Rebuilding Babel: Modern Architecture and Internationalism
Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel – built, so the story goes, by people united by one language – were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.
1125448971
Rebuilding Babel: Modern Architecture and Internationalism
Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel – built, so the story goes, by people united by one language – were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.
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Rebuilding Babel: Modern Architecture and Internationalism

Rebuilding Babel: Modern Architecture and Internationalism

by Mark Crinson
Rebuilding Babel: Modern Architecture and Internationalism

Rebuilding Babel: Modern Architecture and Internationalism

by Mark Crinson

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Overview

Much of modernist architecture was inspired by the emergence of internationalism: the ethics and politics of world peace, justice and unity through global collaboration. Mark Crinson here shows how the ideals represented by the Tower of Babel – built, so the story goes, by people united by one language – were effectively adapted by internationalist architecture, its styles and practices, in the modern period. Focusing particularly on the points of convergence between modernist and internationalist trends in the 1920s, and again in the immediate post-war years, he underlines how such architecture utilised the themes of a cooperative community of builders and a common language of forms.

Product Details

ISBN-13: 9781786722034
Publisher: I.B.Tauris
Publication date: 06/30/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 320
File size: 9 MB

About the Author

Mark Crinson is Professor of Art History at the University of Manchester. He is a board member of the ABE Journal (Architecture Beyond Europe) and also a member of the Race & Modern Architecture Network. His previous books include Stirling and Gowan: Architecture from Austerity to Affluence (2012; Winner of the Historian of British Art Prize, 2014) and Modern Architecture and the End of Empire (2003).

Table of Contents

List of Figures viii

Acknowledgements xii

Abbreviations xiii

Introduction 1

1 The Architectonic of Community 16

2 World Knowing - Otlet, Geddes, Neurath 54

3 Well-Ventilated Utopias - Le Corbusier, CIAM and European Modernism in the 1920s 93

4 Echo Chamber - The International Style and its Deviations 142

5 Outwards - Lewis Mumford, Regionalism and Internationalism 170

6 Another World - Post-War CIAM, India and the Marg Circle 197

Epilogue - After the Tower 228

Notes 240

Index 298

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