Solvent Gels for the Cleaning of Works of Art: The Residue Question

The cleaning of a work of art often involves removing not only dirt and grime but also unwanted layers of varnish, gilding, and paint from the work's surface. The challenge for conservators lies in finding a cleaning agent that will act on one layer without affecting the layer being preserved and without leaving any harmful residues on the cleaned work. This book, which examines gel cleaning in the treatment of paintings and painted works of art, presents the methodologies, data, and results of a collaborative project of the Getty Conservation Institute and Winterthur Museum.
Among the issues covered are the theory and application of gel cleaning systems, the detection of residues left on the surfaces of objects cleaned with these systems, research into solvent-gel and solvent residues, stability of surfactants during natural and artificial aging, and recommendations for formulating gels for specific cleaning tasks.

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Solvent Gels for the Cleaning of Works of Art: The Residue Question

The cleaning of a work of art often involves removing not only dirt and grime but also unwanted layers of varnish, gilding, and paint from the work's surface. The challenge for conservators lies in finding a cleaning agent that will act on one layer without affecting the layer being preserved and without leaving any harmful residues on the cleaned work. This book, which examines gel cleaning in the treatment of paintings and painted works of art, presents the methodologies, data, and results of a collaborative project of the Getty Conservation Institute and Winterthur Museum.
Among the issues covered are the theory and application of gel cleaning systems, the detection of residues left on the surfaces of objects cleaned with these systems, research into solvent-gel and solvent residues, stability of surfactants during natural and artificial aging, and recommendations for formulating gels for specific cleaning tasks.

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Solvent Gels for the Cleaning of Works of Art: The Residue Question

Solvent Gels for the Cleaning of Works of Art: The Residue Question

Solvent Gels for the Cleaning of Works of Art: The Residue Question

Solvent Gels for the Cleaning of Works of Art: The Residue Question

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Overview

The cleaning of a work of art often involves removing not only dirt and grime but also unwanted layers of varnish, gilding, and paint from the work's surface. The challenge for conservators lies in finding a cleaning agent that will act on one layer without affecting the layer being preserved and without leaving any harmful residues on the cleaned work. This book, which examines gel cleaning in the treatment of paintings and painted works of art, presents the methodologies, data, and results of a collaborative project of the Getty Conservation Institute and Winterthur Museum.
Among the issues covered are the theory and application of gel cleaning systems, the detection of residues left on the surfaces of objects cleaned with these systems, research into solvent-gel and solvent residues, stability of surfactants during natural and artificial aging, and recommendations for formulating gels for specific cleaning tasks.


Product Details

ISBN-13: 9780892367597
Publisher: Getty Publications
Publication date: 08/28/2004
Series: Getty Trust Publications: Getty Conservation Institute Series
Edition description: 1
Pages: 174
Product dimensions: 8.50(w) x 11.00(h) x 0.70(d)

About the Author

David Miller is professor of sociology at the University of Strathclyde in Scotland. He is the editor of Thinker, Faker, Spinner, Spy; Arguments Against G8; and Tell Me Lies: Propaganda and Media Distortion in the Attack on Iraq.

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