Sculpture: The Assemblage from the Theater
At the time of its creation in the Hadrianic period, the Corinth Theater presented the most elaborate form of Roman theater architecture to date; a three-storied columnar facade made of multicolored marble. The polychrome architecture did not stand alone, for the scaenae frons was also impressively embellished with painted marble reliefs beneath the columns, with painted statuary between the columns and in the niches, and with painted busts in the pediments. This blaze of color would have conveyed many different messages to ancient audiences since the sculptural complex evoked the Theater’s political, religious, and cultural function as well as the self-identification of the city. A colossal seated portrait of the deified emperor Trajan dominated the display, surrounded by other members of the Roman imperial family. However the depiction of Gigantomachy, Amazonomachy, and Herakles scenes on podia and the Greek character of other sculptures around the building made a conscious link to indigenous culture. As the author’s reconstruction shows, the entire assemblage, arranged in thematic segments, would have attempted to resolve in symbolic form the real cultural negotiation at the heart of Roman Corinth. This book presents in detail the freestanding sculptures, assembled from fragmentary remains, and reveals an additional group of architectural sculptures as well as figures in niches and between columns. With Corinth IX.2 it completes the publication of sculptures excavated from the theater by the American School of Classical Studies at Athens. Drawing on over 30 years of study, the author also presents her ideas about sculptural decoration in the Corinth theater and throughout the Roman East. Using epigraphical as well as architectural evidence she explores questions of dedication and patronage to shed important new light on the social role of Roman theater, a forum for far more than just entertainment.
1112012562
Sculpture: The Assemblage from the Theater
At the time of its creation in the Hadrianic period, the Corinth Theater presented the most elaborate form of Roman theater architecture to date; a three-storied columnar facade made of multicolored marble. The polychrome architecture did not stand alone, for the scaenae frons was also impressively embellished with painted marble reliefs beneath the columns, with painted statuary between the columns and in the niches, and with painted busts in the pediments. This blaze of color would have conveyed many different messages to ancient audiences since the sculptural complex evoked the Theater’s political, religious, and cultural function as well as the self-identification of the city. A colossal seated portrait of the deified emperor Trajan dominated the display, surrounded by other members of the Roman imperial family. However the depiction of Gigantomachy, Amazonomachy, and Herakles scenes on podia and the Greek character of other sculptures around the building made a conscious link to indigenous culture. As the author’s reconstruction shows, the entire assemblage, arranged in thematic segments, would have attempted to resolve in symbolic form the real cultural negotiation at the heart of Roman Corinth. This book presents in detail the freestanding sculptures, assembled from fragmentary remains, and reveals an additional group of architectural sculptures as well as figures in niches and between columns. With Corinth IX.2 it completes the publication of sculptures excavated from the theater by the American School of Classical Studies at Athens. Drawing on over 30 years of study, the author also presents her ideas about sculptural decoration in the Corinth theater and throughout the Roman East. Using epigraphical as well as architectural evidence she explores questions of dedication and patronage to shed important new light on the social role of Roman theater, a forum for far more than just entertainment.
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Sculpture: The Assemblage from the Theater

Sculpture: The Assemblage from the Theater

by Mary C. Sturgeon
Sculpture: The Assemblage from the Theater

Sculpture: The Assemblage from the Theater

by Mary C. Sturgeon

Hardcover(Volume IX Part 3)

$75.00 
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Overview

At the time of its creation in the Hadrianic period, the Corinth Theater presented the most elaborate form of Roman theater architecture to date; a three-storied columnar facade made of multicolored marble. The polychrome architecture did not stand alone, for the scaenae frons was also impressively embellished with painted marble reliefs beneath the columns, with painted statuary between the columns and in the niches, and with painted busts in the pediments. This blaze of color would have conveyed many different messages to ancient audiences since the sculptural complex evoked the Theater’s political, religious, and cultural function as well as the self-identification of the city. A colossal seated portrait of the deified emperor Trajan dominated the display, surrounded by other members of the Roman imperial family. However the depiction of Gigantomachy, Amazonomachy, and Herakles scenes on podia and the Greek character of other sculptures around the building made a conscious link to indigenous culture. As the author’s reconstruction shows, the entire assemblage, arranged in thematic segments, would have attempted to resolve in symbolic form the real cultural negotiation at the heart of Roman Corinth. This book presents in detail the freestanding sculptures, assembled from fragmentary remains, and reveals an additional group of architectural sculptures as well as figures in niches and between columns. With Corinth IX.2 it completes the publication of sculptures excavated from the theater by the American School of Classical Studies at Athens. Drawing on over 30 years of study, the author also presents her ideas about sculptural decoration in the Corinth theater and throughout the Roman East. Using epigraphical as well as architectural evidence she explores questions of dedication and patronage to shed important new light on the social role of Roman theater, a forum for far more than just entertainment.

Product Details

ISBN-13: 9780876610930
Publisher: American School of Classical Studies at Athens
Publication date: 10/28/2004
Series: Corinth Series
Edition description: Volume IX Part 3
Pages: 270
Product dimensions: 9.00(w) x 12.00(h) x 1.04(d)
Age Range: 17 Years

About the Author

Mary C. Sturgeon is Professor of Classical Art and adjunct Professor of Classics at the University of North Carolina at Chapel Hill.

Table of Contents

Prefacevii
List of Illustrationsix
Bibliography and Abbreviationsxiii
Introduction1
1Sculptural Decoration in the Corinth Theater9
2Sculptural Assemblages in Theaters in Corinth and the Roman East29
3Dedications of Roman Theaters in the Greek East: Questions of Patronage41
4The Role of the Roman Theater51
5Conclusions: The Sculptural Assemblage of the Corinth Theater57
Catalogue
6Architectural Sculptures on the Facade (1-12)61
7Statues Between the Columns (13-26)101
8Sculpture from within the Theater Complex: Stage, Orchestra, Cavea (27-55)133
9Sculpture for the Entrances (56-84)167
10Miscellaneous Pieces (85-94)201
AppendixInscriptions from the Corinth Theater211
Concordance of Inventory and Catalogue Numbers215
Index of Museums219
Index of Ancient Sources227
General Index229
Plans and Plates237
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