Growing up on coastal Maine, Linda Greenlaw was entranced by the ocean and everything that swam in it. When other kids got their first 10-speed bicycles, she got her first 10-horsepower outboard. Later, Greenlaw literally sailed her way through college, spending her summers as a cook and deck hand on a swordfishing boat. After graduating from Colby College with a double major in English and government, Greenlaw returned to the sailor's life, becoming a ship captain when she was in her 20s and earning a reputation as "one of the best swordboat captains, period, on the East Coast" (in the words of Perfect Storm author Sebastian Junger).

For over 15 years, this remarkable achievement went generally unremarked-upon. Then came Sebastian Junger's The Perfect Storm, the true story of the fishing boat Andrea Gail, which disappeared in a hurricane at sea in October of 1991. Greenlaw was captain of the Andrea Gail's sister ship, the Hannah Boden, which was also at sea during the fateful storm. Though Greenlaw is only a minor figure in Junger's book, readers were intrigued by the idea of a woman who'd made it to the top in a heavily male-dominated -- and highly dangerous -- profession.

Publishers were intrigued, too, and several of them approached Greenlaw with offers for a book about her experiences. At first she turned them down, saying she could make more money actually fishing for a season than writing about fishing. But at last she decided to give it a try, and her readers are glad she did. Her book The Hungry Ocean is a riveting look at the day-to-day operations of a large commercial fishing boat, complete with storms, sharks and, on one grim occasion, a dead crew member in the fish hold. In the great fisherman tradition, The Hungry Ocean is also a ripping good story, one The New York Times Book Review declared a "triumph."

Greenlaw agreed to write her first book in part because she wanted to lead a settled existence for a while, perhaps get married and start a family. In her second book, The Lobster Chronicles, she describes trading the adventurous life of an offshore swordboat captain for the comparatively quiet business of trapping lobsters in Penobscot Bay. As she reconnects with her roots on the tiny Isle au Haut ("forty-seven full-time residents, half of whom I am related to in one way or another"), she deals with nosy neighbors, a dearth of available men, and recalcitrant crustaceans who refuse to crawl into her traps. She also evokes a life of simplicity and self-sufficiency that her readers might well envy: Her island has no Kmart ("or any other mart"), no Starbucks, no cable TV. "Straightforward storytelling and captivating reading: satisfying as a Maine lobster dinner," wrote Kirkus Reviews.

So far, Greenlaw is shaping up to be as talented a writer as she is a fisherman (she objects strenuously to being called a "fisherwoman"). Possibly the only woman ever to captain a swordfishing boat, she has insisted that being a female captain is an asset: "No self-respecting fisherman wants to be outdone by a woman, even if it kills him." Perhaps her books will inspire other female fishermen to join the fray.