The Spy: A Tale of the Neutral Ground
The Spy: a Tale of the Neutral Ground was James Fenimore Cooper's second novel, published in 1821. This was the earliest United States novel to win wide and permanent fame and may be said to have begun the type of romance which dominated U.S. fiction for 30 years.
The action takes place during the American Revolution. The share of historical fact in the story is not large, but the action takes place so near to great events that the characters are all invested with something of the dusky light of heroes, while George Washington moves among them like an unsuspected god. The book is full of swelling rhetoric and the ardent national piety of Cooper's generation.
The plot ranges back and forth over the neutral ground between the Continental and British armies with great haste and sweep. To rapid movement Cooper adds the merit of a very real setting. He knew Westchester County, New York, where he was then living, and its sparse legends as Walter Scott knew the Anglo-Scottish border. Thus, the topography of The Spy is drawn with a firm hand.
Accepting for women the romantic ideals of the day, the heroines of the novel are cast in the conventional mold of helplessness and decorum. The less sheltered Betty Flanagan, no heroine at all in the elegant sense, is amusing and truthful. The gentlemen are little more than mere heroes, whatever the plain fellows may be. But Harvey Birch, peddler and patriot, his character remotely founded upon that of a real spy who had helped John Jay, is essentially memorable and arresting.
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The Spy: A Tale of the Neutral Ground
The Spy: a Tale of the Neutral Ground was James Fenimore Cooper's second novel, published in 1821. This was the earliest United States novel to win wide and permanent fame and may be said to have begun the type of romance which dominated U.S. fiction for 30 years.
The action takes place during the American Revolution. The share of historical fact in the story is not large, but the action takes place so near to great events that the characters are all invested with something of the dusky light of heroes, while George Washington moves among them like an unsuspected god. The book is full of swelling rhetoric and the ardent national piety of Cooper's generation.
The plot ranges back and forth over the neutral ground between the Continental and British armies with great haste and sweep. To rapid movement Cooper adds the merit of a very real setting. He knew Westchester County, New York, where he was then living, and its sparse legends as Walter Scott knew the Anglo-Scottish border. Thus, the topography of The Spy is drawn with a firm hand.
Accepting for women the romantic ideals of the day, the heroines of the novel are cast in the conventional mold of helplessness and decorum. The less sheltered Betty Flanagan, no heroine at all in the elegant sense, is amusing and truthful. The gentlemen are little more than mere heroes, whatever the plain fellows may be. But Harvey Birch, peddler and patriot, his character remotely founded upon that of a real spy who had helped John Jay, is essentially memorable and arresting.
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The Spy: A Tale of the Neutral Ground

The Spy: A Tale of the Neutral Ground

The Spy: A Tale of the Neutral Ground

The Spy: A Tale of the Neutral Ground

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Overview

The Spy: a Tale of the Neutral Ground was James Fenimore Cooper's second novel, published in 1821. This was the earliest United States novel to win wide and permanent fame and may be said to have begun the type of romance which dominated U.S. fiction for 30 years.
The action takes place during the American Revolution. The share of historical fact in the story is not large, but the action takes place so near to great events that the characters are all invested with something of the dusky light of heroes, while George Washington moves among them like an unsuspected god. The book is full of swelling rhetoric and the ardent national piety of Cooper's generation.
The plot ranges back and forth over the neutral ground between the Continental and British armies with great haste and sweep. To rapid movement Cooper adds the merit of a very real setting. He knew Westchester County, New York, where he was then living, and its sparse legends as Walter Scott knew the Anglo-Scottish border. Thus, the topography of The Spy is drawn with a firm hand.
Accepting for women the romantic ideals of the day, the heroines of the novel are cast in the conventional mold of helplessness and decorum. The less sheltered Betty Flanagan, no heroine at all in the elegant sense, is amusing and truthful. The gentlemen are little more than mere heroes, whatever the plain fellows may be. But Harvey Birch, peddler and patriot, his character remotely founded upon that of a real spy who had helped John Jay, is essentially memorable and arresting.

Product Details

ISBN-13: 9780404644543
Publisher: AMS Press, Inc.
Publication date: 04/01/2002
Series: Writings of James Fenimore Cooper Series
Pages: 551
Product dimensions: 6.30(w) x 9.06(h) x (d)

About the Author

James Fenimore Cooper (1789-1851) grew up at Otsego Hall, his father’s manorial estate near Lake Otsego in upstate New York. Educated at Yale, he spent five years at sea, as a foremast hand and then as a midshipman in the navy. At thirty he was suddenly plunged into a literary career when his wife challenged his claim that he could write a better book that the English novel he was reading to her. The result was Precaution (1820), a novel of manners. His second book, The Spy (1821), was an immediate success, and with The Pioneers (1823) he began his series of Leatherstocking Tales. By 1826 when The Last of the Mohicans appeared, his standing as a major novelist was clearly established. From 1826 to 1833 Cooper and his family lived and traveled in France, Switzerland, Italy, and Germany. Two of his most successful works, The Prairie and The Red Rover, were published in 1827. He returned to Otsego Hall in 1834, and after a series of relatively unsuccessful books of essays, travel sketches, and history, he returned to fiction – and to Leatherstocking – with The Pathfinder (1840) and The Deerslayer (1841). In his last decade he faced declining popularity brought on in part by his waspish attacks on critics and political opponents. Just before his death in 1851 an edition of his works led to a reappraisal of his fiction and somewhat restored his reputation as the first of American writers.

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