A Tale of Two Cities
Lucie Manette has been separated from her father for eighteen years while he languished in Paris's most feared prison, the Bastille. Finally reunited, the Manettes' fortunes become inextricably intertwined with those of two men, the heroic aristocrat Darnay and the dissolute lawyer Carton. Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution.
1002093852
A Tale of Two Cities
Lucie Manette has been separated from her father for eighteen years while he languished in Paris's most feared prison, the Bastille. Finally reunited, the Manettes' fortunes become inextricably intertwined with those of two men, the heroic aristocrat Darnay and the dissolute lawyer Carton. Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution.
4.49 In Stock
A Tale of Two Cities

A Tale of Two Cities

by Charles Dickens
A Tale of Two Cities

A Tale of Two Cities

by Charles Dickens

eBook

$4.49  $4.99 Save 10% Current price is $4.49, Original price is $4.99. You Save 10%.

Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
WANT A NOOK?  Explore Now

Related collections and offers


Overview

Lucie Manette has been separated from her father for eighteen years while he languished in Paris's most feared prison, the Bastille. Finally reunited, the Manettes' fortunes become inextricably intertwined with those of two men, the heroic aristocrat Darnay and the dissolute lawyer Carton. Their story, which encompasses violence, revenge, love and redemption, is grippingly played out against the backdrop of the terrifying brutality of the French Revolution.

Product Details

ISBN-13: 9781407091433
Publisher: Random House Adult Trade Publishing Group
Publication date: 06/01/2010
Sold by: Barnes & Noble
Format: eBook
Pages: 448
File size: 2 MB

About the Author

About The Author
Charles Dickens was born on February 7, 1812, in Landport, Portsea, England. He died in Kent on June 9, 1870. The second of eight children of a family continually plagued by debt, the young Dickens came to know not only hunger and privation,but also the horror of the infamous debtors’ prison and the evils of child labor. A turn of fortune in the shape of a legacy brought release from the nightmare of prison and “slave” factories and afforded Dickens the opportunity of two years’ formal schooling at Wellington House Academy. He worked as an attorney’s clerk and newspaper reporter until his Sketches by Boz (1836) and The Pickwick Papers (1837) brought him the amazing and instant success that was to be his for the remainder of his life. In later years, the pressure of serial writing, editorial duties, lectures, and social commitments led to his separation from Catherine Hogarth after twenty-three years of marriage. It also hastened his death at the age of fifty-eight, when he was characteristically engaged in a multitude of work.

Richard Maxwell teaches in the Comparative Literature & English departments at Yale.

Date of Birth:

February 7, 1812

Date of Death:

June 18, 1870

Place of Birth:

Portsmouth, England

Place of Death:

Gad's Hill, Kent, England

Education:

Home-schooling; attended Dame School at Chatham briefly and Wellington

Read an Excerpt

Chapter 1

The Period

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way—in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.There were a king with a large jaw and a queen with a plain face, on the throne of England; there were a king with a large jaw and a queen with a fair face, on the throne of France. In both countries it was clearer than crystal to the lords of the State preserves of loaves and fishes, that things in general were settled for ever.

It was the year of Our Lord one thousand seven hundred and seventy-five. Spiritual revelations were conceded to England at that favoured period, as at this. Mrs. Southcott had recently attained her five-and-twentieth blessed birthday, of whom a prophetic private in the Life Guards had heralded the sublime appearance by announcing that arrangements were made for the swallowing up of London and Westminster. Even the Cock Lane ghost had been laid only a round dozen of years, after rapping out its messages, as the spirits of this very year last past (supernaturally deficient in originality) rapped out theirs. Mere messages in the earthly order of events had lately come tothe English Crown and People, from a congress of British subjects in America: which, strange to relate, have proved more important to the human race than any communications yet received through any of the chickens of the Cock Lane brood.France, less favoured on the whole as to matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down hill, making paper money and spending it. Under the guidance of her Christian pastors, she entertained herself, besides, with such humane achievements as sentencing a youth to have his hands cut off, his tongue torn out with pincers, and his body burned alive, because he had not kneeled down in the rain to do honour to a dirty procession of monks which passed within his view, at a distance of some fifty or sixty yards. It is likely enough that, rooted in the woods of France and Norway, there were growing trees, when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain movable framework with a sack and a knife in it, terrible in history. It is likely enough that in the rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by pigs, and roosted in by poultry, which the Farmer, Death, had already set apart to be his tumbrils of the Revolution. But that Woodman and that Farmer, though they work unceasingly, work silently, and no one heard them as they went about with muffled tread: the rather, forasmuch as to entertain any suspicion that they were awake, was to be atheistical and traitorous.

In England, there was scarcely an amount of order and protection to justify much national boasting. Daring burglaries by armed men, and highway robberies, took place in the capital itself every night; families were publicly cautioned not to go out of town without removing their furniture to upholsterers' warehouses for security; the highwayman in the dark was a City tradesman in the light, and, being recognised and challenged by his fellow tradesman whom he stopped in his character of 'the Captain,' gallantly shot him through the head and rode away; the mail was waylaid by seven robbers, and the guard shot three dead, and then got shot dead himself by the other four, 'in consequence of the failure of his ammunition'; after which the mail was robbed in peace; that magnificent potentate, the Lord Mayor of London, was made to stand and deliver on Turnham Green, by one highwayman, who despoiled the illustrious creature in sight of all his retinue; prisoners in London gaols fought battles with their turnkeys, and the majesty of the law fired blunderbusses in among them, loaded with rounds of shot and ball; thieves snipped off diamond crosses from the necks of noble lords at Court drawing rooms; musketeers went into St. Giles's, to search for contraband goods, and the mob fired on the musketeers, and the musketeers fired on the mob, and nobody thought any of these occurrences much out of the common way. In the midst of them, the hangman, ever busy and ever worse than useless, was in constant requisition; now, stringing up long rows of miscellaneous criminals; now, hanging a housebreaker on Saturday who had been taken on Tuesday; now, burning people in the hand at Newgate by the dozen, and now burning pamphlets at the door of Westminster Hall; today, taking the life of an atrocious murderer, and tomorrow of a wretched pilferer who had robbed a farmer's boy of sixpence.

All these things, and a thousand like them, came to pass in and close upon the dear old year one thousand seven hundred and seventy-five. Environed by them, while the Woodman and the Farmer worked unheeded, those two of the large jaws, and those other two of the plain and the fair faces, trod with stir enough, and carried their divine rights with a high hand.


Table of Contents



Insights into Charles Dickens



Book 1

Recalled to Life



Chapter 1

The Period

16

Chapter 2

The Mail

20

Chapter 3

The Night Shadows (Summary)

27

Chapter 4

The Preparation

28

Chapter 5

The Wine-Shop

41

Chapter 6

The Shoemaker

53

Book 2

The Golden Thread



Chapter 1

Five Years Later (Summary)

67

Chapter 2

A Sight

69

Chapter 3

A Disappointment

77

Chapter 4

Congratulatory (Summary)

92

Chapter 5

The Jackal

94

Chapter 6

Hundreds of People (Summary)

101

Chapter 7

Monseigneur in Town (Summary)

103

Chapter 8

Monseigneur in the Country (Summary)

104

Chapter 9

The Gorgon's Head

105

Chapter 10

Two Promises

119

Chapter 11

A Companion Picture (Summary)

127

Chapter 12

The Fellow of Delicacy (Summary)

128

Chapter 13

The Fellow of No Delicacy

129

Chapter 14

The Honest Tradesman

134

Chapter 15

Knitting

145

Chapter 16

Still Knitting

157

Chapter 17

One Night (Summary)

169

Chapter 18

Nine Days

170

Chapter 19

An Opinion

177

Chapter 20

A Plea (Summary)

185

Chapter 21

Echoing Footsteps

186

Chapter 22

The Sea Still Rises

199

Chapter 23

Fire Rises (Summary)

205

Chapter 24

Drawn to the Loadstone Rock

207

Book 3

The Track of A Storm



Chapter 1

In Secret

221

Chapter 2

The Grindstone (Summary)

234

Chapter 3

The Shadow

236

Chapter 4

Calm in Storm (Summary)

242

Chapter 5

The Wood-Sawyer (Summary)

244

Chapter 6

Triumph

246

Chapter 7

A Knock at the Door (Summary)

254

Chapter 8

A Hand at Cards

255

Chapter 9

The Game Made

268

Chapter 10

The Substance of the Shadow

283

Chapter 11

Dusk (Summary)

298

Chapter 12

Darkness

299

Chapter 13

Fifty-Two

308

Chapter 14

The Knitting Done

321

Chapter 15

The Footsteps Die Out Forever

334


What People are Saying About This

From the Publisher

"Charles Dickens's classic of the French Revolution is expertly dramatized by Simon Vance." —-AudioFile

EBOOK COMMENTARY

"Charles Dickens's classic of the French Revolution is expertly dramatized by Simon Vance." —-AudioFile

Reading Group Guide

This reading group guide for An Atlas of Impossible Longing includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

INTRODUCTION

In this reimagining of Charles Dickens’s classic, Great Expectations, Pip is an orphaned young werewolf living with his ill-tempered sister and her gentle husband, the blacksmith Joe Gargery. One fateful night, visiting his parents’ grave under the full moon, Pip encounters a frightening stranger—another werewolf and a convict no less. Too afraid to do anything other than obey the stranger’s instruction, Pip helps this convict and sets in motion of chain of events that will forever change the course of his life. Pip is sent to reside with Miss Havisham, a vampire who was sired and left on her wedding day by the one she loved. She has adopted Estella and raised her as a vampire slayer, to seek revenge on the supernatural creatures that she blames for her ruin. Pip, in awe of Estella’s beauty, falls instantly in love with her despite the fact that she has been trained to hate all “Scapegraces.” When an anonymous benefactor sends Pip to London to become a gentleman, he believes it is his chance to win Estella’s hand. The question that lies ahead is whether Pip will be able to overcome his wolfish ways and turn his once grave expectations for himself into great ones.

TOPICS AND QUESTIONS FOR DISCUSSION

1. In Pip’s world, the term “Scapegraces” is used to define “those of a supernatural sort” (p. 11). What do you think this term implies about the way that creatures like werewolves and vampires were viewed in this society?

2. On page 12, Pip wonders, “Was it a crime to merely be different?” While being a werewolf is simply a condition inherited at birth, vampires prey on the living to increase their population, and yet are “considered civilized and welcome to mix in society.” Is one creature more monstrous than the other? Do both werewolves and vampires have the capacity for good and evil?

3. After being invited to Miss Havisham’s and then later learning of his anonymous benefactor, Pip often feels ashamed of his roots, and of Joe’s commonness even more so than his own Scapegrace status. Yet Joe never seems to exhibit any embarrassment over Pip’s wolfishness. What does this say about each of their characters? What influences the focus of Pip’s shame?

4. When Mrs. Joe dies (the first time), Pip finds what he knows to be evidence of Magwitch’s crime, but he still does not accuse him. Why do you think Pip believes that Magwitch is innocent of this crime when the main piece of evidence points directly to him?

5. Throughout most of the story, Estella is cold-hearted and shows no affection for Pip despite his unwavering love for her. Why should he love someone who could possibly end up killing him in her crusade against Scapegraces? What makes him fall in love with her in the first place? Why do you think Pip continues to pursue someone who will never return his feelings?

6. Pip and Herbert have a very special friendship. Do you think this brotherly love grew out of the wolfish need to be part of a pack? Or something more human?

7. While Miss Havisham is herself a vampire, she has trained Estella in the ways of vampire slaying. Pip wonders “if Miss Havisham weren’t really wishing to be staked by Estella one day in raising her to such an art” (p. 235). Do you agree? Do you think Miss Havisham’s eventual outcome either supports or refutes this opinion? Why does Estella never stake her, if indeed her mission is to kill vampires?

8. Pip is horrified when he finds out the Magwitch has been his anonymous benefactor all along. Why do you think this revelation is so abhorrent to Pip, when he seems so willing to not only protect Magwitch and keep him safe, but to also protect his feelings by not revealing his disappointment?

9. On page 284, Pip explains to Miss Havisham that there are certain Scapegraces who “showed more humanity than the humans.” Discuss which of the Scapegraces behave with the utmost humanity, and which of the human characters exhibit what could be categorized as monstrous behavior?

10. How does the discovery of Estella’s parentage change things for Pip? Does it change your opinion of her?

11. Why is it so easy for Joe and Biddy to forgive Pip after he had neglected them for so many years? Should Joe have been angry that Pip spent so much time visiting Magwitch after he was captured, when he never kept up his visits to Joe like he had promised?

12. Though Estella is able to eventually see the goodness in werewolves, she never changes her opinion of vampires. Why do you think she can pardon and accept most Scapegraces and still seek vengeance against vampires?

ENHANCE YOUR BOOK CLUB

1. Grave Expectations is a reimagining of Charles Dickens’s classic Great Expectations. Have you read Great Expectations before? If so, how did the supernatural version compare to the classic? What remained the same in this new version of the story? What changed? If not, choose Great Expectations for your next book club pick.

2. Grave Expectations is a literary mash-up—where a fictional classic is retold in present day or with mythical substitutions. Examples include Pride and Prejudice and Zombies or the movie Clueless, which was essentially Jane Austen’s Emma set in Beverly Hills during the 1990s. Try creating a literary mash-up of your own with your book club. Pick a favorite classic and retell the story as though it took place in the present day or with some supernatural characters. The more imaginative, the better!

3. Legends of werewolves and vampires have been carried down through the centuries. How does their depiction in this work compare with your preconceived notions of such supernatural creatures?

From the B&N Reads Blog

Customer Reviews