Portable Louisa May Alcott

Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered—at best—a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why. The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and journals. Presenting her more daring works, such as Moods and Behind a Mask (both reprinted in their entirety), alongside the familiar heroines of Little Women, this singular collection offers readers a rich and wide-ranging portrait of this talented, prolific, and influential writer.

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Portable Louisa May Alcott

Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered—at best—a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why. The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and journals. Presenting her more daring works, such as Moods and Behind a Mask (both reprinted in their entirety), alongside the familiar heroines of Little Women, this singular collection offers readers a rich and wide-ranging portrait of this talented, prolific, and influential writer.

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Portable Louisa May Alcott

Portable Louisa May Alcott

Portable Louisa May Alcott

Portable Louisa May Alcott

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Overview

Although the publication of Little Women in 1868 earned Louisa May Alcott tremendous popularity, for a long time she was thought of as a writer of children's stories and considered—at best—a minor figure in the American literary canon. Now, at the end of the twentieth century, Alcott's vast body of work is being celebrated alongside the greatest American writers, and this collection shows why. The Portable Louisa May Alcott samples the entire spectrum of Alcott's work: her novels, novellas, children's stories, sensationalist fiction, gothic tales, essays, letters, and journals. Presenting her more daring works, such as Moods and Behind a Mask (both reprinted in their entirety), alongside the familiar heroines of Little Women, this singular collection offers readers a rich and wide-ranging portrait of this talented, prolific, and influential writer.


Product Details

ISBN-13: 9780140275742
Publisher: Penguin Publishing Group
Publication date: 07/28/2000
Series: Portable Library Series
Pages: 640
Product dimensions: 5.20(w) x 7.74(h) x 1.38(d)
Age Range: 18 Years

About the Author

Louisa May Alcott was born on November 29, 1832, in Germantown, Pennsylvania. When she was almost 2 years old, Louisa's family moved to Massachusetts, the state where she lived the bulk of her life. The family moved many times over the years, usually back and forth between Boston and Concord (Mass.). Some notable places Louisa lived were "Fruitlands" in Harvard, Massachusetts; "Hillside" in Concord; and "Orchard House," also in Concord. "Fruitlands" was the site of her father's attempt at Utopian living, which she wrote about in Transcendental Wild Oats, thirty years later in 1873. Louisa's childhood at "Hillside" (later renamed "Wayside" by Nathaniel Hawthorne, when he lived there) served as the basis for the action in her most popular novel, Little Women, which she wrote as an adult living in "Orchard House." Interestingly, these latter two houses were located next door to each other, with a walking path through the woods between. They are both still standing and open for tours in Concord.



Louisa May Alcott's father, Amos Bronson Alcott, was an important--though controversial--man in his times and in his community. He is perhaps best known for being a philosopher and an education reformer, but he was also a leader in the Transcendentalist movement as well as a teacher, school superintendent, and an author. He established both the Temple School, in Boston, and the Concord School of Philosophy. Although he was a loving father, he was not very responsible or practical, so Louisa's mother, Abigail May Alcott, filled the role of "head of household". Just like Jo, the protagonist in her Little Women, Louisa had three sisters--one older (Anna Bronson Alcott) and two younger (Elizabeth "Lizzie" Sewall Alcott and Abba May Alcott). And, much like Jo's sister Beth, Lizzie died at age 22 from complications of scarlet fever. But, unlike Jo, Louisa also had a little brother, who died as an infant.



Louisa May Alcott was a versatile writer who started at an early age. At the encouragement of her father, she kept a diary as a child--which probably helped her to discover her love and talent for writing and surely provided ideas later for her various plots and characters. As a teenager, Louisa wrote several plays, poems, and short stories. She achieved publication for the first time at age nineteen, with a poem entitled "Sunlight" (1851), which she wrote under the pseudonym, "Flora Fairfield." The title of Ms. Alcott's first published short story was The Rival Painters: A Tale of Rome (1852), and her first published book was Flower Fables (1854), a collection of short fairy-tale stories and poems which she had originally created to entertain Ralph Waldo Emerson's daughter Ellen. Louisa May Alcott wrote her first novel, The Inheritance, at age seventeen, but it went unpublished for nearly 150 years until 1997, after two researchers (Joel Myerson and Daniel Shealy) stumbled across the handwritten manuscript in the Houghton Library at Harvard University. Of course, Ms. Alcott is best known for a different novel, Little Women, which she wrote in two parts. The first volume, alternately titled Meg, Jo, Beth, and Amy, was published in 1868, and the second volume, Good Wives, was published in 1869. Like Jo in Little Women, Louisa also wrote many "blood and thunder" tales, which were published in popular periodicals of the day. She did not openly claim authorship for many of these Gothic thriller stories, however: for some, she used the pseudonym, "A. M. Barnard"; for others, she chose to remain completely anonymous.



Louisa May Alcott's career was not restricted to writing. Beginning in her late teens, she worked as a teacher for several years and off-and-on as a seamstress. In December of 1862, at age 30, she traveled to Washington, DC, to serve as a Civil War nurse at the Union Hotel Hospital in Georgetown. The following year, she re-wrote her letters detailing that experience, to form Hospital Sketches, which was published first serially and then as a book. And, in the winter of 1867/68, Ms. Alcott became the editor of Merry's Museum, a children's magazine. Louisa Alcott also was an avid social reformer. Abolition, temperance, and educational reform were among her chosen causes. But being a feminist at heart, she especially fought for women's rights, including suffrage. In fact, she was the first woman to register to vote in Concord. Unlike Jo in her Little Women, Louisa May Alcott never married. She died at age 55 on March 6, 1888, (two days after her father) and is buried on "Authors' Ridge" in Concord's Sleepy Hollow Cemetery, with her family. Nearby are the graves of her friends and mentors Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau.

Table of Contents

Introduction
Chronology
I. Short Fiction
My Contraband
A Whisper in the Dark
Thrice Tempted
La Jeune; or, Actress and Woman
Psyche's Art
My Mysterious Mademoiselle
Cupid and Chow-chow
Queen Aster
II. Novels and Novellas
Moods
Behind a Mask; or, A Woman's Power
From Little Women, part 2:
Literary Lessons
Friend
From Work: A Story of Experience:
At Forty
From A Modern Mephistopheles
Chapters XII, XIII, and XV
From Jo's Boys
Plays at Plumfield
Among the Maids
III. Memoirs, Journals, and Letters
Transcendental Wild Oats
Journals:
Fruitlands (1843)
Concord (1845-47)
Boston (1850-57)
Concord (1858-62)
Georgetown (1862-63)
Moods (1864-65)
Little Women (1868-69)
Emerson's Death (1882)
Letters:
To Abigail May Alcott, December 25, 1854
To Amos Bronson Alcott, November 29, 1856
To Anna Alcott Pratt, date uncertain
To Annie Maria Lawrence, February 3, 1865
To Moncure Daniel Conway, February 18, 1865
To Mr. Ayer, March 19, 1865
To the Lukens Sisters, September 4 [1873]
To Lucy Stone, October 1, 1873
To Maria S. Porter [1874]
To Lucy Stone, June 29 [1876]
To John Preston True, October 24 [1878]
To Thomas Niles, February 12, 1881
To Thomas Niles, February 19, 1881
To William Warland Clapp, Jr., March 6, 1883
To Maggie Lukens, January 14 [1884]
To Maggie Lukens, February 5 [1884]
To Maggie Lukens, February 14 [1884]
To the Woman's Journal, May 8, 1884
To Lucy Stone, August 31 [1885]
To Thomas Niles, [June?] 1886

Notes to the Letters
Selected Bibliography

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