Morpurgo (War Horse) fuses the devastation of war, anguish of the refugee experience, pain of losing loved ones, healing power of friendship, and redemptive influence of a dog's loyalty in this multifaceted novel, first published in 2010. The author also effectively balances three narrators: Matt, an earnest British 14-year-old; his best friend Aman, who escaped to England from Taliban-occupied Afghanistan six years earlier and is now awaiting deportation; and Matt's compassionate grandfather, who uses his skills as a journalist to fight Aman's deportation. Aman's flashbacks to life under the Taliban (who killed his father, imprisoned and tortured his mother, and blew up his home) and to his arduous flight to England with his mother make up the novel's most harrowing passages. At its emotional core, though, is Aman's relationship with Shadow, a remarkably intuitive spaniel with a surprising past that wanders into his family's cave in Afghanistan and guides Aman during their escape. Despite many sobering plot elements, the novel's subject matter never overwhelms Morpurgo's streamlined storytelling and subtle characterizations. Ages 10–14. (Sept.)
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Overview
Editorial Reviews
Shadow is the perfect book for classroom teachers looking for a contemporary tale of the old, sad story: war's devastating ramifications for everyone, including children.” —Horn Book
“Morpurgo humanizes the asylum story through one refugee boy's viewpoint.” —Booklist
“Heart-rending and heart-affirming…” —Kirkus, starred review
“Shadow succeeds in evoking empathy and inspiring readers to take a stand for their beliefs.” —School Library Journal
Whitbread winner and UK Children's Laureate, Morpurgo (author of The Mozart Question, War Horse, and numerous other titles) brings his own touch to the subject of war and oppression in developing countries. Unlike many other oppression narratives, however, that tend to be relentless and pedantic, this one is interesting in both style and structure, its shifting viewpoints and brief chapters offering young readers several ways to look at such stories in the real world. The novel opens in the voice of Matt, who is worried about his friend Aman, a refugee from Afghanistan who has now been taken with his mother to Yarl's Wood, an "immigration removal centre" in Bedfordshire. As Matt tells the story to his grandfather, urging him to help, we encounter Grandpa's voice, and then, in turn, Aman's. But it is the tale of Aman and Shadow, the bomb-sniffing dog he left behind in Afghanistan, that carries the energy of the novel and pulls the reader along. As a result of this clever framing of oral narratives, there is never any doubt that young Aman is the one with voice. The fact that he tells the story imbues him as well with agency, as does his single, quiet gesture that leads first Grandpa and then Matt to take action. The Taliban in Afghanistan and immigration enforcement in England are both antagonistic forces. The resolution is aimed squarely and joyfully at the middle grade reader. Deceptively simple, elegantly constructed. Reviewer: Uma Krishnaswami
Gr 4–8—Friendship transcends cultural and generational differences in this deeply moving novel. It's been six years since Aman and his mother escaped a nightmarish existence under the Taliban regime in Afghanistan for a better life in England. However, their request for asylum is denied, and they're sent to an immigration detention center to await deportation. After several appeals for release go unheeded, they begin to lose hope. Aman's best friend, Matt, shares the tragic details with his journalist grandfather in the hope that he'll visit Aman and write an article garnering public sympathy. Grandpa visits Aman, and after a tense start, gets the boy to open up. At the heart of the story is Shadow, a bomb-sniffing dog for the British army who becomes attached to Aman in Afghanistan after being separated from her unit. Shadow's presence reassures Aman and his mother, as they trek from their village to Kandahar, where they are miraculously reunited with the dog's unit. The memory of Shadow's resilience buoys the teen and his mother as they continue their arduous journey to England. As he did in War Horse (William Morrow, 1983), Morpurgo displays keen sensitivity in using the intense bonds between young people and animals to relate the devastating impacts of war. A useful postcript provides facts about the war in Afghanistan, the real-life Yarl's Wood detention center in Bedfordshire, and bomb-sniffing dogs. Shadow succeeds in evoking empathy and inspiring readers to take a stand for their beliefs.Lalitha Nataraj, Escondido Public Library, CA
Two 14-year-old boys, one Afghan and one English, find friendship with each other and with two exceptional dogs. Aman and his mother have fled the horrors of life under the Taliban for asylum in England, only to face deportation six years later. His best friend in school and on the soccer fields is Matt, an English boy spending the summer with his grandfather and his grandfather's dog, Dog. Morpurgo tells the story through the voices of Matt, his grandfather and Aman. In the beginning, Matt convinces his grandfather to visit Aman, who is being held in Yarl's Wood, a detention center. His grandfather continues the story, gently persuading Aman to recount what happened in Afghanistan and during the long, treacherous journey to England. The grandfather then organizes a demonstration to protest the deportations, receiving help from sympathetic ministers and an exploding volcano. The titular Shadow is a spaniel, a sniffer dog, trained to alert soldiers to roadside bombs, and she just about steals the story. The dog had bonded with Aman after being separated from her British army unit. Morpurgo has long championed the plight of children and animals in wartime and here ably succeeds in dramatizing the far-reaching repercussions of the decades-old war in Afghanistan. Humanity triumphs over evil and bureaucracy in this heart-rending and heart-affirming story. (postscript, background information on Yarl's Wood and sniffer dogs) (Fiction. 9-14)
Product Details
| BN ID: | 2940170213825 |
|---|---|
| Publisher: | HarperCollins UK |
| Publication date: | 09/30/2010 |
| Edition description: | Unabridged |
Related Subjects
- Awards
- Kids
- Fiction & Literature - Kids
- People, Places & Cultures - Kids Fiction
- General & Miscellaneous - Kids Fiction
- Miscellaneous People, Places & Cultures - Kids Fiction
- Social Issues - Kids Fiction
- Marshall, Elizabeth (-1964)
- 2014 New York State Charlotte Award Middle School Reading List (Grades 6-8)
Read an Excerpt
Shadow
By Michael Morpurgo
Macmillan
Copyright © 2010 Michael MorpurgoAll rights reserved.
ISBN: 978-1-4668-8809-8
CHAPTER 1
WHEN THE STARS BEGIN TO FALL
Matt
None of it would ever have happened if it hadn't been for Grandma's tree. And that's a fact. Ever since Grandma died—that was about three years ago now—Grandpa had always come to spend the summer holidays at home with us up in Manchester. But this summer he said he couldn't come, because he was worried about Grandma's tree.
We'd all planted that tree together, the whole family, in his garden in Cambridge. A cherry tree it was, because Grandma especially loved the white blossoms in the spring. Each of us had passed around the jug and poured a little water on it, to give it a good start.
"It's one of the family now," Grandpa had said, "and that's how I'm going to look after it always, like family."
That was why, a few weeks ago, when Mum rang up and asked him if he was coming to stay this summer, he said he couldn't because of the drought. There had been no rain for a month, and he was worried Grandma's tree would die. He couldn't let that happen. He had to stay at home, he said, to water the tree. Mum did her best to persuade him. "Someone else could do that, surely," she told him. It was no good. Then she let me have a try, to see if I could do any better.
That was when Grandpa said, "I can't come to you, Matt, but you could come to me. Bring your Monopoly. Bring your bike. What about it?"
So that's how I found myself on my first night at Grandpa's house, sitting out in the garden with him beside Grandma's tree, and looking up at the stars. We'd watered the tree, had supper, fed Dog, who was sitting at my feet, his head heavy on my toes, which I always love.
Dog is Grandpa's little brown-and-white spaniel, with a permanently panting tongue. He dribbles a lot, but he's lovely. It was me that named him Dog, apparently, because when I was very little, Grandpa and Grandma had a cat called Mog. The story goes that I chose the name because I liked the sound of Dog and Mog together. So he never got a proper name, poor Dog.
Anyway, Grandpa and me, we'd had our first game of Monopoly, which I'd won, and we'd talked and talked. But now, for a while, we were silent together, simply stargazing.
Grandpa started to hum, then to sing. "When the stars begin to fall ... Can't remember the rest," he said. "It's from a song Grandma used to love. I know she's up there, Matt, right now, looking down on us. On nights like these the stars seem so close you could almost reach out and touch them."
I could hear the tears in his voice. I didn't know what to say, so I said nothing for a while. Then I remembered something. It was almost like an echo in my mind.
"Aman said that to me once," I told him, "about the stars being so close, I mean. We were on a school trip down on a farm in Devon, and we snuck out at nighttime, just the two of us, went for a midnight walk, and there were all these stars up there, zillions of them. We lay down in a field and just watched them. We saw Orion, the plow and the Milky Way that goes on forever. He said he had never felt so free as he did at that moment. He told me then, that when he was little, when he first came to live in Manchester, he didn't think we had stars in England at all. And it's true, Grandpa, you can't see them nearly so well at home in Manchester—on account of the streetlights, I suppose. Back in Afghanistan they filled the whole sky, he said, and they felt so close, like a ceiling painted with stars."
"Who's Aman?" Grandpa asked me. I'd told him before about Aman—he'd even met him once or twice—but he was inclined to forget things these days.
"You know, Grandpa, my best friend," I said. "We're both fourteen. We were even born on the same day, April twenty-second, me in Manchester, him in Afghanistan. But they're sending him back, back to Afghanistan. He's been to the house when you were there, I know he has."
"I remember him now," he said. "Short fellow, big smile. What do you mean, sending him back? Who is?"
So I told him again—I was sure I'd told him it all before—about how Aman had come into the country as an asylum seeker six years before, and how he couldn't speak a word of English when he first came to school.
"He learned really fast too, Grandpa," I said. "Aman and me, we were always in the same class in junior school and now at Belmont Academy. And you're right, Grandpa, he is small. But he can run like the wind, and he plays football like a wizard. He never talks much about Afghanistan, always says it was another life, and not a life he wants to remember. So I don't ask. But when Grandma died, I found that Aman was the only one I could talk to. Maybe because I knew he was the only one who would understand."
"Good to have a friend like that," said Grandpa.
"Anyway," I went on, "he's been in this prison place, him and his mum, for over three weeks now. I was there when they came and took him away, like he was a criminal or something. They're keeping them locked up in there until they send them back to Afghanistan. We've written letters from school, to the prime minister, to the queen, to lots of people, asking them to let Aman stay. They don't even bother to write back. And I've written to Aman too, lots of times. He wrote back only once, just after he got there, saying that one of the worst things about being locked up in his prison place is that he can't go out at night and look at the stars."
"Prison place? What d'you mean, prison place?" Grandpa asked.
"Yarl's—something or other," I said, trying to picture the address I'd written to. Then it came to me. "Yarl's Wood, that's it."
"That's near here, I know it is. Not far anyway," said Grandpa. "Maybe you could visit him."
"It's no good. They don't let kids in," I said. "We asked. Mum rang up, and they said it wasn't allowed. I was too young. And anyway, I don't even know if he's still in there. Like I said, he hasn't written back for a while now."
Grandpa and I didn't talk for some time. We were just stargazing again, and that was when I first had the idea. Sometimes I think that's where the idea must have come from. The stars.
CHAPTER 2"AND THEY KEEP KIDS IN THERE?"
Matt
I was worried about how Grandpa might react, but it was worth a try, I thought.
"Grandpa?" I said. "I've been thinking about Aman. I mean, maybe we could find out. Maybe you could ring up, or something, and find out if he's still there. And if he is, then you could go, Grandpa. You could go and see Aman instead of me, couldn't you?"
"But I hardly know him, do I?" Grandpa replied. "What would I say?"
I could tell he didn't much like the idea. So I didn't push it. You couldn't push Grandpa, everyone in the family knew that. As Mum often said, he could be a stubborn old cuss. So we sat there in silence, but all the time I knew he was thinking it over.
Grandpa said nothing more about it that night, nor at breakfast the next morning. I thought that either he'd forgotten all about it, or he'd already made up his mind he didn't want to do it. Either way, I didn't feel I could mention it again. And anyway, by now I think I had almost given up on the idea myself.
It was part of Grandpa's daily routine, whatever the weather, to get up early and take Dog for a walk along the river meadows to Grantchester—his "constitutional," he called it. And I know he always liked me to come with him when I was staying. I didn't much like getting up early, but once I was out there, I loved the walks, especially on misty mornings like this one.
There was no one around, except a rowing boat or two, and ducks, lots of ducks. There were cows in the meadows, so I had to keep Dog on the lead. I was having a bit of a struggle hanging on to him. There was always some rabbit hole he just had to stay behind to investigate, or some molehill he insisted he must make friends with. He was pulling all the time.
"Funny coincidence though," Grandpa said suddenly.
"What is?" I asked.
"That Yarl's Wood place you were talking about last night. I think that could be the detention center place Grandma used to visit, before she got ill. My memory's not what it was, but I think it was called Yarl's Wood—that's probably how I knew about it. She was a sort of befriender there."
"A befriender?"
"Yes," Grandpa said. "She'd go in and talk to the people in there—you know, the asylum seekers—to cheer them up a bit, because they were going through hard times. She did that a lot in prisons all her life. But she never said much about it, said it upset her too much to talk about it. Once a week or so, she'd go off and make someone a little happier for a while. She was like that. She always said I should do it too, that I'd be good at it. But I never had her courage. It's the idea of being locked up, I suppose, even if you know you can leave whenever you want to. How silly is that?"
"Do you know what Aman wrote in his letter, Grandpa?" I said. "He told me there's six locked doors and a barbed wire fence between him and the world outside. He counted them."
That was the moment we turned and looked at each other, and I knew then Grandpa had made up his mind he was going to do it. We never got to Grantchester. We turned around at once and went home, and Dog did not like that one bit.
Grandpa had been a journalist before he retired, so he knew how to find out about these things. As soon as we got back into the house, he was on the phone. He discovered that in order to visit Mrs. Khan and Aman in Yarl's Wood, he had to write a formal letter asking permission. It took a few days before the reply came back.
The good news was that they were still there, and the people at Yarl's Wood said that Grandpa could come on Wednesday, in two days' time it was, and that visiting times were between two and five in the afternoon. I wrote Aman a letter at once, telling him Grandpa was coming to visit him. I hoped he'd write back or phone. But he didn't, and I couldn't understand that at all.
All the way there I could see Grandpa was a bit nervous. He kept saying how he wished he had never agreed to do it in the first place. Dog was in the backseat, leaning his head on Grandpa's shoulder, watching the road in front as he always did. "I think Dog would drive this car himself if you let him," I said, trying to cheer Grandpa up a bit.
"I wish you could come in with me, Matt," he said.
"Me too," I told him. "But you'll be fine, Grandpa. Just go for it. And you'll like Aman. He'll remember you, I know he will. And you've got the Monopoly, haven't you? He'll beat you, Grandpa. But don't worry about that. He beats everyone. And tell him to write to me, will you? Or text, or phone?"
We were driving up a long straight hill. It seemed to lead to nowhere but the sky. Only when we reached the top of the rise did we see the gates, and then the barbed wire fence all around.
"And they keep kids in there?" Grandpa breathed.
CHAPTER 3WE WANT YOU BACK
Grandpa
I left Matt and Dog in the car and walked up toward the gates. I wasn't looking forward to this at all. I had that same sinking feeling in the pit of my stomach that I remember from my first day at school.
An unsmiling security guard was opening the gate. He suited the place. If Matt hadn't been there watching me from the car as I knew he must be, I'd have turned around at that point, got back in the car and gone home. But I couldn't shame myself, I couldn't let him down.
I turned around and saw that Matt was already out of the car and taking Dog for a walk, as he'd said he would. We gave each other a wave, and then I was inside the gates. There was no going back now.
As I walked down the road toward the detention center building, I tried to keep my courage up by thinking about Matt. Ever since I'd been on my own these last two years, Matt had been to stay a lot. I loved to watch him playing with Dog.
Dog was getting on these days, like me, but he was like a puppy when Matt came. Matt kept him young, kept me young too. I only had to think of them both together, and they'd make me smile. They'd cheer me up. And that was good for me. I'd been rather down in the dumps just recently. Matt and I, we weren't just grandfather and grandson anymore; we'd become the best of friends.
But as I joined some other visitors making their way in, I was wondering what was the point of visiting Aman. After all, weren't these asylum seekers at Yarl's Wood about to be deported and sent back to where they'd come from anyway? So what was the point of visiting? I mean, what could I do? What could I say that could make any difference?
But Matt wanted me to do it for Aman. So there I was, inside the place now, doors locking behind me, the Monopoly set under my arm. I could hear the sound of children crying.
Like all the other visitors, I was being processed. The Monopoly set had to be handed over to be checked by security, and I got a stern telling-off for bringing it with me in the first place. It was against the rules, but they might bring it in later, they said grudgingly.
Everywhere there were more of those unsmiling security guards. The pat-down search was done brusquely and in hostile silence. Everything about the place seemed to me to be hateful: the bleak locker room where visitors had to leave their coats and bags, the institutional smell, the sound of keys turning in locks, the sad plastic flowers in the visitors' meeting room and always the sound of some child crying.
Then I saw them, the only ones still without a visitor. I recognized Aman at once, and I could tell he knew me too, as Matt had said he would. Aman and his mother were sitting there at the table, waiting for me, looking up at me, vacantly. There were no smiles. Neither of them seemed that pleased to see me. It was all too set up, too formal, too stiff. Like everyone else in the room, we had to sit facing one another on either side of a table. And there were officers everywhere, in their black-and-white uniforms, keys dangling from their belts, watching us.
Aman's mother sat there, shoulders slumped, stone-faced, sad and silent. She had deep dark rings under her eyes and seemed locked inside herself. As for Aman, he was even smaller than I remembered him and pinched and thin like a whippet. His eyes were pools of loneliness and despair.
I kept trying to tell myself, don't pity them. They don't want that, they don't need that, and they'll know it at once if you do. They're not victims, they're people. Try to find something in common. Do what Matt said in the car. Just go for it. And pray the Monopoly arrives.
"How is Matt?" Aman said.
"He's outside," I told him. "They won't let him in."
Aman smiled wanly at that. "Strange," he said. "We want to get out, but they won't let us. And he wants to get in, but they won't let him."
I tried, again and again, to make some small talk with his mother. The trouble was that she spoke very little English, so Aman always had to translate for her. Aman only became animated at all, I noticed, when we talked about Matt, and even then I found myself asking all the questions. I think we'd have all sat there in silence if I hadn't. Any question not about Matt, he'd just divert to his mother and translate her replies, which were mostly "yes" or "no." However hard I tried, I just could not seem to get a proper conversation going among the three of us.
So when Aman spoke up for himself suddenly, I was taken a little by surprise. "My mother is not well," he said. "She had one of her panic attacks this morning. The doctor gave her some medicine, and this makes her quite sleepy." He spoke very correctly and with hardly a trace of an accent.
"Why did she have a panic attack?" I asked, regretting my question at once. It seemed too intrusive, too personal.
"It is this place. It is being shut in here," he replied. "She was in prison once in Afghanistan. She does not talk about it much. But I know they beat her. The police. She hates the police. She hates to be locked in. She has bad dreams of the prison in Afghanistan, you understand? So sometimes when she wakes up in here, and she sees she is in prison again, and she sees the guards, she has a panic attack."
That was when the security guard suddenly arrived with the Monopoly game.
"You're lucky," he said. "Just this once, right?" And he walked away.
Miserable git, I thought. But I knew it was best to keep my feelings to myself. Now that I'd gotten it, I didn't want him to take it away.
(Continues...)
Excerpted from Shadow by Michael Morpurgo. Copyright © 2010 Michael Morpurgo. Excerpted by permission of Macmillan.
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