Sneaky Kid and Its Aftermath: Ethics and Intimacy in Fieldwork
Brad -- a schizophrenic school dropout and self-described "sneaky kid" -- first appears as a squatter near Harry Wolcott's forest home. He becomes Wolcott's subject in a long-term life history on how the educational system can fail students. Wolcott's trilogy of articles based on their years of interviews were well-received -- until he confessed to an intimate relationship with the young man who, two years after leaving his area, returned and attempted to murder the anthropologist. The Brad Trilogy then became the starting point for heated discussions of research ethics, validity, and the limitations of qualitative research. Here, Wolcott presents the full story of the Sneaky Kid and the academic firestorm it caused. He also reflects on what the project means for the practice of field research. A stage play derived from the study (by Johnny Saldana) is also included. Written in Wolcott's masterful style, this book is an ideal starting point for discussing the many complex issues of qualitative research.
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Sneaky Kid and Its Aftermath: Ethics and Intimacy in Fieldwork
Brad -- a schizophrenic school dropout and self-described "sneaky kid" -- first appears as a squatter near Harry Wolcott's forest home. He becomes Wolcott's subject in a long-term life history on how the educational system can fail students. Wolcott's trilogy of articles based on their years of interviews were well-received -- until he confessed to an intimate relationship with the young man who, two years after leaving his area, returned and attempted to murder the anthropologist. The Brad Trilogy then became the starting point for heated discussions of research ethics, validity, and the limitations of qualitative research. Here, Wolcott presents the full story of the Sneaky Kid and the academic firestorm it caused. He also reflects on what the project means for the practice of field research. A stage play derived from the study (by Johnny Saldana) is also included. Written in Wolcott's masterful style, this book is an ideal starting point for discussing the many complex issues of qualitative research.
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Sneaky Kid and Its Aftermath: Ethics and Intimacy in Fieldwork
Brad -- a schizophrenic school dropout and self-described "sneaky kid" -- first appears as a squatter near Harry Wolcott's forest home. He becomes Wolcott's subject in a long-term life history on how the educational system can fail students. Wolcott's trilogy of articles based on their years of interviews were well-received -- until he confessed to an intimate relationship with the young man who, two years after leaving his area, returned and attempted to murder the anthropologist. The Brad Trilogy then became the starting point for heated discussions of research ethics, validity, and the limitations of qualitative research. Here, Wolcott presents the full story of the Sneaky Kid and the academic firestorm it caused. He also reflects on what the project means for the practice of field research. A stage play derived from the study (by Johnny Saldana) is also included. Written in Wolcott's masterful style, this book is an ideal starting point for discussing the many complex issues of qualitative research.
Harry F. Wolcott (1929-2012) was professor emeritus in the Department of Anthropology at the University of Oregon and a leading author in anthropology and research methods. Wolcott's major works include anthropological studies of American education: Teachers Versus Technocrats and The Man in the Principal's Office: An Ethnography. He also wrote extensively on fieldwork and writing: Transforming Qualitative Data; The Art of Fieldwork; Ethnography: A Way of Seeing; and Writing Up Qualitative Data and is the author of the more recent Sneaky Kid and Its Aftermath: Ethics and Intimacy in Fieldwork (all published by AltaMira Press). Johnny Saldana is a Professor of Theatre at Arizona State University, and his studies in qualitative research range from ethnography to ethnotheatre. He has written several articles on theatre teachers' perceptions of their practice, and young people's development as audiences and artists. One of these studies includes the ethnodrama "Maybe someday, if I'm famous...", a one-act case study of an adolescent actor.