The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art
Christian Romanticism was a response to social changes within nineteenth-century American culture, including women's literacy, spiritual domesticity, and the idealization of childhood. This book examines the work of three artists of the first American landscape tradition -- Washington Alston, Thomas Cole, and Frederic Edwin Church -- and two clergymen -- Horace Bushnell and Henry Ward Beecher. It assesses their understanding of the artist as a social and moral teacher, the didactic role of art in society more generally, and a God who acts in history. The author finds that the art of Allston, Cole, and Church expressed and served the dominant middle-class religious ideology of the time -- Christian Romanticism. This distinguishes their work from more elitist and regional work.
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Christian Romanticism was a response to social changes within nineteenth-century American culture, including women's literacy, spiritual domesticity, and the idealization of childhood. This book examines the work of three artists of the first American landscape tradition -- Washington Alston, Thomas Cole, and Frederic Edwin Church -- and two clergymen -- Horace Bushnell and Henry Ward Beecher. It assesses their understanding of the artist as a social and moral teacher, the didactic role of art in society more generally, and a God who acts in history. The author finds that the art of Allston, Cole, and Church expressed and served the dominant middle-class religious ideology of the time -- Christian Romanticism. This distinguishes their work from more elitist and regional work.
The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art
Christian Romanticism was a response to social changes within nineteenth-century American culture, including women's literacy, spiritual domesticity, and the idealization of childhood. This book examines the work of three artists of the first American landscape tradition -- Washington Alston, Thomas Cole, and Frederic Edwin Church -- and two clergymen -- Horace Bushnell and Henry Ward Beecher. It assesses their understanding of the artist as a social and moral teacher, the didactic role of art in society more generally, and a God who acts in history. The author finds that the art of Allston, Cole, and Church expressed and served the dominant middle-class religious ideology of the time -- Christian Romanticism. This distinguishes their work from more elitist and regional work.
Christian Romanticism was a response to social changes within nineteenth-century American culture, including women's literacy, spiritual domesticity, and the idealization of childhood. This book examines the work of three artists of the first American landscape tradition -- Washington Alston, Thomas Cole, and Frederic Edwin Church -- and two clergymen -- Horace Bushnell and Henry Ward Beecher. It assesses their understanding of the artist as a social and moral teacher, the didactic role of art in society more generally, and a God who acts in history. The author finds that the art of Allston, Cole, and Church expressed and served the dominant middle-class religious ideology of the time -- Christian Romanticism. This distinguishes their work from more elitist and regional work.
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The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art
248
The Spirit and the Vision: The Influence of Christian Romanticism on the Development of 19th-Century American Art
248
35.0
Out Of Stock
Product Details
| ISBN-13: | 9781555409753 |
|---|---|
| Publisher: | Oxford University Press, USA |
| Publication date: | 01/02/1995 |
| Series: | AAR Academy Series , #84 |
| Pages: | 248 |
| Product dimensions: | 6.00(w) x 8.90(h) x 0.80(d) |
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