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The Silenced Cry
One Woman's Diary of a Journey to AfghanistaN
By Ana Tortajada, Ezra E. Fitz St. Martin's Press
Copyright © 2004 Ana Tortajada
All rights reserved.
ISBN: 978-1-4668-6343-9
CHAPTER 1
FRIDAY, AUGUST 25, 2000.
Vallirana.
There are those who sell, for two and a quarter reales, sparrows still cleaving the sky.
It has been just five days since I've returned to Europe. I drift like a distraught soul among the armchairs and corners of my house. I attribute the soreness in my throat to the strong air-conditioning that assaults me at every turn, and to the halfhearted chain-smoking, lighting up a cigarette only for the pleasure of doing so on a whim instead of having to find myself a secluded spot. I cling to the credible excuse that exhaustion (and the disaster that is my insides) offers me, after this voyage to a physical and virtual Afghanistan and to the Pakistani city of Peshawar and its innumerable Afghan refugee population, so as not to leave, so as to see no one, so as to do nothing.
It gives me a certain — if very relative — amount of relief to know that it's not just me who feels strange, out of place, foreign to the world around me. Something similar is happening to Meme and Sara. Since we've returned, it's taxing to relate to our people and environment: they have not been there. Of course, they show interest in our trip, in the things that we have seen, but why won't this vague and frustrating sensation that the echo of our experiences is full of interference leave us? Words and the air through which they travel are morphing into a thick magma and are losing their conductive character that ordinarily permits communication. This doesn't happen when we talk among the three of us. So we take refuge among ourselves, in our own little triangle of common experience, in tune with each other where we feel secure, for those first few days.
We hadn't known each other before it all happened.
It hadn't been three days yet that Afghanistan — the situation that her people suffer under the Taliban's oppression, and the struggle for survival by the Afghans taking refuge in Pakistan — had invaded my life, dominating everything, ever since I received notice that a group of people from the UOC (Universitat Oberta de Catalunya) was organizing a trip. But in reality there was no such group: only Mercè Guilera, a UOC student who had decided to travel to Pakistan in order to better understand the situation of women in that country and who had proposed the trip to Sara Comas, the journalist from El Punt de Rubí, whom she had met on several occasions. Each related to themes of cooperation and solidarity. Both had met the same Afghan refugee as I during her time in Barcelona. Sara had interviewed her for her newspaper. I looked up Mercè's — Meme's — phone number. I called, and immediately joined in preparing for the trip.
There was nothing hasty about my decision. It was what I wanted to do. Nevertheless, as I realized the tasks assigned to me via telephone and e-mail, a part of me could not believe what was happening. Three weeks ago, all I knew about Afghanistan could be boiled down to a vague recollection of the invasion of Soviet troops, and the intricate 1998 campaign, "A Flower for the Women of Kabul," had left nary a trace on me. Quickly, though, all my thoughts, efforts, and emotions settled on that forgotten country. I searched for information, I surfed the Internet, I ransacked libraries and bookstores with an insatiable desire for knowledge. The blinders were on: my first thought upon waking was Afghanistan, and I fell asleep at night mulling over everything I had learned and discovered that day. Even my dreams had turned toward that distant country.
Sara Comas, Mercè Guilera, and I got to know each other personally just fifteen days after that first phone call, when we gathered for our first work session. Each of us had her own motivations and personal objectives when we committed to this trip, but all of us coincided on the fundamental: collect as much information as humanly possible, contact the maximum number of organizations, people, and classes, both here and there, in order to gain the most complete vision possible, and thus be able to denounce, upon our return, the situation of the Afghan people with knowledge of the cause itself. I am no expert on foreign politics, international rights, world economics, or anything of the sort. I'm an ordinary citizen. I know that I have rights and obligations. I enjoy life and people. I detest lies and deceit, always preferring the truth.
The trip was, for me, the first consequence of a commitment I had recently acquired with a woman I had never seen before in my life: on March 20, late in the afternoon, I attended a conference in Barcelona featuring an Afghan refugee who was in Catalonia at the invitation of the Lliga dels Drets dels Pobles (the League of People's Rights). The young woman gave her lecture in English, while two interpreters took turns translating her words into Catalan. Back then, my knowledge of English was quite poor, so I was surprised to realize that I could understand nearly every word she said. As her discourse progressed, I became more and more fascinated. The exposition, sober and serene, painted a horrifying reality that captivated me completely. I didn't feel, then nor ever, rage, indignation, or hate for the Afghan oppressors or their accomplices. I don't believe in rage or hate: they are counterproductive.
Nor did I have any qualms about recognizing that what I experienced that day as the conference went on was a growing and inexplicable love for that young woman, for her people and her country. There wasn't an ounce of mawkishness in that feeling; it wasn't a simple emotional reaction. When the talk was over, I went up to introduce myself with a timidity uncharacteristic for me. I wouldn't allow my inability to express myself in English be an obstacle, and asked the translators to convey to her the only thing I wanted to say: "Thank you for working as you do; for not having crawled into a corner to cry."
She replied with a great vivacity: "I refuse to cry for my people's situation. Crying doesn't solve anything, and it takes up energy that ought to be dedicated to changing the way things are."
We said good-bye with three kisses, as is the custom in her country, and she told me between laughs that three was the minimum, and that sometimes it can reach seven, nine, or even more.
"Good luck! ¡Buena suerte!" I wished her in my awkward, limited English, and we parted ways at a traffic light.
I crossed the street thinking about what I could do, and I came to the conclusion that the only thing I could do even moderately well was write. Maybe I could write a book about this theme, a book that describes the reality just as it is and how it is lived; not a book that reflects, once again, the Western vision but rather the perspective of the Afghan people, of those who know and suffer it. I would document things extensively, so as to be a valuable instrument at her service, but I would write to make her voice the one that is heard.
I placed my offer the following day, via e-mail. I added that were the book to be published and earn royalties, all the money would be donated to the humanitarian projects run by HAWCA (Humanitarian Assistance for the Women and Children of Afghanistan), the organization to which she belonged. There is an Afghan saying — a Persian proverb from the region around Kabul — that reads: "There are those who sell, for two and a quarter reales, sparrows still cleaving the sky." My offer was like the cry of such a vendor who had nothing on hand to sell. But she accepted. It was then that I realized that I didn't know a thing about her other than her name. She offered me all the help that she could, apologizing that her stay in Barcelona was nearing its end and that there wasn't enough time to meet again and talk. But she assured me that she'd answer any and all questions, and that she'd send me all the information that I would need. That was the start of an intense e-mail correspondence, during which I studied English, geography, literature, international relations, antecedents, origins and causes of the conflict, declarations, news reports, articles by experts in the field, and denouncements by Afghan women themselves.
Thus it was that I established a pact with Afghanistan and with the Afghan people: through this woman who symbolized them to me. The account of my time there would be the fruit and expression of this pact. But four days of avoiding the keyboard had flooded me with a sea of nostalgia, and I was shut up in my house like a snail, thanking the gods that everyone else was away on vacation. I didn't feel like seeing or speaking to anybody. I just wanted to be alone so I could savor and assimilate this Afghan sadness that has drawn me out of the shell of memory.
I've already discussed the curiosities and adventures with the whole world. But in reality, everything still remains to be said. I don't know who will be willing to lend an ear to what it is that I have to say, who will know how to put themselves in my shoes and understand this strange mix of emotions and experiences, of desires, joys, and pains. I don't know who will want to accompany me into the depths of that dark and most silent well of peaceful and serene sadness yet not despair. Nor do I know if there will be someone to laugh with me over each of the thousand anecdotes and enjoyable situations that life was offering us, from day to day and throughout our entire existence, even the most dramatic of situations.
In reality, I might even venture to say that life has the same subtle sense of humor as the Afghans, who love to laugh and who — even in the worst of situations, once they have calculated the danger, eliminated options, and made decisions, after thoughtful and interminable deliberations — never fail to take advantage of the chance to smile in the face of the only grotesque detail of a history of terror.
Their secret is that they have no fear.
They recognize the danger, but they don't live in fear. They do what they have to do, they do it with prudence and with taking as many precautions as possible, but nothing stops them. Outwitting the danger spurs them on and is the source of a new round of smiles.
I like the Afghan people. I like them a lot.
I love the perpetual sadness pouring from dry, unflinching eyes. The sadness of Afghan refugees is the profound and sober sadness of a paradise lost, the nostalgia of the country that they ardently love: Afghanistan ... You hear them pronounce its name and before you can translate what they are saying, the tone and accent of each syllable filters throughout your body and resonates in corners unknown until now. They say "Afghanistan" and this name on their lips tastes of the sweetest kiss, of lost love, of soft lullabies, of a friendly breast, of a protective den, of distant rain.
The contagious sadness of love and nostalgia.
Though I am not Afghan, my eyes cloud over with a yearning for Afghanistan and Kabul. And I wish to be an Afghan woman so that I might have the right to fight alongside them, so that I might stay there — from one edge to the other of that oppressed frontier — defending the rights of my people, establishing a peaceful resistance to the nongovernment of barbarism, contributing pencils and paper and clandestine books to the revolution against those trying to impose ignorance and quash the people's spirit, their intelligence, and all other liberties.
I embarked on my journey to Afghanistan fascinated by her ancient and recent history, by the diversity of her people, the richness of her languages, her cultures, her traditions; enamored of all the myths that embody that thin, dark-haired, and nacre-skinned woman, the Afghan refugee who had come to Barcelona for a day during her tour of several European cities to tell the world about the plight of Afghan women, both within and beyond her borders, and to bring her organization's work to the attention of refugees, building schools, creating jobs for women, and giving aid and assistance to the clandestine networks in Taliban-controlled Afghanistan working to promote literacy and provide health care to those who are denied education and medical attention.
I went to Afghanistan because my heart was touched, and I returned with my heart stolen. Part of the Afghans' sadness has become mine, and I consider it a privilege — a treasure I never want to lose — because this sadness acts like a filter that tinges everything with a new sheen, and when it doesn't drive one to suicide, it is an endless fountain of energy. It is the shadow under which you rest and act, where plans for future hope are hatched: you don't pay it any heed; you don't even realize that it exists. But it is there.
A sadness of love that lives in the heart of every Afghan and in Afghanistan herself, in her mountains, from an almost white ochre to a toasted brown, with her patches of sudden green, in the Kabul River and her varying tonalities, in dusty, treeless, bomb-scarred streets. And in Kabul, "The Silent," where music and laughter are prohibited. Old and New Kabul, both destroyed by bombs, expansive, surrounded by supremely high mountains and climbing through the hills. When you've been in Kabul and hours and hours of sun have filled your eyes with Afghanistan's magnificent landscapes, rough and hard like living rock, you understand the only common lament of this people of easy smiles and reserved sadness, the only complaint that is allowed in the middle of the eternally sultry weather; as one Afghan in Peshawar, the city of his exile, said, in passing, "Ah, the Kabul climate!"
Then his expression lights up and you know that the climate is unimportant, simply a reference, a sort of innocent symbol divested of implications and connotations, where they evoke and translate the memory and nostalgia of a country, a life, a past that was ever theirs until being snatched away.
It is this Afghan sadness of love that today shakes me out of my lethargy and moves me to sit down at my keyboard, animated and full of energy, ready to fulfil my pact.
CHAPTER 2
SUNDAY, JULY 30, 2000.
Peshawar.
The first day that you saw each other, you were friends; when you saw each other again, you did so as brothers.
We touch down in Pakistan at dawn, at the airport in Islamabad, her capital. On the plane, when our watches indicated that it was midnight in Barcelona, the flight attendants were waking us up to serve breakfast.
It is still dark out when we disembark from the plane, and our first impression is that of entering a pocket of hot air. The kind of heat that comes off a car's engine in the summertime just after you shut it off. Our bodies' cooling systems switch on and cover our skin with a permanent film, a sweat bath that still hasn't left us. But in spite of my usual aversion to heat, all I can think about is that it could be worse.
The airport is full of people. Of men. All dressed in loose pants and long-sleeved shirts that reach down to their knees. White, sky-blue, and beige. The dominant colors of the human wall of Pakistanis who await, behind the gate, the arrival of the passengers coming from the West with whom we've flown since London. Entire, decked-out families: dragging their gauze chadors, laden with gold and children, and those more restrained, in their embroidered caps, some wearing a jacket and tie, perhaps — we suppose — to impress those who will be meeting them. We go on supposing that they are Pakistanis now living in the United Kingdom who come back to visit and who, just as with our country's travelers who return home from trips to Germany, Switzerland, or France, are permitted the pleasure of showing off how good things are there.
We are just passing through Islamabad. A national flight to Peshawar awaits us. Sara, Meme, and I inform the airport employees, and are ordered to gather our bags. To get to Peshawar, we have to check in again. We are caught up in the flood of families surging toward the baggage claim areas. Wheelchair-bound grandparents direct the luggage rescue operation; mothers with strollers, a baby in arms with two more back around in her chador wait next to the suitcases. Youths hawk luggage carts, laden like forklifts, driving them who knows where. Noise. Tumult. Apologetic smiles back and forth.
And Meme's bag doesn't appear.
Another carousel fills with the luggage from a flight full of Pakistanis just arrived from the U.S. The belt spits out huge bags and boxes, including some well-packaged microwaves brought home by travelers for their relatives in Pakistan.
(Continues...)
Excerpted from The Silenced Cry by Ana Tortajada, Ezra E. Fitz. Copyright © 2004 Ana Tortajada. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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