College, University of Oxford.

Table of Contents

Chapter 1 Vignette: Ruth Christie
Chapter 2 Introduction
Chapter 3 1. Landscapes
Chapter 4 2. Cosmologies
Chapter 5 Vignette: Nokie
Chapter 6 3. Anishinaabeg
Chapter 7 Vignette: "What's This?"
Chapter 8 4. Authenticities and Materialities
Chapter 9 Vignette: Bob and Betty Visit Fort William
Chapter 10 5. Visitors
Chapter 11 6. Encounters and Borderlands
Chapter 12 Vignette: Angelique
Chapter 13 7. The Living and the Dead: Conclusions
Chapter 15 References Cited
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