Point Deception

A bestselling journalist, Guy Newberry is known for his articles on the plight of troubled communities. Shortly after his arrival in the small seaside community of Signal Port, California, a town that has never recovered from the unsolved murder of two young families 13 years ago, another nightmare begins. An unidentified woman's body washes up at nearby Point Deception, immediately stirring up old feelings of fear and suspicion. Relentless in pursuing his story, and haunted by a tragedy in his own past, Newberry does not let up, instilling fear in the town's sheriff, Rhoda Swift, who fears his prying will destroy her town. But as more women die and public panic sets in, Newberry and Swift form an uneasy alliance and unite in a confrontation with a killer whose motives are not as random as they seem.

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Point Deception

A bestselling journalist, Guy Newberry is known for his articles on the plight of troubled communities. Shortly after his arrival in the small seaside community of Signal Port, California, a town that has never recovered from the unsolved murder of two young families 13 years ago, another nightmare begins. An unidentified woman's body washes up at nearby Point Deception, immediately stirring up old feelings of fear and suspicion. Relentless in pursuing his story, and haunted by a tragedy in his own past, Newberry does not let up, instilling fear in the town's sheriff, Rhoda Swift, who fears his prying will destroy her town. But as more women die and public panic sets in, Newberry and Swift form an uneasy alliance and unite in a confrontation with a killer whose motives are not as random as they seem.

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Point Deception

Point Deception

by Marcia Muller
Point Deception

Point Deception

by Marcia Muller

 


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Overview

A bestselling journalist, Guy Newberry is known for his articles on the plight of troubled communities. Shortly after his arrival in the small seaside community of Signal Port, California, a town that has never recovered from the unsolved murder of two young families 13 years ago, another nightmare begins. An unidentified woman's body washes up at nearby Point Deception, immediately stirring up old feelings of fear and suspicion. Relentless in pursuing his story, and haunted by a tragedy in his own past, Newberry does not let up, instilling fear in the town's sheriff, Rhoda Swift, who fears his prying will destroy her town. But as more women die and public panic sets in, Newberry and Swift form an uneasy alliance and unite in a confrontation with a killer whose motives are not as random as they seem.


Editorial Reviews

bn.com

Signal Port, California, has seen its share of tragedy. But when the body of an unidentified woman washes up at nearby Point Deception, its nightmare begins again. Who is the unfortunate victim, and will her murder go unsolved, just like the murders of two local families more than 13 years ago? To journalist Guy Newberry, it's more than another story. To sheriff Rhoda Swift, it's the final straw that could destroy her town. Then more women are murdered, and suddenly Newberry and Swift have no choice but to pool their resources, racing against the clock to catch a killer whose motives are not as random as they seem.

Library Journal

Marcia Muller without Sharon McCone? Though Muller has other heroines (e.g., art curator Elena Oliverez and art security expert Joanna Stark), McCone is her star, and her most recent effort marks a departure after more than 20 McCone books. Details from an unsolved 13-year-old multiple murder surface after a body is recovered at Point Deception, CA. Soledad County Sheriff's Deputy Rhoda Swift, an appealing mix of vulnerability and competence, joins New York writer Guy Newberry on the Golden State's coast to research the old case and connect recent and past murders. Reopening a crime of yore is a familiar plot device, but Muller moves smoothly from the voice of the murdered woman to Rhoda and Guy, pulling together strands from past and present as evidence is uncovered. In addition to increasing plot complexity, she maintains her ability to develop strong characters that readers care about. For all mystery collections. Ruth H. Miller, Rice Lib., Univ. of Southern Indiana, Evansville Copyright 2001 Cahners Business Information.

Kirkus Reviews

What caused somebody in northern California's Cascada Canyon 13 years ago to massacre two families, children of the counterculture, and how does that mystery tie in with the recent death of Chrystal Ackerman? Unfortunately, Muller decides not to have her series sleuth Sharon McCone (Listen to the Silence, 2000, etc.) investigate but lets loose far less interesting sheriff's deputy Rhoda Swift, who's given the double charge of setting to right the Cascada debacle she bungled on her very first assignment and investigating this new tragedy, which began when not one of the many townsfolk, including Rhoda, who saw Chrystal standing by her disabled car stopped to help her—until someone finally did for less than Samaritan reasons. Also on hand to puzzle out the Cascada/Chrystal stories is famous author Guy Newberry, come to town to write an exposé of the case at the urging of a family member of one of the Cascada massacre victims. A tale of two former hippie couples settling in the canyon, a buried treasure, and malfeasance from Rhoda's superior gradually emerges in flat, tepid prose—aided by dreary stream-of-consciousness flashbacks from not-yet-dead Chrystal, and even drearier police work from Rhoda. An interesting premise—a community's guilt after their failure to rescue a damsel in distress—plunges into cliché and insipid writing. A jolt of McCone would have gone a long way toward saving this novel-in-distress.

Product Details

BN ID: 2940169526387
Publisher: Brilliance Audio
Publication date: 09/25/2005
Edition description: Unabridged

Read an Excerpt

Chrystal

Friday, October 6

4:00 P.M.

Things look different when you're scared. And I'm scared now. Little Chryssie's scareder than she's been her whole life. Jude told me I'd never get away with it, but I thought I had, and then somebody saw me up there in all those trees, and now this damn Mercedes is dead on the coast highway where my cell phone won't work. God, I'm in trouble. Making Jude right. Again. Always.

Yeah, things look different. On the drive up from where I stayed outside San Francisco last night-not a lot of miles, but over four hours on these twisty roads-the sea was pretty, sparkly, deep blue. Made me feel good. Still is pretty, but now I don't want to look at it. All I can think is that people drown in there. And the pines in the canyon-walking through them, I felt like a little girl in church. Then the memories came back, and I felt like a little girl, all right. But not in church. No way.

Jesus, this is an awful place to break down. Turnout, but it's on a blind curve, and I could just barely get the car off the road before it conked out for good. Middle of nowhere, nothing on the bluff but pampas grass and burned trees from when they must've had a forest fire. Nothing but more trees on the other side of the highway. Dead-looking truck over by the fence.

Lots of traffic, but nobody'll stop to help me. Hood's up, they can see I'm broke down, but does anybody give a shit? No. They just keep zooming by in their sports cars and campers and SUVs, having a good time. Acting like I don't exist.

4:35 P.M.

Sheriff 's car. Woman driving. For sure she'll stop. Nope. She's around the curve already. Gone. Our tax dollars at work, like Leo used to say. Well, not my tax bucks. Little Chryssie don't pay no taxes in California.

So what do I do now? I'm a great big target sitting here by the highway. Whoever saw me in the canyon knows what I look like, maybe what the car looks like, but I didn't see them. They could drive right up and I wouldn't know who they were or what hit me. I could be dead before-

Damn this car! Damn it!

Okay, come on, calm down, think now. You're not playing this smart.

Maybe they didn't see me clear up there. Or see what I was doing. And even if they did, it might not've meant anything to them. Just because somebody hollers at you...

Two choices. Stay by the car and take my chances. Walk away and maybe take a bigger chance. Two choices, but either way the first thing to do is lose the evidence. Lose it good like it was before.

4:49 P.M.

So what've we got here? Pampas grass, big clump of it. Stuff just takes over, specially along this part of the coast. What did Jude always say about that? Something to do with the plants being scouts for an alien life-form, staking out the edge of the continent for the arrival of the mother ship. God, she could be weird sometimes! She said she did it on purpose to drive us crazy, but I think it might've been the dope talking.

Well, aliens got no use for what I'm gonna hide here. This pampas grass is fine for what I got in mind.

4:55 P.M.

Somebody coming! Cover it fast. There, that's good, real good. Where the hell are they? Oh, over there by the cliff. Oriental guy and a white girl, climbing up the slope with a big cooler between them. They're fighting. Wind's blowing this way, I can hear every word. She says he's paranoid about Fish and Game. He tells her to shut up. She says she used to think things weren't working out between them because of their cultural differences, but now she knows it's because he's an asshole. Jesus, they sound like Jude and Leo.

I could hide here till they're gone, but maybe they'll call a tow truck for me. Leave a message for Jude that I got in and out okay, too. That way I wouldn't have to take my chances hitching on the highway. If they ask, I'll tell them I came down here to take a pee.

5:43 P.M.

It's getting cold, even inside the car with the windows rolled up. Better dig that sweater outta the trunk. Jesus, I wish the tow truck would come.

Keep on wishin'. Pretty woman with the weird Oriental guy said it might take two hours. Don't they have Triple A garages up here in the boonies? Don't their cars ever break down? That old pickup of theirs looked like it was ready to.

Oriental guy sure acted spooky. Wonder if he saw what I was really doing in that clump of pampas grass. Nah, they were too far away, dragging that big cooler. Bet they had something illegal in there. Drugs off some boat outta Mexico? Nah, nobody'd make a drop while it's still light. Didn't the girl say something about Fish and Game? I read someplace there's a lot of abalone poaching going on up here. Bet that's what they were doing. Take more than the limit, sell it to some restaurant, make big bucks.

That's okay, though. None of my business. What matters is they said they'd make my calls. Meantime the evidence is gone till I can come back for it. And little Chryssie's just a dumb tourist with car trouble.

Dumb, anyway. Real dumb.

5:47 P.M.

A pickup, and it's slowing down. Old man driving. Slowing down some more... yeah, to stare at my ass while I'm leaning into the trunk. I don't believe it! See anything you like, buddy? Now he's speeding up. Old fool doesn't know I'd be happy to give him a piece if he'd help me.

Wish I'd packed warmer clothes, but how could I know it'd be so fuckin' cold on the coast? Was even warm in San Francisco. Lucky I dragged this old sweater of Leo's along.

There, that's better. I love this sweater. Hangs all the way down to my knees. I'll crawl in the car, lock the door, wait.

6:29 P.M.

Weird how the fog blows south, curls around the point, heads back north at me. Ugly, dirty-looking stuff. Makes me feel lonesome. Well, what's new about that, Chryssie? When haven't you felt lonesome?

At least I'm warm now, even though I'm scareder than ever. It's the dark coming on that's spooking me. The dark and the fog and every set of headlights that flashes round the bend. There's no radio reception and I forgot to bring any tapes along and I sure as hell don't want to think about the stuff I remembered in the canyon.

An unexamined life is not worth living, Chrystal.

Jude's voice. It's like she came along inside my head. She was always nagging at me with lines like that, but I never noticed her doing any deep thinking of her own. And besides the canyon, what is there to think about? Leo, long dead and all I've got of him is this ratty sweater? Jude, sick and needing me like I never needed her? Dave, who's into bondage, or John, who talks about killing his parents, or Timothy, who always cries? Sean, who seriously likes to hurt women? The other pathetic middle-of-the-night voices?

No, thanks. I'd rather count cars on the highway.

Camper, going north. SUV tailgating it. Sports car hugging the southbound curve and disappearing in the fog. Big white pickup, jacked up on oversized tires, a bar of lights on top of the cab. Got a lotta those here in redneck country. I've seen at least ten just like it. Another camper. Another. Got a lotta them too....

6:59 P.M.

Fifty cars later, and I can't keep from thinking. About that last night in the canyon. About Jude and Leo, too. Him I miss in a weird way, but her-God, she's been a pain in the ass. Some people die graceful, but not Jude, oh no. Bitch, whine, erase the few good memories I had of her.

And that canyon... What was it Jude said? Oh yeah: "We all have a place that our minds return to long after it's been altered by time and its inhabitants are gone. The canyon is mine."

I oughta remember, she said it three times Saturday night. Real proud of herself for thinking of it, even if she was in a bad way. Still claims she's a poet. Poet, my ass!

It's been almost two hours now, and no tow truck. He's gotta be coming soon. I can't stay in the car much longer. I'm so scared my skin feels tight, and it's hard to breathe. I'll stand outside for a while, duck down if anybody but the tow truck stops.

Funny, now I'm more scared of what's inside of me than what might be outside in the dark.

7:10 P.M.

Pickup, turn signal on, slowing down. Help, or-?

No help. No nothing. It's speeding up and the signal's off. Man and a woman inside, heading south. They saw me, I didn't duck in time.

Jesus, do I look that scary? I mean, I'd never pass for no Girl Scout, but I don't look like an escaped con either. And this Mercedes sports car is about as respectable as cars get.

I'm starting to hate this place. Really hate it. What's wrong with the people here?

7:45 P.M.

God, it's dark, except when a car comes along. I hate the dark, always sleep with a light on-

Something coming. Get ready to duck. But wait a minute- It's the tow truck! About time, dammit.

Lights shining in my eyes. Come to Chryssie. And don't make no excuses about how long it took. Just get me outta this miserable hole.

He's climbing down, walking over here. Big and slow and probably stupid. He's not saying anything and he's not looking under the hood. He's-

Oh no! No!

Oh my God not this!

Copyright (c) by the Pronzini-Muller Family Trust

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