Sovereign Bones: New Native American Writing

by Eric Gansworth

Overview

Sovereign Bones is an exploration of indigenous peoples and how they have managed to maintain separate identities, in spite of their assimilation into the broader American culture. Edited by Eric Gansworth, this collection of original writing focuses on the key role that writers and visual artists have played in the struggle of native peoples to retain their individual identities. In personal essays, memoir, and historical reflections, each writer explores the ways in which they arrived at their work and how they have retained a traditional way of life in that work. Taken as a whole, Sovereign Bones is a testimony to the resilience of indigenous cultures and the integral contributions artists make to that survival. Featured authors include: Marijo Moore, Louise Erdrich, Alex Jacobs, Heid Erdrich, Maurice Kenny, Diane Glancy, Jeanette Weaskus, Simon Ortiz.

Product Details

ISBN-13:	9781568583570
Publisher:	Nation Books
Publication date:	10/28/2007
Series:	New Native American Writing Series
Pages:	352
Product dimensions:	5.50(w) x 8.10(h) x 1.00(d)

About the Author

Eric Gansworth is a writer and teacher whose work has been included in many fiction and nonfiction anthologies. He is currently works as Professor of English at Canisius College, Buffalo, NY.

Editorial Reviews

Emphasizing strategies for maintaining an indigenous cultural identity within the dominant society's constant assault on tradition and memory, this anthology of contemporary Native American writing is a sequel to 2003's Genocide of the Mind, which emphasized the assimilation of indigenous peoples. In more than 30 autobiographical essays and personal reflections, writers, educators and artists representing a wide variety of tribal affiliations address such battlegrounds as history, poverty, language and image-making in contemporary struggles for indigenous identity and self-representation. The volume also includes a selection of artwork that echoes the ideas advanced by these writers. In a spirit of resolve that Simon J. Ortiz describes as "resistance against disappearance," the pieces invariably emphasize intergenerational dependence, as in Scott Richard Lyons's charming firsthand appreciation of the life and career of the late Vine Deloria. Also shown is the individual's need to reconfigure tradition within the present, as in Annabel Wong's reflections on photography and self-portraiture or Sherman Alexie's episodic "unauthorized autobiography." As Alexie notes, "So much has been taken from us that we hold onto the smallest things left with all the strength we have." And yet, as this illuminating volume amply demonstrates, there remain sovereign worlds to discover, reconfigure and repossess. (Nov.)

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